2020 in Facts and Figures

I already posted my main 2020 in Review and Looking Ahead to 2021 posts a while ago — only on my new blog (separate post to come) –, but I held back on my 2020 reading statistics until the year was well and truly over.  And for all my good intentions when posting my mid-year summary back in early July 2020, the second half of the year continued pretty much in the same vein as the first half had begun; i.e., my statistics for the whole year are still a variation on the theme of Fifty Ways to Leave Your Lover, or, 17 charts showing that 2020 was a year of reading Golden Age mysteries written by women (and following other Anglo-/ UK-centric reading proclivities); i.e. comfort reading galore … it was just that kind of year, I guess.

As a result, my Golden Age Mysteries / Detection Club reading project progressed very nicely.  Luckily, as I said in my main 2020 in Review post, I also managed to add a number of new countries to my Around the World challenge, and the gender balance is solidly in favor of women authors: I read almost 2 1/2 books by women for every book written by a man — in fact, I even reread more books by women than the total number of books by men.  So there was at least some progress in other areas, too.  And I liked or even loved most of the books I read in 2020 — including most of the new-to-me books –, which of course was another huge plus; in a year where reading was my go-to source of comfort, at that: most of my ratings were 4 stars or higher and thus, above the rating that marks “average” in my personal scale (3.5 stars).

Still, in 2021 I’m going to make a fresh attempt to refocus on my Around the World reading project, in furtherance of which I’ve also created a Diversity Bingo that I’ll try to get through in the space of this one year (though if it takes longer, it takes longer); and I’ll also try to include more books from my Freedom and Future Library in my yearly reading again.

And now, without any further ado:

Greatest New Author Discoveries of 2020

Classics and LitFic
Bernardine Evaristo
Olivia Manning

Historical Fiction
Dorothy Dunnett
Jean-François Parot
Paul Doherty

Golden and Silver Age Mysteries
Josephine Bell
Moray Dalton
Molly Thynne
Christianna Brand
Anthony Gilbert
Raymond Postgate
Patricia Moyes

My Life in Book Titles

This is a meme I’ve seen on quite a few blogs towards the end of 2020; it was created by Annabel at Annabookbel.  You’re to answer the prompts, using only books you have read in 2020; without, if possible, repeating a book title.  I thought I’d include it in my yearly roundup — and to up the ante a little bit further, I decided to use only books I read for the first time in 2020.

In high school I was Unspeakable (John Bercow)

People might be surprised by (my incarnation as) Lioness Rampant (Tamora Pierce)

I will never be The Horse You Came in On (Martha Grimes), nor Resorting to Murder (Martin Edwards, ed.; Various Authors)

My life in lockdown was like (a) Tour de Force (Christianna Brand) and (a) Tragedy at Law (Cyril Hare)

My fantasy job is The Thinking Machine at Work (Jacques Futrelle)

At the end of a long day I need to be Homegoing (Yaa Gyasi) (to my) Pilgrim’s Rest (Patricia Wentworth)

I hate being (around) Serpents in Eden (Martin Edwards, ed.; Various Authors)

Wish I had The Lost Tools of Learning (Dorothy L. Sayers)

My family reunions are (often with) Thirteen Guests (J. Jefferson Farjeon)

At a party you’d find me with My Friend Mr. Campion (Margery Allingham), Lady Molly of Scotland Yard (Emmuska Orczy), and other Bodies from the Library (Tony Medawar, ed.; Various Authors)

I’ve never been to Goodwood (Holly Throsby), Cherringham (Matthew Costello, Neil Richards), or At the Villa Rose (A.E.W. Mason)

A happy day includes A Small Place (Jamaica Kincaid) (of my own): My Beloved World (Sonia Sotomayor)

Motto(s) I live by: To Love and Be Wise (Josephine Tey); and We Should All Be Feminists (Chimamanda Ngozi Adichie)

On my bucket list is Shakespeare’s Local (Pete Brown)

In my next life, I want to have The Grand Tour (Matthew Pritchard, ed.; Agatha Christie)

The Stats

Number of books started: 273
Number of books finished: 271
DNF: 2
Average Rating (overall): 3.9
Average Rating w/o Favorite Annual Xmas Rereads: 3.8

Note: The above chart includes my 6 annual Christmas rereads, which have a habit of slightly skewing my overall rating figures upwards; without these books, the number of 5-star books is reduced by 5 and the number of 4.5-star books is reduced by 1.

Note: “F / M (mixed)” refers to anthologies with contributions by both male and female authors, as well as to books jointly written by male and female authors. — “N / A” in the protagonist gender chart refers to Martha Wells’s Murderbot, who is deliberately created as gender-neutral.

Note: “Multi-ethnic” either refers to several persons (authors / protagonists) of different genders, or to one person of mixed ethnicity.

 

For any mystery fans still looking for a book for the "Fear the Drowning Deep" bingo square …

… this short story compilation from the British Library Crime Classics series looks like it would fit the bill.  (Link to Obi’s review HERE: obi.booklikes.com/post/1956924/post)

 

 

Original post:
ThemisAthena.booklikes.com/post/1957146/for-any-mystery-fans-still-looking-for-a-book-for-the-fear-the-drowning-deep-bingo-square

Halloween Bingo 2019 PreParty — Question for 08/01 (Day 1): Mystery or Horror?

 

Mystery, definitely.

For one thing, I’m a total chicken — I can’t look at blood (not even, or rather, especially not my own, e.g. in medical procedures); and anything shocking, spooky, or otherwise unnaturally unsettling just has me running for the rafters.  That’s particularly true at night — which is when I’m doing a good deal of my reading — but basically, it applies 24/7.  So that not only rules out slashers and other forms of gory horror, but pretty much any and all forms of psychological horror as well.  The only stories typically classified as “horror” that I can go near are classics where I essentially know what’s going to happen from the word “go” (e.g., Stevenson’s Dr. Jekyll and Mr. Hyde), or ghost stories (mostly classics as well) where the appearance of the ghost(s) is (1) in itself not overly unsettling, at least not in the way in which it is presented to the reader, and / or (2) tied to a larger point that the author is trying to make.  (E.g.  most of Edith Wharton’s ghost stories, Charles Dickens’s The Signalman and — of course — A Christmas Carol and The Chimes, and Oscar Wilde’s hilarious send-up of the genre, The Canterville Ghost.)  Edgar Allan Poe is a special case … I do love some of his writing (e.g., The Masque of the Red Death and The Raven), but The Tell-Tale Heart creeped the hell out of me way back in high school, and that cat story (which shall remain unnamed in this post) … well, let’s just say once was once too often.

And then — well, I became a mystery reader all the way back in elementary school, and that was probably the most formative reading experience of my entire life.  It started with a series of books specifically targeting elementary school kids, whose (idiomatic) title went straight to my little smarta$$ jugular, challenging me to demonstrate I had what it took to solve them.  From there, it was practically guaranteed I’d move on to and love the Three Investigators series — by which time my mom had caught on once and for all, too, and in short order presented me with my first Agatha Christie — After the Funeral, which for that reason alone will always be one of my personal favorites.  And the rest, as they say, is history!

I’ve long stopped looking “just” for clever puzzles in mysteries, although that is still at least one of the things I want to see — it takes a lot of other things in a book to work well for me if I’ve solved the mystery early on and still end up liking the book.  But on the other hand, I’ll be just as unhappy if I can’t connect, on some level or other, with the main character (or if not them, at least an important supporting character) — or if I’m presented with shallowly drawn, cardboard or just flat out boring characters, or if the plot just ties one trope onto the next or is otherwise devoid of originality.  In other words, a mystery that works for me will always be more than merely the hunt for a killer (or other criminal, as the case may be) — it will be a complex blend of well-drawn, individual characters and an intelligent plot, and ideally the characters will also have some other (e.g., personal) challenges to deal with on their journey to the mystery’s solution.

Since I also love historical fiction (and nonfiction), historical mysteries are a particular favorite — provided they’re well-researched, such as Ellis Peters’s Brother Cadfael series (a long-time favorite) and C.J. Sansom’s Shardlake series (my most recent “must-read” series) –, but I’ve never lost my love for the Golden Age classics — next to Christie, in particular Sherlock Holmes and everything Dorothy L. Sayers, as probably everybody here knows — and am thrilled to also see Golden Age crime fiction above and beyond the eternal great ones making such a huge comeback in recent years.  Martin Edwards, the current president (and chief archivist) of both the Detection Club and the Crime Writers’ Association, may not be everybody’s cup of tea personally, but there’s no denying that his lobbying for the revival of Golden and Silver Age crime fiction has a lot to do with this, and I think he deserves huge plaudits on those grounds alone.  That said, P.D. James’s writing (and her Inspector Dalgliesh) also has had a special place in my heart for longer than I can remember … and I’m inordinately happy to have discovered many more great women crime writers and women detectives in recent years; most recently, Joy Ellis’s Jackman and Evans series (*waves to Jennifer*).

Oh, and for the record, the “I can’t look at blood” thing applies to mysteries as well, of course — which is one of the reasons why as a rule I don’t read serial killer books; nor any other mysteries where I know, going in, that the corpse or the crime scene will be described in gratuitously graphic terms.   [She said, side-eying J.K. Rowling for the second Cormoran Strike book, which definitely should come with a warning label attached.]  However, I am not at all opposed to grit and grime in a mystery’s setting — in fact, I particularly enjoy both classic noir crime fiction (with Raymond Chandler a particular favorite) and modern crime fiction that takes a look at the state of society, such as Michael Connelly’s and Ian Rankin’s books.

 

 

Original post:
ThemisAthena.booklikes.com/post/1928863/halloween-bingo-2019-preparty-qestion-for-08-01-day-1-mystery-or-horror

Martin Edwards (ed.) & Various Authors: The Christmas Card Crime and Other Stories (BLCC)

24 Festive Tasks: Door 20 – Christmas, Book


The third annual edition of the British Library’s anthologies of unjustifiedly-buried Golden Age Christmas mystery short stories, again edited by Martin Edwards.  Great fun and a great way to segue into the holiday season, one story at a time.

I’m using it as my book for, guess what, the Christmas square of 24 Festive Tasks.

 

Original post:
ThemisAthena.booklikes.com/post/1814952/24-festive-tasks-door-20-christmas-book

Members of the Detection Club: The Sinking Admiral

24 Festive Tasks: Door 10 – Bon Om Touk, Book


In 1931, “certain members” of the Detection Club — in fact, none other than its leading lights Dorothy L. Sayers, G.K. Chesterton, Agatha Christie, Anthony Berkeley, G.D.H. and Margaret Cole, Victor L. Whitechurch, Freeman Wills Crofts, Henry Wade, John Rhode, Milward Kennedy, Edgar Jepson, Ronald A. Knox and Clemence Dane — published the club’s first round robin crime novel, The Floating Admiral.

To mark the 85th anniversary of The Floating Admiral‘s publication, “certain members” of the Detection Club in its current incarnation, instigated by its president (until 2015), Simon Brett, published a round robin of their own, paying tribute to the original novel not only in its title, The Sinking Admiral, but also by the fact that all the suspects and the two policemen in their collaborative concoction are named for one of the authors of the original book — and The Sinking Admiral‘s other characters (most prominently the two amateur sleuths) are named for first generation Detection Club members as well.

However, whereas the original book was named for a person (the eponymous admiral, or rather, his corpse, floating downriver in a small boat), the tribute is named both for a person and the pub run by him, both of whom are “sinking” metaphorically as a result of the fact that the pub is in dire financial straits.  (Though, yes, the Admiral is still the person whose murder sets the book’s investigation in motion.)  Moreover, whereas the original group of authors all wrote their respective chapters without revealing their own solutions to the group beforehand — even such a solution was required to have been worked out by each contributor by the time their chapter was written — the writers of the tribute book hashed out a plan for the entire book beforehand, and then distributed the chapters among themselves according to their respective specialization.  I confess I liked the second approach better: it simply made for a more coherent book.  The 1931 group probably had tons of fun keeping each other guessing as much as the reader, but the result is a bit of a hodge-podge, which at some point simply gets in the way of enjoyment.  Then again, in order to add another level of mystery, the new group did not unveil the identity of the respective authors of their book’s individual chapters — but I frankly couldn’t be bothered to try and work this one out, though based on subject matter familiarity alone there can hardly be any doubt as to the author of at least one of them, and anyone inclined to dig deeper would probably be able to attribute the authorship of most or even all of the chapters to one particular contributor.

For a round robin — especially one written by a group of authors all specializing in different types of mysteries — The Sinking Admiral is remarkably coherent in style and tone, and most of the Detection Club in jokes it contains come off fairly well.  In that respect, it works very well as a tribute.  However, it occasionally tries to be too many things at the same time: maybe one topical specialization or two should have been sacrificed; even if this would almost certainly have meant jettisoning the contribution of one of my favorite writers; but there’s a historical deviation in the whole thing that simply feels forced, out of place and just general “de trop” (and the odd other arabesque or two could probably have been cut out as well).  Similarly, the extent to which the two cops — or, well, the senior cop at least — are your proverbial country bumpkins who are just screaming to be bested by the two intrepid amateur sleuths just beggars belief.  In that respect, the book feels more like a parody of a well-known Golden Age mystery trope than a tribute.  But by and large, this is quite an enjoyable exponent of crime fiction tribute writing, and it certainly reads like its creators had a ball concocting it.

Since upon closer inspection the blue stuff on the book cover is supposed to be water, I’ll be using this book as my read for the Bon Om Touk square (a book with water on the cover).

 

Original post:
ThemisAthena.booklikes.com/post/1814194/24-festive-tasks-door-10-bon-om-touk-book

Martin Edwards (ed.) & Various Authors: Silent Nights (BLCC)

16 Tasks of the Festive Season: Square 5 – Advent

Golden Age Christmas Vignettes


Book themes for Advent: Read a book with a wreath or with pines or fir trees on the cover

Silent Nights is the first of (at this point) two Christmas mystery short story anthologies in the British Library’s “Crime Classics” series, edited by Martin Edwards. The anthology combines stories by well-known and -remembered authors (e.g., Arthur Conan Doyle, Edgar Wallace, Dorothy L. Sayers, and Margery Allingham) with stories by authors who, even if they may have been household names in their own time — and many were members of the illustrious Detection Club — have since been rolled over by the wheels of time; not always deservedly so.

The standout story in the collection is doubtlessly Arthur Conan Doyle’s The Blue Carbuncle (one of my all-time favorite Sherlock Holmes adventures that shows both ACD and his protagonists Holmes and Watson at their absolute best), but I enjoyed almost all of the stories — in varying degrees, and not all of them were apt to make me want to go on reading an entire novel by the same author, but several did; and thus, I am glad that I have extended my “Detection Club / Golden Age crime fiction quest” to the likes of J. Jefferson Farjeon, Ethel Lina White, Edmud Crispin, Leo Bruce, and Nicholas Blake (better known as Cecil Day-Lewis, poet laureate and father of actor Daniel Day-Lewis).

 

Original post:
ThemisAthena.booklikes.com/post/1623877/16-tasks-of-the-festive-season-square-5-advent-golden-age-christmas-vignettes

16 Tasks of the Festive Season: Updates / Blackout

I’ve yet to read at least one book for some of the squares, but I’ve completed a minimum of either one book or one task for all of the squares, and in several cases, more.

 

 

The Markers:

Stack of Books: Books read

 

 

 

Red Bows and Ribbons: Other Tasks completed

 

The Squares, Books and Other Tasks:

Square 1: November 1st: All Saints Day / Día de los Muertos & Calan Gaeaf

Book themes for Día de Muertos and All Saint’s Day: A book that has a primarily black and white cover, or one that has all the colours (ROYGBIV) together on the cover.

Book themes for Calan Gaeaf:
Read any of your planned Halloween Bingo books that you didn’t end up reading after all, involving witches, hags, or various types of witchcraft –OR– read a book with ivy or roses on the cover, or a character’s name/title of book is / has Rose or Ivy in it.
=> Terry Pratchett: Carpe Jugulum
1 point.

Tasks for Día de Muertos and All Saint’s Day: create a short poem, or an epitaph for your most hated book ever.
=> Epitaph for 50 Shades of Grey and Twilight
1 point.

Tasks for Calan Gaeaf: If you’re superstition-proof, inscribe your name on a rock, toss it in a fire and take a picture to post –OR– Make a cozy wintertime dish involving leeks (the national plant of Wales) and post the recipe and pictures with your thoughts about how it turned out.
=> Bami Goreng
1 point.

 

Square 2: November 5th: Guy Fawkes Night & Bon Om Touk

Book themes for Guy Fawkes Night: Any book about the English monarchy (any genre), political treason, political thrillers, or where fire is a major theme, or fire is on the cover.
=> S.J. Parris: Heresy
1 point.

Book themes for Bon Om Touk: Read a book that takes place on the sea, near the sea, or on a lake or a river, or read a book that has water on the cover.
=> P.D. James: The Lighthouse
1 point.

Tasks for Guy Fawkes Night: Post pictures of past or present bonfires, fireworks (IF THEY’RE LEGAL) or sparklers. Or: Host a traditional English tea party, or make yourself a nice cup of tea and settle down with a good book to read. Which kind of tea is your favorite? Tell us why.
=> Tea and book
1 point.

Tasks for Bon Om Touk: Post a picture from your most recent or favorite vacation on the sea (or a lake, river, or any other body of water larger than a puddle), or if you’re living on the sea or on a lake or a river, post a picture of your favorite spot on the shore / banks / beach / at the nearest harbour.
=> Norfolk Coast / Rhine Valley at and near Bonn
1 point.

 

Square 3: November 11th: St. Martin’s Day & Veterans’ Day / Armistice Day

Book themes for St. Martin’s Day: Read a book set on a vineyard, or in a rural setting, –OR– a story where the MC searches for/gets a new job. –OR– A book with a lantern on the cover, or books set before the age of electricity. –OR– A story dealing with an act of selfless generosity (like St. Martin sharing his cloak with a beggar).
=> Kazuo Ishiguro: An Artist of the Floating World
1 point.

Book themes for Veteran’s Day / Armistice Day: Read a book involving veterans of any war, books about WWI or WWII (fiction or non-fiction). –OR– Read a book with poppies on the cover.

Tasks for St. Martin’s Day: Write a Mother Goose-style rhyme or a limerick; the funnier the better. –OR– Take a picture of the book you’re currently reading, next to a glass of wine, or the drink of your choice, with or without a fire in the background. –OR– Bake a Weckmann; if you’re not a dab hand with yeast baking, make a batch of gingerbread men, or something else that’s typical of this time of the year where you live. Post pics of the results and the recipe if you’d like to share it.

Tasks for Veteran’s Day / Armistice Day: Make, or draw a red poppy and show us a pic of your red poppy or other symbol of remembrance –OR– post a quote or a piece of poetry about the ravages of war.
=> Quotes and poppies
1 point.

 

Square 4: November 22nd and 23rd: Penance Day (22nd) & Thanksgiving (23rd)

Book themes for Penance Day: Read a book that has a monk, nun, pastor / preacher, priest or other representative of the organized church as a protagonist, or where someone is struggling with feelings of guilt or with their conscience (regardless over what).

Book themes for Thanksgiving Day: Books with a theme of coming together to help a community or family in need. –OR– Books with a turkey or pumpkin on the cover.

Tasks for Penance Day: Tell us – what has recently made you stop in your tracks and think? –OR– What was a big turning point in your life? –OR– Penance Day is a holiday of the Protestant church, which dates its origins, in large parts, to Martin Luther, who published his “95 Theses” exactly 500 years ago this year. Compile a catalogue of theses (it needn’t be 95) about book blogging! What suggestions or ideas would you propose to improve the experience of book blogging?

Tasks for Thanksgiving Day: List of 5 things you’re grateful for –OR– a picture of your thanksgiving feast; post your favourite turkey-day recipe. –OR– Be thankful for yourself and treat yourself to a new book – post a picture of it.
=> 5 things to be grateful for.
1 point.

 

Square 5: December 3rd and following 3 Sundays: Advent

Book themes for Advent: Read a book with a wreath or with pines or fir trees on the cover –OR– Read the 4th book from a favorite series, or a book featuring 4 siblings.

Tasks for Advent: Post a pic of your advent calendar. (Festive cat, dog, hamster or other suitable pet background expressly encouraged.)
=> TA’s Advent calendar.
1 point.

–OR– “Advent” means “he is coming.” Tell us: What in the immediate or near future are you most looking forward to? (This can be a book release, or a tech gadget, or an event … whatever you next expect to make you really happy.)

Bonus task: make your own advent calendar and post it.

 

Square 6: December 5th-6th and 8th: Sinterklaas / Krampusnacht (5th) / St. Nicholas Day (6th) & Bodhi Day (8th)

Book themes for Sinterklaas / St. Martin’s Day / Krampusnacht: A story involving children or a young adult book, or a book with oranges on the cover, or whose cover is primarily orange (for the Dutch House of Orange) –OR– with tangerines, walnuts, chocolates, or cookies on the cover.

Book themes for Bodhi Day: Read a book set in Nepal, India or Tibet, –OR– which involves animal rescue. (Buddhism calls for a vegetarian lifestyle.)
=> Aravind Adiga: The White Tiger
1 point.

Tasks for Sinterklaas / St. Martin’s Day / Krampusnacht: Write a witty or humorous poem to St. Nicholas –OR– If you have kids, leave coins or treats, like tangerines, walnuts, chocolate(s) and cookies in their shoes to find the next morning and then post about their reactions / bewilderment. 😉 If you don’t have kids, do the same for another family member / loved one or a friend.

Tasks for Bodhi Day: Perform a random act of kindness. Feed the birds, adopt a pet, hold the door open for someone with a smile, or stop to pet a dog (that you know to be friendly); cull your books and donate them to a charity, etc. (And, in a complete break with the Buddha’s teachings, tell us about it.) –OR– Post a picture of your pet, your garden, or your favourite, most peaceful place in the world.
=> Pet & peaceful garden
1 point.

 

Square 7: December 10th & 13th: International Human Rights Day (10th) & St. Lucia’s Day (13th)

Book themes for International Human Rights Day: Read a book originally written in another language (i.e., not in English and not in your mother tongue), –OR– a book written by anyone not anglo-saxon, –OR– any story revolving around the rights of others either being defended or abused.
–OR– Read a book set in New York City, or The Netherlands (home of the U.N. and U.N. World Court respectively).
=> Patrick Senécal: Le vide, part 1 – Vivre au Max
1 point.

Book themes for Saint Lucia’s Day: Read a book set in Scandinavia (Denmark, Norway, Iceland, Sweden and Finland for the purposes of this game) or a book where ice and snow are an important feature.

Tasks for International Human Rights Day: Post a picture of yourself next to a war memorial or other memorial to an event pertaining to Human Rights. (Pictures of just the memorial are ok too.) –OR– Cook a dish from a foreign culture or something involving apples (NYC = Big Apple) or oranges (The Netherlands); post recipe and pics.

Tasks for Saint Lucia’s Day: Get your Hygge on — light a few candles if you’ve got them, pour yourself a glass of wine or hot chocolate/toddy, roast a marshmallow or toast a crumpet, and take a picture of your cosiest reading place.
=> Hygge!
1 point.

Bonus task: Make the Danish paper hearts: https://www.youtube.com/watch?v=Jur29ViLEhk

 

Square 8: December 12th – 24th: Hanukkah (begins 12th, ends 20th) & Las Posadas (begins 16th, ends 24th)

Book themes for Hanukkah: Any book whose main character is Jewish, any story about the Jewish people –OR– where the miracle of light plays a significant part in the stories plot.

Book themes for Las Posadas: Read a book dealing with visits by family or friends, or set in Mexico, –OR– with a poinsettia on the cover. –OR– a story where the main character is stranded without a place to stay, or find themselves in a ‘no room at the Inn’ situation.

Tasks for Hanukkah: Light nine candles around the room (SAFELY) and post a picture. –OR– Play the Dreidel game to pick the next book you read.

Assign a book from your TBR to each of the four sides of the dreidel:

נ (Nun)
ג (Gimel)
ה (He)
ש (Shin)

Spin a virtual dreidel: http://www.torahtots.com/holidays/chanuka/dreidel.htm
– then tell us which book the dreidel picked.
=> Dreidel pick: ה (He) – Kazuo Ishiguro: An Artist of the Floating World 1
point.

–OR–
Make your own dreidel: https://www.activityvillage.co.uk/make-a-dreidel, –OR–
Play the game at home, or play online: http://www.jewfaq.org/dreidel/play.htm and tell us about the experience.–OR– Give some Gelt: Continue a Hanukkah tradition and purchase some chocolate coins, or gelt. Post a picture of your chocolate coins, and then pass them out amongst friends and family!

Tasks for Las Posadas: Which was your favorite / worst / most memorable hotel / inn / vacation home stay ever? Tell us all about it! –OR– If you went caroling as a kid: Which are your best / worst / most unfortettable caroling memories?

Bonus task: Make a piñata (https://www.wikihow.com/Make-a-Pi%C3%B1ata), hang it from a tree, post, basketball hoop, clothesline or similarly suitable holder and let your neighborhood kids have a go at breaking it.

 

Square 9: December 21st: Winter Solstice / Mōdraniht / Yuletide & Yaldā Night

Book themes for Winter Solstice and Yaldā Night: Read a book of poetry, or a book where the events all take place during the course of one night, or where the cover is a night-time scene.

Book themes for Mōdraniht: Read any book where the MC is actively raising young children or teens.

Book themes for Yuletide: Read a book set in the midst of a snowy or icy winter, –OR– set in the Arctic or Antartica.

Tasks for Winter Solstice and Yaldā Night: Read a book in one night – in the S. Hemisphere, read a book in a day. –OR– Grab one of your thickest books off the shelf. Ask a question and then turn to page 40 and read the 9th line of text on that page. Post your results. –OR– Eat a watermelon or pomegranate for good luck and health in the coming year, but post a pic first!.
=> Bibliomancy: William Shakespeare’s answer (9th line of p. 40 of the Complete Works, Illustrated Stratford Edition)
1 point.

Bonus task: Read a book in one night.

Tasks for Mōdraniht: Tell us your favourite memory about your mom, grandma, or the woman who had the greatest impact on your childhood. –OR– Post a picture of you and your mom, or if comfortable, you and your kids.

Bonus task: Post 3 things you love about your mother-in-law (if you have one), otherwise your grandma.

Tasks for Yuletide: Make a Yule log cake — post a pic and the recipe for us to drool over.

 

Square 10: December 21st: World Peace Day & Pancha Ganapati begins (ends 25th)

Book themes for World Peace Day: Read a book by or about a Nobel Peace Prize winner, or about a protagonist (fictional or nonfictional) who has a reputation as a peacemaker.

Book themes for Pancha Ganapati: Read anything involving a need for forgiveness in the story line; a story about redemption –OR– Read a book whose cover has one of the 5 colors of the holiday: red, blue, green, orange, or yellow –OR– Read a book involving elephants.
=> Henry Wade: Lonely Magdalen
1 point.

Tasks for World Peace Day: Cook something involving olives or olive oil. Share the results and/or recipe with us. –OR– Tell us: If you had wings (like a dove), where would you want to fly?
=> Spaghetti and tomato sauce
1 point.

Tasks for Pancha Ganapati: Post about your 5 favourite books this year and why you appreciated them so much. –OR– Take a shelfie / stack picture of the above-mentioned 5 favorite books. (Feel free to combine these tasks into 1!
=> Most and least favorite books of 2017.
1 point.

 

Square 11: December 21st-22nd: Soyal (21st) & Dōngzhì Festival (22nd)

Book themes for Soyal: Read a book set in the American Southwest / the Four Corners States (Arizona, Colorado, New Mexico, and Utah), –OR– a book that has a Native American protagonist.

Book themes for Dōngzhì Festival: Read a book set in China or written by a Chinese author / an author of Chinese origin; or read a book that has a pink or white cover.

Tasks for Soyal: Like many Native American festivities, Soyal involves rituals such as dances. What local / religious / folk traditions or customs exist where you live? Tell us about one of them. (If you can, post pictures for illustration.) –OR– Share a picture you’ve taken of a harvest setting or autumnal leaf color.
=> Carneval in the Rhine Valley — 11/11, 11:11 AM Kick off
1 point.

Tasks for Dōngzhì Festival: If you like Chinese food, tell us your favorite dish – otherwise, tell us your favorite desert. (Recipes, as always, welcome.)

 

Square 12: December 23rd Festivus & Saturnalia ends (begins 17th)

Book themes for Festivus: Read anything comedic; a parody, satire, etc. Books with hilariously dysfunctional families (must be funny dysfunctional, not tragic dysfunctional). Anything that makes you laugh (or hope it does).

Book themes for Saturnalia: The god Saturn has a planet named after him; read any work of science fiction that takes place in space. –OR– Read a book celebrating free speech. –OR– A book revolving around a very large party, or ball, or festival, –OR– a book with a mask or masks on the cover. –OR– a story where roles are reversed.
=> Dorothy L. Sayers: Murder Must Advertise
1 point.

Tasks for Festivus: Post your personal list of 3 Festivus Miracles –OR– post a picture of your Festivus pole (NOTHING pornographic, please!), –OR– Perform the Airing of Grievances: name 5 books you’ve read this year that have disappointed you – tell us in tongue-lashing detail why and how they failed to live up to expectations.
=> Most and least favorite books of 2017.
1 point.

Tasks for Saturnalia: Wear a mask, take a picture and post it. Leave a small gift for someone you know anonymously – a small bit of chocolate or apple, a funny poem or joke. Tell us about it in a post. –OR– Tell us: If you could time-travel back to ancient Rome, where would you want to go and whom (both fictional and / or nonfictional persons) would you like to meet?

 

Square 13: December 25th Christmas & Hogswatch

Book themes for Christmas: Read a book whose protagonist is called Mary, Joseph (or Jesus, if that’s a commonly used name in your culture) or any variations of those names (e.g., Maria or Pepe).

Book themes for Hogswatch Night: Of course – read Hogfather! Or any Discworld book (or anything by Terry Pratchett)
=> Terry Pratchett: Hogfather (buddy read)
1 point.

Tasks for Christmas: Post a picture of your stockings hung from the chimney with care, –OR– a picture of Santa’s ‘treat’ waiting for him. –OR– Share with us your family Christmas traditions involving gift-giving, or Santa’s visit. Did you write letters to Santa as a kid (and if so, did he write back, as J.R.R. Tolkien did “as Santa Claus” to his kids)? If so, what did you wish for? A teddy bear or a doll? Other toys – or practical things? And did Santa always bring what you asked for?

Tasks for Hogswatch Night: Make your favourite sausage dish (if you’re vegan or vegetarian, use your favorite sausage or meat substitute), post and share recipe.

 

Square 14: December 25th Dies Natalis Solis Invicti & Quaid-e-Azam’s Day

Book themes for Dies Natalis Solis Invicti: Celebrate the sun and read a book that has a beach or seaside setting. –OR– a book set during summertime. –OR– set in the Southern Hemisphere.
=> Ian Fleming: The Man With the Golden Gun
1 point.

Book themes for Quaid-e-Azam: Pakistan became an independent nation when the British Raj ended on August 14, 1947. Read a book set in Pakistan or in any other country that attained sovereign statehood between August 14, 1947 and today (regardless in what part of the world).

Tasks for Dies Natalis Solis Invicti: Find the sunniest spot in your home, that’s warm and comfy and read your book. –OR– Take a picture of your garden, or a local garden/green space in the sun (even if the ground is under snow). If you’re in the Southern Hemisphere, take a picture of your local scenic spot, park, or beach, on a sunny day. –OR– The Romans believed that the sun god rode across the sky in a chariot drawn by fiery steeds. Have you ever been horseback riding, or did you otherwise have significant encounters with horses? As a child, which were your favorite books involving horses?

Tasks for Quaid-e-Azam: Pakistan’s first leader – Muhammad Ali Jinnah – was a man, but both Pakistan and neighboring India were governed by women (Benazir Bhutto and Indira Gandhi respectively) before many of the major Western countries. Tell us: Who are the present-day or historic women that you most respect, and why? (These can be any women of great achievement, not just political leaders.)

 

Square 15: December 25th-26th: Newtonmas (25th) & St. Stephen’s Day / Boxing Day (26th)

Book themes for Newtonmas: Any science book. Any book about alchemy. Any book where science, astronomy, or chemistry play a significant part in the plot. (For members of the Flat Book Society: The “Forensics” November group read counts.)
=> Provisorially: Val McDermid: Forensics
1 point.

Book themes for Boxing Day/St. Stephen’s Day: Read anything where the main character has servants (paid servants count, NOT unpaid) or is working as a servant him-/ herself.

Tasks for Newtonmas: Take a moment to appreciate gravity and the laws of motion. If there’s snow outside, have a snowball fight with a friend or a member of your family. –OR– Take some time out to enjoy the alchemical goodness of a hot toddy or chocolate or any drink that relies on basic chemistry/alchemy (coffee with cream or sugar / tea with milk or sugar or lemon, etc.). Post a picture of your libations and the recipe if it’s unique and you’re ok with sharing it.

Tasks for St. Stephen’s Day / Boxing Day: Show us your boxes of books! –OR– If you have a cat, post a picture of your cat in a box. (your dog in a box works too, if your dog likes boxes) — or any pet good-natured enough to pose in a box long enough for you to snap a picture.
=> Cats in (and on) boxes.
1 point.

BONUS task: box up all the Christmas detritus, decorations, or box up that stuff you’ve been meaning to get rid of, or donate, etc. and take a picture and post it.

 

Square 16: December 26th-31st: Kwanzaa (begins 26th, ends 31st) & New Year’s Eve / St. Sylvester’s Day

Book themes for Kwanzaa: Read a book written by an author of African descent or a book set in Africa, or whose cover is primarily red, green or black.
=> Margery Allingham: Traitor’s Purse

1 point.

Book themes for Hogmanay / New Year’s Eve / Watch Night / St. Sylvester’s Day: a book about starting over, rebuilding, new beginnings, etc. –OR– Read anything set in medieval times. –OR– A book about the papacy –OR– where miracles of any sort are performed (the unexplainable – but good – kind).

Tasks for Kwanzaa: Create a stack of books in the Kwanzaa color scheme using red, black and green and post your creation and post a photo (or post a photo of a shelfie where black, red and green predominate).

BONUS task: Create something with your stack of books: a christmas tree or other easily identifiable object.

Tasks for Hogmanay / New Year’s Eve / Watch Night / St. Sylvester’s Day: Make a batch of shortbread for yourself, family or friends. Post pics and recipe. –OR– Light some sparklers (if legal) and take a picture – or have a friend take a picture of your “writing” in the sky with the sparkler. –OR– Get yourself a steak pie (any veggie/vegan substitutions are fine) and read yourself a story – but take a pic of both before you start, and post it.–OR– make whatever New Year’s Eve / Day good luck dish there is in your family or in the area where you live or where you grew up; tell us about it, and if it’s not a secret recipe, we hope you’ll share it with us.

MASSIVE HUGE BONUS POINTS if you post a picture of yourself walking a pig on a leash. (Done to ensure good fortune of the coming year.)

 

The Bonus Jokers:

Surprise, Surprise 1: Melbourne Cup

My “ponies”:

1. Marmelo
2. Almandin
3. Johannes Vermeer

2 bonus points (Johannes Vermeer)

 

Total Points, to Date:

30 points.

 

 

 

 

Original post:
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2017: Favorite and Least Favorite Books of the Year

16 Tasks of the Festive Season: Square 10 – Pancha Ganapti – and Square 12 – Festivus

Tasks for Pancha Ganapati: Post about your 5 favourite books this year and why you appreciated them so much.

Tasks for Festivus: […] –OR– Perform the Airing of Grievances: name 5 books you’ve read this year that have disappointed you – tell us in tongue-lashing detail why and how they failed to live up to expectations.

I decided to create a joint post for my most and least favorite reads of the year — and I’m going to have to divide the “favorite” part into “fiction” and “nonfiction.” There is no way I could whittle the list down even further than these 10 books or treat some of them as “honorable mentions.”  That being said:

 

Favorite Books — Fiction

… in reverse chronological order of reading:

 

Aravind Adiga: The White Tiger
A searing portrait of modern India, writ large on a colorful, chaotic, topsy-turvy and utterly depraved and amoral canvas, but told with a great sense of humor belying the distinctly perceptible underlying sense of urgency.

Audiobook splendidly narrated by Kerry Shale — if ever someone deserved the title of “the man of 1000 voices,” it’s him.

 

Gabriel García Márquez: Crónica de una muerte anunciada
The spine-chilling portrayal of an honor killing in a small Columbian seaside town and the events leading up to and following it, told in barely 100 pages and essentially in reverse chronological order, with the actual killing occurring on the last pages of the book: a brutal indictment of false morality, backwardness, cowardice and ineffectuality, both social and individual.

 

Peter May: Coffin Road
Ostensibly a stand-alone, but actually more of an extension of May’s Lewis Trilogy, featuring some of the same characters but chiefly told from the point of view of an amnesiac scientist and an Edinburgh teenager in search of her missing (presumed dead) father.  Starkly atmospheric and so gripping it made me overlook the fact that it contains not one but two elements I don’t particularly care for: an amnesiac protagonist, and first person present tense narration of part of the story.  (Note to Ms. Allingham — see below, Traitor’s Purse: This is how you convincingly write an amnesiac protagonist in search of his own identity while making sense of a murder that he may or may not have committed himself.)

 

Shirley Jackson: We Have Always Lived in the Castle
What can I say?  It’s Shirley Jackson — nobody does psychological horror like her; slowly and meticulously building from a slight initial sense of unease to full-blown terror.  I don’t know how often I will actually revisit this book, but I do know that it, and the ladies in “the castle,” will stay with me forever.

Also a great reading of the audio version by Bernadette Dunne.

 

Raymond Chandler: Farewell, My Lovely
Not quite on the level of The Big Sleep, but what a pleasure to revisit Chandler’s version of 1940s Los Angeles.  His books are all essentially of a pattern, so I can’t take too many of them back to back (or if so, it has to be in different formats; the way I revisited them for the Halloween bingo, with full cast audio adaptations mixed in), but it’s hard to beat the gut-punch quality of his imagery and language, particularly when rendered as splendidly as in this audio narration by Elliott Gould.

 

Favorite Books — Nonfiction

… again in reverse chronological order of reading:

 

Martin Edwards: The Golden Age of Murder
The early history of the Detection Club, told by its current president and first archivist.  Martin’s knowledge of both Golden Age detective fiction and the lives of its writers is downright encyclopedic, and he tells a multi-faceted story very compellingly.  At times I had the feeling that he was taking his own conjecture a bit too far (I will, e.g., have to explore Anthony Berkeley’s and E.M. Delafield’s writing for myself before I wholly buy into his theory about their relationship, what they may have meant to each other, and how it is reflected in their novels), and there were things, chiefly relating to Agatha Christie and Dorothy L. Sayers, that I was already familiar with, but by and large, wow, what a read.

 

Jennifer Worth: Call the Midwife
Yes, I know, I know, I’m late to the party and there’s been a whole TV series at this point.  And I’m sure the TV adaptation (which I’ve yet to watch) brings across the stories and the characters very nicely.  But there’s both an unflinching straightforwardness and a genuine warmth to the original literary version of these tales of midwifery in London’s mid-20th century East End that I wager will be hard to replicate in any screen adaptation — particularly if read with as much empathy, sense of humor and tasteful restraint as by the incomparable Stephanie Cole (who I would sorely wish would narrate many more audiobooks!)

 

Gregory Doran and Antony Sher: Woza Shakespeare — Titus Andronicus in South Africa
Man, what a trip.  Titus Andronicus is not, and never will be my favorite play by William Shakespeare, but having read this book, I’d give anything to be able to watch a recording of this particular production.

In the 1980s (when Apartheid was still in full swing) Gregory Doran (later: Artistic Director of the Royal Shakespeare Company) and Antony Sher decided to take this most violent and controversial of all the bard’s plays to Sher’s homeland, from which he had emigrated some 20 years earlier, wowing never to return (and even dramatically burning his passport).  This book reproduces the salient parts of Doran’s and Sher’s diaries written during the project, from the moment the project was born to the play’s actual run in Johannesburg and later, London and on tour.

Insightful, illuminating, dramatic and, particularly in the moments of greatest tragedy and misfortune, surprisingly and supremely funny — this is definitely one of those books that will stay with me forever (and not only because I happen to own it).

 

Robin Whiteman & Rob Talbot: Brother Cadfael’s Herb Garden / Robin Whiteman: The Cadfael Companion
Shared honors for two simply gorgeously illustrated coffee table books full of facts and knowledge about medieval monastery life (Benedictine and otherwise), the healing arts of the medieval monks, and the plants they used.  Must-reads not only for fans of Ellis Peters’s Brother Cadfael series but for anyone interested in the Middle Ages, monastic history, social history in general, botany, medicine, and pharmacy.

Incidentally, a third book by this pair of authors — Cadfael Country: Shropshire & the Welsh Borders — provided, together with Ellis Peters’s own Strongholds and Sanctuaries: The Borderland of England and Wales, important information and stimuli for the “Welsh borderland” part of my trip to Britain in late July 2017, and will certainly be consulted again should I make good on my plan to spend some time in Wales proper some day.

 

Jackie Bennett, with photographs by Andrew Lawson: Shakespeare’s Gardens
A lavishly illustrated coffee table book-sized guide to the gardens Shakespeare knew (or might have known) both in Stratford / Warwickshire and in London, as well as an introduction to the gardens of the five Shakespeare-related houses in and around Stratford, with an introductory chapter on Tudor gardening in general.  The find of several great finds of my trip to [London, Oxford and] Stratford in mid-June of this year.  (And it’s even an autographed copy … as I only discovered when I unpacked the book back home!)

 

Least Favorite Books

… again in reverse chronological order of reading:

S.J. Parris: Heresy
This started well, but went downhill fast literally within a page of the first murder having been committed.  And I sincerely hope the real Giordano Bruno was not anything even remotely like the headless chicken that we’re being presented with in this book in lieu of the incisively intelligent, street-smart — indeed, supremely cunning — philosopher-scientist and sometime spy that anybody who had spent even an hour reading about the real life Giordano Bruno would have expected.

Utterly predictable and unengaging, never mind the author’s obvious amount of research into 16th century Oxford academic life.  Would she’d spent as much time thinking about her characters’ personas and motivations …

 

Margery Allingham: The Crime at Black Dudley / Traitor’s Purse
Shared (dis-)honors for my two recent reads from Margery Allingham’s Albert Campion mystery series.  Both of the spy / international conspiracy variety that none of the Golden Age witers really excelled in, and Allingham’s plots (and characters) tend to be among the most ridiculous of the lot — as certainly exhibited here.  Thank God her Campion series also contains some genuine jewels, such as Police at the Funeral, The Case of the Late Pig and, particularly, the downright devious Death of a Ghost.  I hope my next exposures to Mr. Campion’s adventures will be decidedly more in the latter line again.

 

Val McDermid: Forensics
Possibly the disappointment of the year, even if I knew that McDermid’s background is in journalism and crime writing, not in science.  But she’s associated with a forensics program at Dundee University and her crime novels manage to transport forensic detail with what has so far sounded to me as a reasonable degree of accuracy, so, given that I like her crime writing in other respects, too, my anticipations for this book ran fairly high.  Alas, what I got was a frequently manipulative piece of investigative journalism and true crime writing, whose actual scientific contents was on the super-light side and entirely third-hand, with frequently not even a chance given to the reader to verify the precise source of a given statement or piece of information.  I do hope Ms. McDermid will turn to crime fiction again in her next literary ventures … her crime novels show just how much better than this she can really be.

 

Simon Brett: An Amateur Corpse
My first book by Simon Brett, and again, from a former president of the Detection Club I would have expected better.  This novel wears its 1970s setting like a stifling cloak; it hasn’t aged well at all and, what’s worse, I didn’t take to the protagonist at all, either (an actor in the throes of a midlife crisis); neither as far as his attitude towards women nor as far as his attitude towards amateur theatre productions was concerned — in short, he struck me as a mysogynistic snob.  I may give the series another chance at a later point, but it certainly won’t be anytime soon.

 

Patrick O’Brian: The Final, Unfinished Voyage of Jack Aubrey
I love O’Brian’s Aubrey / Maturin series and raced through the whole 20 books at breakneck speed earlier this year, but by God, this particular  publication (I won’t even call it a “book”, because it isn’t) has to be one of the most blatant exercises in the exploitation of an author’s literary legacy under the sun.  Patrick O’Brian died when he wasn’t even halfway into this story — but instead of letting things rest, because this really is not anywhere near a completed novel, his publisher went and released the puny few initial chapters as a “book” in its own right.

My sincere advice to all newbie readers of the series: Spare yourselves the trouble of looking into this one; it’s not worth it — not for all the enjoyment of O’Brian’s writing.  Blue at the Mizzen, O’Brian’s last completed Aubrey / Maturin novel, has a very satisfying conclusion — content yourselves with that and just take it as read that “they lived happily ever after.”  Or, well, maybe not entirely happily as far as Stephen Maturin is concerned.  But then, he probably wouldn’t know what to do with himself if ever he were entirely happy; he’s just not that kind of person.  And Jack Aubrey couldn’t possibly be any happier than he is at the end of Blue at the Mizzen.

 

Least Favorite Books – Honorable Mentions

Chris Bohjalian: The Sandcastle Girls
Not an entirely bad book, but boy, this could have been so much more. Ostensibly, it deals with the Armenian genocide perpetrated by Turkey in the middle of WWI.  What we really get is — at least chiefly — the love story of an American volunteer nurse trainee who has accompanied her father on a humanitarian mission to Syria and an Armenian refugee who, having concluded that his beloved wife is one of the 10,000s of victims of the death march through the Syrian desert to which the Turks exposed their Armenian women and children captives, falls head over heels in love with the aforementioned Western nurse trainee.

Oh, sure, there are bits about the genocide as well (and Gallipoli, too, for good measure), but for many of these parts the reader isn’t even right there with the characters but learns about them second-hand and in hindsight; and the ending is incredibly soppy — and while it’s obviously intended as a happy ending, a look beneath its shallow surface reveals that some characters’ happiness comes at the greatest of all costs to another … and at least one of those living happily ever after even knows about this, and nevertheless doesn’t do anything about it (and if I hadn’t stopped caring about that person long before I reached the end, that bit alone would have been the absolutely last straw for me.)

 

Georgette Heyer: Death in the Stocks
Georgette Heyer’s books are hit and miss for me; this was definitely the most “miss” of the miss books to date.  It’s got a nicely-drawn atmospheric beginning, but that doesn’t last  for more than a few pages, and I didn’t take to any of the characters; certainly not the “bright young things” and “good old chaps” at the center of the story — nor even really Inspector Hanasyde, who is being introduced here.  Also, the “who” in whodunnit has a likely candidate from early on, even though the “how” is a bit out of left field.

I’m not planning to read the entire Hanasyde series, just one or two more (those that have the most direct ties to the subsequent Inspector Hemingway books, which overall I prefer); and — but for the odd stand-alone — I think that’ll conclude my foray into Heyer’s crime writing.

 

 

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ThemisAthena.booklikes.com/post/1619136/16-tasks-of-the-festive-season-square-10-pancha-ganapti-and-square-12-festivus

Martin Edwards: The Golden Age of Murder


The early history of the Detection Club, told by its current president and first archivist.  Martin’s knowledge of both Golden Age detective fiction and the lives of its writers is downright encyclopedic, and he tells a multi-faceted story very compellingly.  At times I had the feeling that he was taking his own conjecture a bit too far (I will, e.g., have to explore Anthony Berkeley’s and E.M. Delafield’s writing for myself before I wholly buy into his theory about their relationship, what they may have meant to each other, and how it is reflected in their novels), and there were things, chiefly relating to Agatha Christie and Dorothy L. Sayers, that I was already familiar with; but by and large, wow, what a read.

(ETA: I ultimately concluded that, based on their writings — hers especially — I find it unlikely that E.M. Delafield and Anthony Berkeley ever were more than good friends.)

 

Status Updates

67 of 528 Pages

Some basic background on where some of the chief movers and shakers of the Detection Club were in the 1920s (and how those events were going to impact their future lives) to get us started — I knew the stuff about Dorothy L. Sayers and Agatha Christie, but the chapter on Anthony Berkeley was interesting.  Still wondering why Ngaio Marsh never was elected to membership, not even honorary, it appears … it can’t have been her being a native New Zealander; Helen Simpson was Australian by birth (and both she and Marsh lived in England), and John Dickson Carr was American.

I’ve decided I’m going to count this towards the Free Square of the Detection Club bingo … what with Eric the Skull making an appearance there, it feels only right.  (Besides, it’s the logical follow-up to using Edwards’s Story of Classic Crime for the center square of the Halloween Bingo.)

Original post:
ThemisAthena.booklikes.com/post/1610479/reading-progress-update-i-ve-read-67-out-of-528-pages

 

107 of 528 Pages

Finished Part 1 last night — Part 2 will be “The Rules of the Game.”  So far, the structure seems to be similar to that of the beginning of The Story of Classic Crime (a few chapters on the origins of it all, then moving on to an exploration to what it all meant in terms of writerly approach), except that the focus is on the writers themselves here instead of specific books, and on the Detection Club itself of course — and on putting it all into the context of the era. For a 500-page, tiny-print brick it reads quickly, and so far II’m enjoying the ride and the insight into what the early 20th century writing and publishing world was like.

Interesting tidbits on marketing and writerly self-promotion in particular. Would these authors have enjoyed the changes that social media have brought in recent years?  I think Berkeley in particular would have hated them — Christie not so much, perhaps, at least not initially; she’d have been quick to capitalize on the marketing potential, although one wonders what she’d have done about her “no photographs” rule; and if she hated the tabloids of her day, a Facebook / Twitter sh*tstorm might well have convinced her to leave marketing to her publisher after all.  Sayers would likeky have seen the marketing potential, too, but she’d probably have found it an even greater challenge than Christie to maintain her privacy … hmm.  One thing is certain, self-governed authors’ associations aiming at the promotion and monitoring of a certain level of class and substance in writing seem to be more called for today than ever before!

Original post:
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210 of 528 Pages

Dear BBC, I’m sure somewhere in your sound archives you still have the recording of the two broadcasts of Behind the Screen and The Scoop.  Could you please, please, pretty please make that available again to mystery lovers?  (And could the estates of the participating authors please, pretty please consent to the publication?)  Sayers and Christie reading their contributions to these two round robins — man, I’d give (almost) anything to be able to hear that, even if Christie hurried through hers like the proverbial horse on the run.

Hmmm, that whole eugenics thing does make me look a bit differently at R. Austin Freeman and J.J. Connington, however — hooray for Sayers, Ngaio Marsh and (it has to be said — of course) G.K. Chesterton for upholding basic humanity there. I hope future generations won’t have cause to look back at our time and view the whole cloning debate in similarly stark tones.  And I do have a feeling Christie’s literary legacy is better off without that little unpublished play, too … (Interesting tidbit about Bletchley and N or M?, OTOH — I bet even though the interview can’t have been pleasant, in hindsight she felt mighty validated).

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Halloween Bingo 2017: Update 3, Part 2 — Catching up on Reviews

 

The “bingo” squares and books read:

  

 

My Square Markers and “Virgin” Bingo Card:

“Virgin” card posted for ease of tracking and comparison.


Black Kitty:
Read but not called


Black Vignette:
Called but not read

Black Kitty in Black Vignette: Read and Called

Black Kitty Center Square: Read = Called

Current Status of Spreadsheet:

(Note: Physical print editions unless stated otherwise)

 

Books Read / Listened to – Update 3:


Martin Edwards: The Story of Classic Crime in 100 Books

The standout read among this batch of bingo books; a tour de force parcours through 50 years of British crime writing (from 1900 to 1950), with sidelights on authors and books published in the U.S., continental Europe, Argentina and Japan.  Martin Edwards is concurrently President of the Crime Writers’ Association and the Detection Club, but more importantly for present purposes, he was the Detection Club’s first archivist: In my first reading status update I compared this book to what it would sound like if you get a walking encyclopedia talking, and to the print equivalent of having your favorite actor reading the phone book, but what could easily have been bone-dry in another author’s hands makes for a more than compelling read in Edwards’s.

Though the “100 books” (in effect, 102) chosen to exemplify the various stages and aspects of British crime writing as it emerged in the first half of the 20th century are the primary narrative vehicle, each section of the book has a short introductory chapter, and it’s these in particular that make your head spin, because they’re jam-packed with references to all manner of crime fiction, from the unduly forgotten to the justly remembered — on average, no less than 20 books per chapter (and in some chapters, over 40). In fact, it is this “cramming” that ultimately made the book a tiny fraction less than a 5-star read for me: I’d either have appreciated more space to explore some of these other books at greater leisure, too, or, as this would probably have blown the book up by the hundredfold, maybe in the end less would occasionally have been more after all.

That all being said, I’m doubtlessly going to refer back to Martin’s book frequently from here on out when exploring the countless new authors, Great Detectives and series I’ve been introduced to, and I’m also OCD enough to have started creating reading lists on Google and BookLikes for all the books mentioned by Edwards (NB: in the Google version, later amplified by the books Edwards mentions in The Golden Age of Murder):

The Story of Classic Crime in 100 Books & The Golden Age of Murder: List of all books referenced

The BookLikes Breakup:
The “100 Books” Presented

Other Books Mentioned:
Part 1: Chapters 1 – 5
Part 2: Chapters 6 & 7
Part 3: Chapters 8 – 10
Part 4: Chapters 11 – 15
Part 5: Chapters 16-20
Part 6: Chapters 21-24

 



Emily Brontë: Wuthering Heights
(Prunella Scales & Samuel West audio)

It’s with no small amount of surprise that I find myself registering a 4 1/2 star rating and a “favorite” check for this audio recording of Emily Brontë’s one and only novel.

Though I didn’t have any doubts that the mother and son team of Prunella Scales and Samuel West would pull off a stellar performance (which they of course did), Wuthering Heights has so far, in my perception, always veered dangerously close to the over-the-top melodramatic, with more than an occasional foray into the very heart of that territory, which is not my line of country at all.  Yet, actually hearing the bulk of the story being told by Prunella Scales in the voice of a down-to-earth Yorkshire woman — Nelly Dean — opened up a whole new perspective for me, and even the high drama of “I am Heathcliff“, “he’s more myself than I am” and “be with me always — take any form — drive me mad! only do not leave me in this abyss, where I cannot find you! … I can not live without my life! I can not live without my soul!” for the first time came across as totally believable to me — because it wasn’t told in the voice of the novel’s equally tempestuous author (if contemporaneous characterizations are to be believed), but rather, in the voice of a sympathetic friend and surrogate mother, who genuinely cares for the speakers and worries about them but is apt to take a step back from their outbursts and relates those outbursts more in sorrow than in anguish.

The novel’s format doesn’t place Mr. Lockwood’s (here: Samuel West’s) framework narration on nearly the same footing as that of Nelly Dean, so the bulk of the narration is Prunella Scales’s, but I particularly also enjoyed the “handover” moments from the outer framework to Nelly Dean’s story.  They are brief enough moments of dialogue, but in this recording they “clicked” seamlessly, like perfectly matching links of a well-made chain.

So, while of all the Brontës’ novels, Charlotte’s Jane Eyre (which I also revisited this summer on audio) will probably always remain my favorite, I enjoyed this particular return to Wuthering Heights much more than I anticipated and will probably revisit it more often and with greater enjoyment than I initially thought.

 


Simon Brett: An Amateur Corpse

An actor and BBC broadcast journalist in addition to being a writer, Simon Brett is one of Martin Edwards’s predecessors as President of the Detection Club.  In the early 1970s he began writing a series of mysteries centering on an actor named Charles Paris; this is the fourth of these books.  Paris is invited to do a “critics circle” live discussion review of an amateur theatre production of Chekhov’s Seagull, but before he even gets to give his talk, the company’s new leading lady (the only professional actor in their midst) is found strangled.

Given that the edition of this mystery which I own is part of a four-book omnibus including the first four installments of the series that I acquired used and dirt-cheap, I may well give this series another shot at a later time; however, this particular novel (written in 1975) hasn’t aged very well and was a rather uncomfortable reminder of all the reasons why I’m really not sorry to have left the 1970s far, far behind (the part that I consciously lived through, in any event) … I don’t think the occasional whiff of staleness emanating from the pages of the book was due to its external condition alone.  I was also less than enchanted with Mr. Paris’s midlife crisis woes and attitude towards women and commitment, and his insufferably arrogant stance vis-à-vis amateur theatricals, however ill-informed or pretentious they may be in turn.

That being said, the writing itself is OK, the murderer’s alibi was cleverly plotted, Paris’s reasons for getting involved with the investigation in the first place (worry about the chief suspect under arrest, the victim’s husband, who is a friend of his, and guilt over having gone along with said friend’s drowning his woes in booze instead of trying to provide some more substantial support) came across as just about credible enough, and some of Paris’s deductions were nicely drawn; even though the final clue was — incredibly — as far-fetched as it was, at the same time, telegraphed narratively from ten miles away, and the ultimate path to the solution was (literally) more a case of stumbling over it than brain work à la Hercule Poirot and Sherlock Holmes.  So, as I said, I may well give the series another shot at a later point in time.  It probably won’t be anytime very soon, though.

 

The Medieval Murderers: House of Shadows

The Medieval Murderers round robin series is, literally, one of those products of an idle evening at the pub — I guess that’s what you’ll get when you have five authors of medieval whodunits talking shop over a pint or two (or three …) of ale.  Permanent members of the group, which itself goes by the name “Medieval Murderers”, too, are Michael Jecks (another past President of the Detection Club), Bernard Knight, Philip Gooden, Ian Morson and Susanna Gregory; with Karen Maitland and C.J. Sansom having joined for individual installments of the series.

All but one Medieval Murderers books are moulded on essentially the same template, in that they follow one particular (allegedly) “doomed” or “cursed” object from the (typically: early) Middle Ages to the present day in several separate but interlinked episodes, written by the group’s individual members and typically featuring their “own” individual series protagonists; the sole exception being, so far, The Deadliest Sin, which is modeled on Chaucer’s Canterbury Tales — themselves also a round robin of sorts, modeled in turn on Boccaccio’s Decameron.

In House of Shadows, the series’s third installment, the “object” whose journey the writers and their protagonists follow is Bermondsey Abbey, a real life monastery founded in the 11th century by Cluniac monks near the banks of the River Thames, opposite the Tower.  The abbey, rich and influential in the Middle Ages, was dissolved under Henry VIII and subequently repeatedly built over; it seems to have been the abbey ruins’ excavation in the early 2000s — in the course of the construction of a huge shopping and office complex now forming part of the newly- and substantially-gentrified Bermondsey and Southwark shoreline — that apparently inspired the premise and opening chapter(s) of House of Shadows.  The authors do go to some lenghts to assure the reader, however, that the events placing a curse on the abbey at the beginning of this book are fictitious (as are the plotlines of the subsequent chapters), and though not inconceivable in the so-called “Dark Ages”, it would indeed be shocking for a medieval house of God to have been carrying such a terrible legacy.

While the individual chapters’ storylines are thus fictitious, again as in many Medieval Murderers books, real, documented historic persons are used in the stories alongside fictitious characters, and the research into details of social and geographical history is solid.  Also as with virtually all round robin efforts (not just by this particular group), the writerly approach varies both in style and in quality, and this installment of the Medieval Murderers series does not necessarily show all of the participants at the top of their game.  Still, it’s enjoyable enough, some of the chapters really are a delight to read, and once more as is so frequently the case, the sum total is decidedly more than its constituent parts.

 
Sketches of medieval Bermondsey Abbey
(Sources: Wikipedia (left) and South London Guide (right))


Bermondsey Abbey ground plan (source: British Library)


Marcus Gheeraerts the Elder (attr. — formerly attr. John Hofnagel): A Fête at Bermondsey (Source: Wikimedia Commons)


Bermondsey Abbey excavations and memorial plaque
(sources: Wikipedia (left) and London Remembers (right))

The sacred taper’s lights are gone,
Grey moss has clad the altar-stone,
The holy image is o’erthrown,
The bell has ceased to toll:
The long-ribb’d aisles are burst and shrunk,
The holy shrine to ruin sunk,
Departed is the pious monk;
God’s blessing on his soul!”
Sir Walter Scott: Bermondsey

Bermondsey Abbey history and excavation (YouTube)

 
Bermondsey shoreline today (photo mine)

 

Shirley Jackson: We Have Always Lived in the Castle
(Bernadette Dunne audio)

Terrifying women all around with this one — Shirley Jackson delivers every single time when it comes to sheer psychology-based horror (and so, for that matter, do her characters).  You’re barely ten minutes into the story, and you’re already supremely uneasy — and boy, does this ever have a slow, peeling-away-layer-by-layer burn ending in a gigantic dynamite fuse.  There’s no way to write about this book without instantly giving away spoilers, so I … just won’t, even though most people here are probably already familiar with the story anyway.  Truly masterful storytelling, in any event; truly unsettling social commentary and, in the audio version I own, also truly masterfully rendered by Bernadette Dunne.  I started listening to this one night when I really should have gone to bed much earlier — and ended up finishing the complete audio in a single sitting; there was no way I could have stopped, even though ultimately it was solely due to my being crash-and-knocked-out tired from entirely unrelated RL exertions that I was able to sleep afterwards at all.

And finally:

… an audiobook extravaganza, though in the case of the Edgar Allan Poe, Ngaio Marsh and Agatha Christie books (see below), I do own paper copies of the respective novels, too, and have read them before; this was strictly in the spirit of revisiting them in a different medium.  (Hah.  So much for “I’m going to use this square to do something about those books on my mystery TBR that I can’t fit into any other bingo square, because clearly something needs to be done about reducing that stack” …)


To start off — well, let’s be honest, how could I possibly not use an audio collection entitled Murder Most Foul for this particular square?!

This is a collection of eight short stories by different authors, read with great aplomb by five well-known British actors.  It starts of with Bluebeard’s Bath by Margery Allingham — read by Patrick Malahide –, a “non-Campion” twist on the black widow trope (the twist being, as the title implies, that here it’s a black widower), which derives most of its suspense from the fact that it is told from the murderer’s perspective.– 4 1/2 stars for this story individually; it’s one of the strongest of this lot.

Next is Wilkie Collins‘s Who Killed Zebedee? (read by Derek Jacobi), which concerns the death of a lodger in an apartment house, and a would-be accidental amateur sleuth’s attempt to clear the woman with whom he is infatuated from the suspicion of murder. (3 stars, individually — Collins himself could do better, and the story doesn’t really measure up to the rest of this collection, either.)

The third story is An Alpine Divorce by Robert Barr (read by Brian Cox), where a married couple that has come to secretly hate each other’s guts vacations in the Alps … with starkly differing notions as to how those vacations are supposed to end, and with a deliciously-executed evil twist at the end. — Easily 4 stars.

Barr’s story is followed by Edward Hardwicke‘s reading of Arthur Conan Doyle‘s The Speckled Band: Although overall I prefer the Derek Jacobi and Stephen Fry readings of the Holmes canon, it’s always a true pleasure, too, to have a story narrated by the actor who was Watson to Jeremy Brett’s Holmes for the better part of my personal “Sherlock Holmes to end all Sherlock Holmes” series, and certainly nobody nails Holmes’s occasionally strident tone as well as the man who was at the receiving end of that very tone for a considerable amount of time (even though in real life Brett and Hardwicke got along like a house on fire, and when Brett’s illness reared its ugly head, Hardwicke was the first to be protective of him). — I already own several collections of Sherlock Holmes stories read by Hardwicke, and this reading nicely complements those collections. (5 stars — this is a stand-out even in Conan Doyle’s amazing body of work.)

The next story is probably my favorite of the lot — next to the Holmes entry, obviously, and with Allingham’s offering not far behind: P.C. Wren‘s The Perfect Crime (read, again, by Brian Cox), which is based on the explicit premise that yes, “there is in fact such a thing as the perfect crime: I know, because I have committed one.”  As in Allingham’s story, the chief element of suspense is derived from the fact that the story is told strictly from the murderer’s perspective, and again similar to Allingham’s story, the plot is constructed so as to slowly and deliciously peel away layer by layer, with a slow burn that ends in a supremely devious final twist. — 5 solid stars as well.

The final three stories (like Wilkie Collins’s) are made of weaker stuff than the three highlighted above in particular:

Sapper‘s Thirteen Lead Soldiers (again read by Edward Hardwicke) is a story from the “Bulldog Drummond” canon whose crucial twist turns, as the title implies, on a collection of toy soldiers that one participant of a secret meeting of high-ranking international diplomats (to which Drummond has been invited at Scotland Yard’s suggestion in an effort to highten security) has made for and gifted to the hosting nobleman’s son.  This is both a “whodunit” and a “howdunit” — where Drummond manages to foil the murderer’s intentions to rather lasting effect — and though I didn’t care enough to try and unravel every last detail of the solution in advance, both “whodunit” and the basic outline of “howdunit” are fairly easy to work out. (3 1/2 stars, individually.)

Algernon Blackwood‘s First Hate (read by Derek Jacobi) is based on the contention that, just as there is such a thing as love at first sight, there is also such a thing as purely instinctive “hate at first sight” — quod erat demonstrandum by way of an “around the fireplace” narration of just such an encounter, with a competition for the hand of a woman thrown in as a sideline (or as a more plausible motive?  I couldn’t make up my mind which was which, and ultimately didn’t care), and with an ending high up in the Canadian Rockies — where the story moves from its London beginnings — that for all practical purposes amounts to cold-blooded murder dressed up as self-defense … unless you buy into the central premise, which I manifestly don’t.  (Jacobi doesn’t seem to, either; this is definitely not one of his most convincing narrations, and coming from someone who’d willingly listen to him reciting the phone book, that should tell you something in and of itself.) — 2 1/2 stars, because I’m feeling generous and because Blackwood still knows how to tell a story, even if it’s a supremely implausible one.  Also, um, Derek Jacobi.

Finally, Robert Louis Stevenson‘s Markheim (read by Jack Shepherd) is highly atmospheric and skillfully constructed until about its halfway point (or shortly thereafter): It starts with a customer’s (the eponymous Markheim’s) visit to a pawnbroker’s store on Christmas Eve and the exchange between the customer and the pawnbroker, which after a short while ends in murder.  There’s a nice, slow build-up to the murder itself (which build-up even includes an adroitly-executed slight of hand), and a further slow burn while the murderer is rifling the shop and trying to cover his tracks.  However, then we literally get a deus ex machina appearance that radically changes the state of play, and unfortunately that was the point where Stevenson lost me. — 3 1/2 stars, chiefly for the story’s first part; a writer of Stevenson’s caliber shouldn’t have needed (or even explicitly sought) any deus ex machina, and certainly not this one; not even in a story set on Christmas Eve.

 

Edgar Allan Poe: The Dupin Stories — The Murders in the Rue Morgue / The Mystery of Marie Rogêt / The Purloined Letter
(Kerry Shale audio)

I debated using this for either the “Locked Room” or the “Classic Horror” bingo square, but there was compelling competition for both of those, and anyway, I already knew the stories and chiefly bought this CD for Kerry Shale’s narration: Ever since I first listenend to his audio versions of Christopher Paolini’s Inheritance cycle, I’ve been on the lookout for further recordings featuring him.

Edgar Allan Poe is credited with having created the first professional detective in C. Auguste Dupin — a fact that, unsurprisingly, doesn’t go down particularly well with Sherlock Holmes when mentioned to him by Dr. Watson — and in fact, Dupin and Holmes share a number of traits and abilities, including their disdain (benevolent or not) for the professional police, their reliance on “trifles” (apparently unimportant details), and their rather astonishing ability to deduct another person’s silent, unvoiced thoughts by “reasoning backwards” and then thoroughly startle the other person by explicitly responding to those very thoughts.  But while Arthur Conan Doyle’s Sherlock Holmes stories rely on Holmes’s fully-rounded character, as well as action and plot development as much as on Holmes’s deductive methods and invite the reader along on the investigation, Poe’s “stories of ratiocination” — once Dupin has been (or considers himself) called on  to help solve the case — are almost exclusively a rendition of Dupin’s own thought processes and reasoning.  This, to me, makes them somewhat more monotonous and consequently somewhat less easy to follow than Conan Doyle’s (even with a splendid narrator like Kerry Shale).

The Murders in the Rue Morgue is one of the earliest locked room mysteries in the history of crime fiction; together with the even earlier Mademoiselle Scuderi by E.T.A. Hoffmann (which however is more “impossible crime” story than locked room mystery in the strict sense), and with Gaston Leroux’s Mystery of the Yellow Room, it pretty much laid down the template for this particular mystery subgenre.  Its solution is as, um, colorful as some of Dupin’s conclusions, however, and it requires a healthy portion of suspension of disbelief — here, too, both Conan Doyle and Leroux did better, and so did E.T.A. Hoffmann.

The Mystery of Marie Rogêt was Poe’s response to a widely-publicized real life murder case in New York: Poe transposed the events to Paris and, through the voice of his fictional detective, set forth what he believed to be the solution of the case; dissecting, in the process, the various competing theories advanced by the newspapers writing about the murder — the only material that Poe himself had to go on.  (Despite its notoriety and the public hunt for the killer, the real life case of the murder of Mary Rogers still remains unsolved.)

The Purloined Letter, finally, is easily my favorite among the three Dupin stories: Like it would frequently be the case with his famous London colleague half a century later, our Paris detective is called on by a high government official (the Prefect of Police) with a request to assist in recovering a document which, in the wrong hands, might wreak all sorts of political havoc.  The solution to the case relies on both a rather brazen attitude by the culprit, which Dupin divines, and on an oversight that, I very much hope and trust, should not happen to any well-organized modern police force.  Dupin’s deductive process is sound and fun to watch, however, and we’re also invited in on a bit more of the chase than in the other stories.

 

Agatha Christie: Endless Night
(BBC full cast dramatization)

I said not so long ago that (barring Christie’s overwhelmingly abysmal final books) Endless Night isn’t exactly my favorite book by her and that I probably wouldn’t revisit it anytime soon — then this CD crossed my path for a song during a recent book store browse, and I figured it had to be karma, so here we are after all.

I’m still not exactly enchanted with the story (let alone its narrator and protagonist), though, and if there is one thing that this audio adaptation makes clear it is that this is a story that does not easily lend itself to the transformation to another medium — too subtle, nuanced and slow is the burn up to the final climax.  That said, the adaptation’s cast handles the material very well, and the script avoids the pitfalls that some of the novel’s incidental elements would undoubtedly create in less expert hands.  So, if you just want to know what happens in this novel, this is a decent enough introduction — just don’t expect the depth of the written original.

 

Dick Francis: Knockdown
(Tim Pigott-Smith audio)

I love horses and used to be an enthusiastic horseback rider throughout my entire school years, and I also love mysteries, so Dick Francis’s books were a natural go-to choice for me once upon a time.  Having revisited a Dick Francis novel after many years, though, I find that this, too, hasn’t weathered the passage of time particularly well, even though it’s still a pleasure to go horse trading with Mr. Francis and have him share his experience of life on and off the racetrack — and Mr. Pigott-Smith is another audio narrator who has once more solidified his hold on my attention.

Knockdown is the story of Jonah Dereham, an ex-steeplechase jockey turned bloodstock agent who gets into trouble when he takes a stance against a de-facto syndicate exploiting a gap in the rules of trading for purposes of profiteering at their clients’ (the horse owners’ and breeders’) expense.  The book doesn’t start out as a murder mystery — there’s plenty of assault and battery, arson, and other assorted violent behaviour (as well as, obviously, greed, extortion and [near-]fraudulent machinations), but the murders — several of them in quick succession — only happen once the profiteering racket’s chief organizer is beginning to feel the hounds closing in on him, with Jonah at their forefront.

 



 Ngaio Marsh:
Artists in Crime (Benedict Cumberbatch audio)

Overture to Death (Anton Lesser audio)

Death and the Dancing Footman (Anton Lesser audio)

Surfet of Lampreys (Anton Lesser audio)

Opening Night (aka Night at the Vulcan) (Anton Lesser audio)

Finally, my audio extravaganza consisted of a five-volume foray into Ngaio Marsh’s Roderick Alleyn series, next to Agatha Christie’s, Dorothy Sayers’s, Margery Allingham’s and Patricia Wentworth’s one of the major Great Detective series of the Golden Age; taken together, these five writers are unquestionably the era’s “Queens of Crime.”  (I own print versions of all of Marsh’s novels, too, and pulled those in addition to the audio recordings.)

Of the five novels revisited, Death and the Dancing Footman had previously been my favorite novel and it continues to be so; it’s a slightly wacky country house locked-room mystery (so would also fit these two squares) where a group of guests with previously-existing antagonisms are invited to a house party … with predictable effects; and it certainly doesn’t help that the house is snowed in and thus locked off from its surroundings.

Death and the Dancing Footman is an intra-series sequel of sorts to Overture to Death, which is set in the village closest to the manor where Death and the Dancing Footman is set in turn, with the vicar from Overture to Death briefly making a reappearance as Alleyn’s and his wife’s host in Death and the Dancing Footman.

Marsh’s writing particularly shines where it focuses on characterization, and there are two settings — in addition to country house mysteries — ideally suited for this: village settings and the theatre. Overture to Death is a nice example of the former, Opening Night (published as Night at the Vulcan in the U.S.) of the latter. In Overture to Death, village jealousies and intrigues culminate in a rather cleverly-constructed “murder by piano” (with a built-in service revolver) on the day of the opening of the local amateur theatricals’ latest production. — Opening Night is set in London’s West End, at the (fictitious) Vulcan Theatre, which had already been the setting for Marsh’s second Alleyn novel, Enter a Murderer; and it concerns the “death by greasepaint” of an actor who has made one enemy to many in a cast of bickering performers; plus an idiosyncratic and irrascible playwright.  (The actor manager of the Vulcan is rather obviously modeled on Laurence Olivier — and he is not the only leading actor appearing in Marsh’s novels with whom that is the case.)  As Marsh herself was, first and foremost, a highly-reputed theatrical director who had built an especially solid reputation for her productions of the plays of William Shakespeare, this particular milieu was second nature to her, and consequently her portrayals of actors and the world of the theatre are a special delight to read — and a character’s aptitude at quoting Shakespeare is a near-infallible indication that he is likely one of the “good guys.”  (Obviously, Alleyn himself speaks Shakespeare fluently.)

Opening Night is, again (and very losely speaking), an intra-series sequel of sorts to Surfeit of Lampreys (in the U.S., published as Death of a Peer), where the death of the wealthy Lamprey family patriarch brings Alleyn into an investigative encounter with the dead peer’s quirky, chronically impoverished family — one of whose sons, as a result of the encounter, eventually seeks employment with the Metropolitan Police and returns as P.C. Lamprey in the later novel.

Artists in Crime, finally, is the novel where Alleyn meets his wife-to-be, the feisty, self-assured painter Agatha Troy.  Again, as Marsh (in addition to being a director and writer) was also a trained painter she could speak from experience when writing about Troy, who would become one of the series’s greatest assets and a great complement to “the nice detective” Roderick Alleyn.

Of the audio versions I listened to, I preferred the four read by Anton Lesser to the one by Benedict Cumberbatch (Artists in Crime): While Lesser clearly knew and appreciated the material, Cumberbatch did bring his considerable talent to bear, but it was rather obviously “just a job” to him and he knew nothing about the series.  This showed most obviously in his pronunciation of Alleyn’s name: Marsh had named her inspector for Elizabethan actor Edward “Ned” Alleyn, the star of the Lord Admiral’s Men (the chief competitors of William Shakespeare’s King’s Men), whose name was pronounced ALLen — and Marsh was adamant that this was how her inspector’s name was to be pronounced as well.  Anton Lesser knew and respected that — Cumberbatch didn’t, and to a fan of the series, it was seriously jarring to hear him saying All-EYN over and over again, particularly given the frequency with which the name appears.

 

Next Reads:

and


Angua!!

 

Books Read / Listened to – Update 1:



Terry Pratchett: Equal Rites



Wilkie Collins: Mrs. Zant and the Ghost
(Gillian Anderson audio)

 



Martin Edwards / British Library:
Miraculous Mysteries – Locked-Room Murders and Impossible Crimes

 



Agatha Christie: Mrs. McGinty’s Dead
(Hugh Fraser audio)

 

Books Read / Listened to – Update 2:



Donna Andrews: Lord of the Wings


Ruth Rendell:
The Babes in the Wood

& Not in the Flesh

 


Robert Louis Stevenson: Dr. Jekyll & Mr. Hyde

 


Cornell Woolrich: The Bride Wore Black

 Raymond Chandler:
Farewell, My Lovely

  The Long Goodbye

The High Window

 

The Book Pool:

Most likely: Donna Andrews: Lord of the Wings

Alternatively:
* Diane Mott Davidson: Catering to Nobody
* One or more stories from Martin Greenberg’s and Ed Gorman’s (eds.) Cat Crimes
* … or something by Lilian Jackson Braun




Most likely: Emily Brontë: Wuthering Heights
(audio return visit courtesy of
either Michael Kitchen or Prunella Scales and Samuel West)

Alternatively:
* Wilkie Collins: The Woman In White
(audio version read by Nigel Anthony and Susan Jameson)
* Jane Austen: Northanger Abbey
(audio return visit courtesy of Anna Massey)
* Isak Dinesen: Seven Gothic Tales
* Carol Goodman: The Lake of Dead Languages
* … or something by Daphne du Maurier




Candace Robb: The Apothecary Rose




Most likely: Simon Brett: A book from a four-novel omibus edition including An Amateur Corpse, Star Trap, So Much Blood, and Cast, in Order of Disappearance

Alternatively:
* Georgette Heyer: Why Shoot a Butler?
* Margery Allingham: The Crime at Black Dudley
(audio version read by David Thorpe)
* Carol Goodman: The Lake of Dead Languages
* Minette Walters: The Shape of Snakes




Most likely: Something from James D. Doss‘sCharlie Moon series (one of my great discoveries from last year’s bingo)

Or one of Walter Mosley‘s Easy Rawlins mysteries

Alternatively:
Sherman Alexie: Indian Killer




Terry Pratchett: Carpe Jugulum




One or more stories from Martin Edwards’s (ed.) and the British Library’sMiraculous Mysteries: Locked-Room Murders and Impossible Crimes




Most likely: Agatha Christie: Mrs. McGinty’s Dead
(audio return visit courtesy of Hugh Fraser)

Or one or more stories from Martin Edwards’s (ed.) and the British Library’s Serpents in Eden: Countryside Crimes

Alternatively:
* Carol Goodman: The Lake of Dead Languages
* Josephine Tey: Brat Farrar,To Love and Be Wise, orThe Singing Sands
* Georgette Heyer: Why Shoot a Butler?
* Peter May: The Lewis Man
* S.D. Sykes: Plague Land
* Arthur Conan Doyle: The Mystery of Cloomber
* Michael Jecks: The Devil’s Acolyte
* Stephen Booth: Dancing with the Virgins
* Karen Maitland: The Owl Killers
* Martha Grimes: The End of the Pier
* Minette Walters: The Breaker




One of two “Joker” Squares:

To be filled in as my whimsy takes me (with apologies to Dorothy L. Sayers), either with one of the other mystery squares’ alternate books, or with a murder mystery that doesn’t meet any of the more specific squares’ requirements.  In going through my shelves, I found to my shame that I own several bingo cards’ worth of books that would fill this square alone, some of them bought years ago … clearly something needs to be done about that, even if it’s one book at a time!




Isabel Allende: Cuentos de Eva Luna (The Stories of Eva Luna) or
Gabriel García Márquez: Crónica de una muerte anunciada (Chronicle of a Death Foretold)




Most likely: One or more stories from Charles Dickens: Complete Ghost Stories or
Sharyn McCrumb: She Walks These Hills

Alternatively:
* Wilkie Collins: Mrs. Zant and the Ghost
(Gillian Anderson audio)
* Stephen King: Bag of Bones




Terry Pratchett: Men at Arms




Obviously and as per definition in the rules, the second “Joker” Square.

Equally as per definition, the possibles for this square also include my alternate reads for the non-mystery squares.




Most likely: Cornell Woolrich: The Bride Wore Black

Alternatively:
* Raymond Chandler: Farewell My Lovely or The Long Goodbye / The High Window
* James M. Cain: Mildred Pierce
* Horace McCoy: They Shoot Horses, Don’t They?
* David Goodis: Shoot the Piano Playeror Dark Passage
* … or something else by Cornell Woolrich, e.g., Phantom Lady or I Married a Dead Man




Most likely: Ruth Rendell: Not in the Flesh orThe Babes in the Wood (audio versions read by Christopher Ravenscroft, aka Inspector Burden in the TV series)

Alternatively:
* Carol Goodman: The Lake of Dead Languages
* Sharyn McCrumb: She Walks These Hills




Most likely: Peter May: Coffin Road

Alternatively:
* Stephen King: Bag of BonesorHearts in Atlantis
* Denise Mina: Field of Blood
* Carol Goodman: The Lake of Dead Languages
* Minette Walters: The Breaker
* Jonathan Kellerman: When The Bough Breaks, Time Bomb, Blood Test, or Billy Straight
* Greg Iles: 24 Hours




Most likely: Sharyn McCrumb: She Walks These Hills

Alternatively:
* Karen Maitland: The Owl Killers
* Greg Iles: Sleep No More




Most likely: Margery Allingham: The Crime at Black Dudley
(audio version read by David Thorpe)

Alternatively:
* One or more stories from Martin Edwards’s (ed.) and the British Library’s Murder at the Manor: Country House Mysteries
* Georgette Heyer: They Found Him Dead
* Ellis Peters: Black is the Colour of My True-Love’s Heart




Most likely: Something from Terry Pratchett’sDiscworld / Witches subseries — either Equal Rites or Maskerade

Alternatively:
* Karen Maitland: The Owl Killers
* Shirley Jackson: The Witchcraft of Salem Village




Most likely: Antonia Hodgson: The Devil in the Marshalsea

Alternatively:
* Rory Clements: Martyr
* Philip Gooden: Sleep of Death 
* Minette Walters: The Shape of Snakes
* Ngaio Marsh: Death in Ecstasy
* One or more stories from Martin Edwards’s (ed.) and the British Library’s Capital Crimes: London Mysteries




Most likely: Robert Louis Stevenson: The Strange Case of Dr. Jekyll and Mr. Hyde (audio return visit courtesy of Sir Christopher Lee)

Alternatively:
* H.G. Wells: The Island of Dr. Moreau
* … or something by Edgar Allan Poe




Most likely: Something from Ovid’s Metamorphoses

Alternatively:
* Robert Louis Stevenson: The Bottle Imp
* Christina Rossetti: Goblin Market
* H.G. Wells: The Island of Dr. Moreau




Most likely: Jo Nesbø: The Snowman

Alternatively:
* Val McDermid: The Retribution
* Denise Mina: Sanctum
* Mo Hayder: Birdman
* Caleb Carr: The Alienist
* Jonathan Kellerman: The Butcher’s Theater
* Greg Iles: Mortal Fear




Most likely: The Medieval Murderers: House of Shadows
or Hill of Bones

Alternatively:
* Sharyn McCrumb: She Walks These Hills
* Shirley Jackson: The Haunting of Hill House
* Stephen King: Bag of Bones
* Carol Goodman: The Lake of Dead Languages
* Michael Jecks: The Devil’s Acolyte




Ooohhh, you know — something by Shirley Jackson … if I don’t wimp out in the end; otherwise something by Daphne du Maurier.