Halloween Bingo 2020: The Second Week (+1 Day)

Posting this on Monday instead of Sunday again … oh well.

I guess after a near-phenomenal first bingo week it was only to be expected that the second week would not be quite as fabulous. Mind you, I’m not complaining — my card is coming together nicely, and none of the books I read this past week was a real dud; even if only some of them could compare with the first week’s reads (which, however, in some instances is also a “YMMV” kind of thing; i.e., it’s not the book, it’s me).

 

My “Week 2” Bingo Books:


Anthony Gilbert (Lucy Beatrice Malleson, aka Anne Meredith): Death in Fancy Dress

A carry-over from week 1, best described as “Golden Age country house mystery meets Wuthering Heights“. Lucy Beatrice Malleson was a member of the Detection Club who wrote under several pen names, including Anne Meredith and Anthony Gilbert, and reading her books almost a century after they were first published, it is hard to believe that they should have failed to attain widespread popularity, as both in Portrait of a Murderer (written as by Anne Meredith) and in this book she clearly shows herself to be a cut above many of her contemporaries.

Death in Fancy Dress concerns two young friends (one a budding solicitor, one an adventurer and “gentleman of leisure”) who are urgently called to the remote country home of the young solicitor’s — the narrator’s — extended family, which seems to be in the grip of a ruthless gang of blackmailers who have already driven a number of society figures to suicide in the face of impending scandal. (And no, this is not just a recap of Arthur Conan Doyle’s Charles Augustus Milverton.)  As indicated by the book’s title, murder ensues in short order after the two young amateur sleuths’ arrival, during a fancy dress ball no less.

Martin Edwards, in his introduction, cites Dorothy L. Sayers’s review, which highlights that one of this book’s great merits is not to leave any doubt about the fact that there is nothing cozy about this particular country house party; beginning right with the moment of the two young gentlemen’s arrival: during a storm, with the daughter of the house missing and feared in grave peril — even though she is an otherwise independent young lady, who ordinarily would easily be able to take care of herself.  Yet, right now the fact that her hand in marriage is coveted by several men would seem to be one of her lesser worries, if it weren’t also so obviously tied in with the blackmail threat. (Her suitors include one of our young sleuths, another guest who happens to be a professional detective, as well as her cousin, the local squire, who is a sort of blend of Rudolph Valentino, your quintessential dark, brooding rogue, and a sane and calculating version of Heathcliff.)  And indeed, atmosphere is big in this novel, with the squire’s (the antagonist’s) “Heathcliff” / dark, brooding rogue touch not the only Wuthering Heights overtones — the action is also set near a (fictional) moor, several hours from London: honi soit qui Yorkshire n’y pense. (Well, OK, or Exmoor, Bodmin or Dartmoor — but then we’re in Lorna Doone / Jamaica Inn / Hound of the Baskervilles territory; take your pick.)  All in all, definitely one of the highlights among the second bingo week’s books.

 


Marie-Elena John: Unburnable

This is a book from my Around the World project / reading list: the story of Lillian, a young woman of Caribbean descent who returns to her home island of Dominica in order to lay to rest the ghosts of her family history, which has been troubled ever since her grandmother — rumored to be a witch — was convicted for murder, after the unexplained disappearance of her male companion / common law husband, as well as the discovery of several skeletons near her remote mountainside village. Lillian believes the words that have been construed as her grandmother’s confession of guilt (“yes, I am responsible for those deaths”) to have been coerced;, and she bullies her ex-boyfriend, who still carries a torch for her and who is a lawyer specializing in overturning unjust convictions, to join her on a trip to Dominica to clear her grandmother’s name.

I thought the Caribbean / Dominican setting was well-executed; it’s obvious that John was writing from personal knowledge there — including, too, the cross-references between certain African and Caribbean cultures and belief systems.  What I liked decidedly less was the way the book was set up in what easily amounted to its entire first quarter, with apparently disconnected chapters tracing the histories of our protagonist, her mother, grandmother, as well as several other (also mostly female) characters important to the plot, and whose stories really only come together towards the end. This narrative technique is hit or miss with me, with “hits” occurring chiefly if I’m quickly drawn into each (apparently) separate character’s story, and if I can at least vaguely discern how the various strands are going to come together eventually. That wasn’t the case here, and things weren’t exactly helped by the fact that, especially at the beginning, John cuts a few corners by instances telling instead of showing, even though far be it from me to accuse her of doing this all the time (in fact, on the other end of the spectrum, there are also scenes that depict violence (by and) against women in a downright viscerally graphic manner). — Lastly, the plot fell apart for me towards the end, when it becomes clear that although Lillian (and her now-on-again boyfriend) find out what really happened all those decades ago, this is by no means the solution they have hoped for. (I do realize the depiction of Lillian’s falling apart instead of healing in Dominica is deliberate and is intended to be key to the novel, but John lost me in the way she went about depicting it.)

 


Aimee and David Thurlo: Second Sunrise

Native American police procedural meets vampires, witches and werewolves.  To give the authors their due, I guess with skinwalkers being a key part of Navajo mythology, it’s a proximate thought to capitalize on the past decade(s)’ vampire craze and go full tilt supernatural / paranormal, and the sequence of events that turns our protagonist into a (half-)vampire is / are well-enough executed.  Also, the Thurlos’ love for “their” Navajo country easily translates onto the page, and their prose and plot construction is assured and workmanlike (in a positive sense) enough for me to consider this reading experience encouragement to take a look at their “non-supernatural” Ella Clah Navajo cop series (which has actually been on my TBR longer than this particular book).  I guess I’m over vampires once and for all, though (unless they’re created by Terry Pratchett, that is) — and quite frankly, the antagonist’s back story is risible and shows that, supernatural elements aside, the authors really are only interested in giving a credible and true portrayal of Navajo Country, not also in researching the historical and political background of their plot in other respects, where instead they are quite happy to settle for hyperbole and cliché. So as I said, I guess based on their portrayal of Navajo Country (and culture) I’m still going to give them the benefit of the doubt and take a look at their Ella Clah series, but if that series should display similar downsides in its approach to the non-Navajo characters’ back stories, I won’t become a fan, however well-executed the Native American aspects of their books may be.

 


Christianna Brand: Fog of Doubt

Brand’s fifth Inspector Cockrill mystery, and of all the books by her that I have read (all of them this year), second only to Green for Danger, which remains my favorite among all of her novels. Brand specialized in closed circle mysteries, and apart from the traditional country house settings so prevalent in Golden Age mysteries, she also came up with a number of truly unusual circumstances creating that closed circle: whereas in Green for Danger it’s a WWII military hospital, here it is a house — in fact, her own Maida Vale home, as she explains in the preface — where a murder happens during a particularly vicious example of a London “pea-souper” (aka “London Particular”, which in fact was the book’s original title).  Brand’s plotting is superb, and when — like here — she doesn’t try to serve populist cliché, she has a knack for creating characters that easily draw you into the story (even if I could seriously do without the blonde ingenues that seem to be a fixture in many of her books, never mind that this particular story’s ingenue is decidedly less naïve and innocent than some of the other ones).  I only have few books by Brand left to read, and while I didn’t like all of them equally well, by and large she is one of my more notable Golden Age / Detection Club discoveries.

 


Kathryn Harkup: Death by Shakespeare

Hmmm.  After having read and liked — though not loved — Harkup’s book on Agatha Christie’s use of poisons in her mysteries (A Is for Arsenic), it took the Shakespeare fan in me about a millisecond to snatch up this third book of hers when I came across it earlier this year … only to then decide, almost as quickly, to save it for the “Truly Terrifying” (or alternatively, “Paint It Black”) Halloween Bingo squares.  And as is so often the case, anticipation built over a period of time in the end doesn’t quite deliver the hoped-for bundle of goods.

My main bit of gripe is that Harkup doesn’t seem to have had a very clear picture for which audience she was writing this book.  On the one hand, she spends (I’m tempted to say, wastes) several chapters giving an abbreviated biography of Shakespeare and describing the London and the theatrical world in which he moved — NONE of which will be new to anyone even remotely familiar with the Bard and his life, time, and works (and all of which, thus, can only be of any use to a complete newbie to Shakespeare’s works) … and ALL of which I’ve seen discussed better, in greater detail and with a better-informed historical perspective by both Shakespearean scholars (most notably Stanley Wells) and general historians writing for a non-scholarly audience (e.g., Ian Mortimer and Liza Picard). (At least she doesn’t give any credence to the identity conspiracy theorists, but that still doesn’t stop her from using bits of unfounded speculation on the Bard’s life experience later in the book whenever she considers it expedient for a specific purpose.)  Similar things can be said for her comments on medicine in the Elizabethan age, which on the one hand is pretty much a staple in historical fiction set in the Plantagenet and Tudor eras; on the other hand, the details that I didn’t already know as historical fiction background, I’ve learned in greater depth by visiting Hall’s Croft, the home of Shakespeare’s daughter Susanna and her husband Dr. John Hall, who was a medical doctor (incidentally with rather advanced and well-informed views, compared to many of his contemporaries), who is widely believed to have provided his father in law with the requisite background knowledge for a plethora of deaths occurring in his plays, and whose professional equipment and records form part of the permanent exhibition on Elizabethan-era medicine that can now be visited in his former home in Stratford-upon-Avon.

On the other hand, when Harkup does finally get around to discussing Shakespeare’s portrayal of death and killings in his plays, she gives very little context to the majority of scenes she discusses, so anyone not intimately familiar with those plays (particularly the “histories”, which probably feature most widely overall in her book — and chiefly among these, the two “Henriads”) is soon going to be utterly lost as to the significance and context of the scene(s) under discussion.

Moreover, in at least one instance (Richard III and “The Princes in the Tower”) Harkup, while paying lip service to the idea that RIII perhaps “wasn’t quite as bad a tyrant as Shakespeare makes him out to be”, nevertheless falls into the very trap for which she poo-poos the medical analysis that established the bones found in the Tower in the early 20th century as those of “The Princes”, namely to reason from the desired result instead of dispassionately looking at the available evidence and letting the chips fall where they may.  This review isn’t the place for this particular bit of historical discussion, so let me just say that I am unable to take seriously any writer who, like Harkup, blandly describes the reign of Henry VII as “a new era of hope and peace for England” (or words to that effect), in either blissful ignorance or blissful disregard of, to name but a few examples,

(1) the cruelty of “Morton’s Fork”,
(2) Henry VII’s (and later his son’s) ruthless and systematic annihilation of the remaining representatives of the House of York (most notably, the execution — on demonstrably trumped-up charges — of his own closest rival for the throne, who at the time was a teenager, imprisoned in the Tower on Henry VII’s orders since his early childhood), or
(3) the fact that Henry VII (a) purposefully dated his reign from the day before his victory at Bosworth, which in one single stroke of the pen made every single combatant on Richard’s side a traitor to the crown, and (b) only crowned his wife Elizabeth queen a year after he himself had well and truly secured the crown, never mind that she had a much greater claim to the crown than he himself did to begin with.

(And let’s not even get into the inconvenient little detail that BOTH Richard III and Henry VII had their fans and detractors among the eminent writers, politicians and diplomats of the time, depending on who you were listening to and whom they were writing for, which is precisely one of the reasons why it’s so hard to determine what is self-servicing Tudor propaganda when it comes to Richard III and what is credible historical testimony.  Or the fact that Harkup blithely buys in virtually all of the things now actually known to be Tudor propaganda and hence, inherently unreliable …)

Anyway.  For what it is in terms of the actual discussion of Shakespeare’s use of death in his plays, it’s an interesting read. Unfortunately, way too much of that discussion gets lost in superfluous and, in part, downright irritating “white noise”.

 


Patricia Moyes: The Sunken Sailor

I read Moyes’s first Henry & Emmy Tibbett book (Dead Men Don’t Ski) earlier this year and liked it a lot.  While I still liked most of book 2 as well, The Sunken Sailor (aka Down Among the Dead Men) suffers from a bit of a sophomore slump: Moyes first does a great job establishing the characters and atmosphere of the tiny Suffolk harbor community where the Tibbetts go to spend a sailing holiday with friends.  However, inexplicably, somewhere before the book’s halfway point, Henry Tibbett of all people, the man whose “nose” for crime is proverbial at Scotland Yard, after having duly “nosed out” the suspicious circumstances of the death lurking in the recent past of that seaside community, decides to let unexplained bygones be unexplained bygones … and for the worst (and in terms of his character, most unbelievable) of all reasons — as a result of being vamped by a woman (moreover, a woman who herself is one of several suspects and, even if not guilty, just might have reasons aplenty for not wanting the truth to come out).  A less convincing instance of throwing a spanner in the plot works just so as to be able to produce yet another avoidable death (as well as a belated solution) I’ve rarely come across, and based on her first book, I seriously would have expected better from Moyes.  (I also found few of the characters in thei book as likeable as Moyes obviously intends them to be.)  This isn’t an awful book, and I’m still going to continue reading this series, but I do hope we’re talking sophomore slump here and I trust I haven’t already seen the best of the bunch when I read book 1.

(In terms of bingo squares, the book just scrapes within the definition of “Dark and Stormy Night” and I’m counting it for that square as Christine expressly confirmed that it counts.  It would obviously also qualify for “Fear the Drowning Deep” — which however isn’t on my card — and, the edition I own, also for “Full Moon”, as that’s what the white dot on the cover actually is.)

 

Currently Reading


Naomi Novik: Spinning Silver

Rumpelstiltskin goes Eastern Europe and fairyland.  I’m using it for “Spellbound” (the fairy king — Rumpelstiltskin in the fairy tale — has already cast the story’s first spell,  and “fairy silver” with magic proportions has also made numerous appearances already), but it would of course also qualify for “A Grimm Tale” or “Supernatural”.

 

The State of the Card

Master Update Post: HERE

 

My Markers


Read             Called                   Read & Called   Read = Called

Halloween Bingo: Book Selections — UPDATED

Like virtually all of my book consumption this year, my Halloween Bingo books are more or less necessarily going to have to be primarily audiobooks.  So I had a look at my Audible and CD collections what might fit the bill for my card, and here’s what I’ve come up with (mostly new-to-me books but also a few rereads); currently most likely choices first, then the alternative choices in alphabetical order, and listing all books for every square where they match.

 

—  UPDATED WITH ACTUAL BOOKS READ / SELECTED —

(Note: Originally posted on Aug. 14, 2019. — Books read for a given square are marked in bold print.  Crossed-out books are books read for other squares, including inofficial extra squares.)

 

INTERNATIONAL WOMAN OF MYSTERY
Plenty of choices from the writings of white American and British women, so here I’m just going to list the non-U.S. and UK authors as well as the books by WoC.

Most likely:
* Margaret Atwood: The Handmaid’s TaleThe Testaments √

Alternatives:
* Margaret Atwood: The Robber Bride
Nina Blazon: Siebengeschichten
Sara Collins: The Confessions of Frannie Langton
Trudi Canavan: The Magicians’ Guild
* Edwidge Danticat: Krik? Krak!
Silvia Moreno-Garcia: Gods of Jade and Shadow
Toni Morrison: Beloved
Sofi Oksanen: The Purge

 

LOCKED ROOM MYSTERY

Most likely:
* Clayton Rawson: Death from a Top Hat √
* John Dickson Carr: The Hollow Man 

Alternatives:
* Nicholas Blake: Minute for Murder
* Arthur Conan Doyle: The Golden Pince Nez, The Second Stain, The Bruce-Partington Plans, The Crooked Man, the Naval Treaty
* P.D. James: Unnatural Causes

 

DEADLANDS
Most likely:
Terry Pratchett: Pyramids
Substitution:
Terry Pratchett: Monstrous Regiment √

Alternatives:
 Nina Blazon: Siebengeschichten
 John Dickson Carr: The Hollow Man
* Edwidge Danticat: Krik? Krak!
* Elizabeth Kostova: The Historian
* Terry Pratchett: Eric
* Diane Setterfield: Once Upon a River
* Bram Stoker: Dracula

 

FEAR THE DROWNING DEEP
Most likely:
* Delia Owens: Where the Crawdads Sing √

Alternatives:
 Margery Allingham: Blackkerchief Dick
* Hans Christian Andersen: Fairy Tales
* J.M. Barrie: Peter Pan
 Nina Blazon: Siebengeschichten
Jim Butcher: The Aeronaut’s Windlass
Agatha Christie: The Regatta Mystery and Other Stories, Halloween Party
* Freeman Wills Crofts: The Cask
* Edwidge Danticat: Krik? Krak!
Joy Ellis: The Guilty Ones
* Stephen Fry: Heroes
* Elizabeth George: Careless in Red
* P.D. James: Unnatural Causes, Devices and Desires
* Dennis Lehane: Shutter Island
* Anne McCaffrey: Dragonflight
* Michael McDowell: Blackwater
* Herman Melville: The Confidence-Men
* Diane Setterfield: Once Upon a River
* Mary Stewart: This Rough Magic
* Jay Stringer: Ways to Die in Glasgow

 

RELICS AND CURIOSITIES

Most likely:
* Patricia Wentworth: Eternity Ring 

Alternatives:
Peter Ackroyd: Hawksmoor
* Hans Christian Andersen: Fairy Tales
Nina Blazon: Siebengeschichten
Trudi Canavan: The Magicians’ Guild
* Agatha Christie: The Pale Horse, Halloween Party
* Freeman Wills Crofts: The Cask
* Edwidge Danticat: Krik? Krak!
* Jeffery Deaver: The Cold Moon
* Alexandre Dumas: The Three Musketeers
* Michael Ende: Die unendliche Geschichte (The Neverending Story)
* Ken Follett: Eye of the Needle
* Stephen Fry: Heroes
* Neil Gaiman: Fragile Things
Michael Gilbert: Smallbone Deceased
* Jason Goodwin: The Janissary Tree
* Donna Leon: The Jewels of Paradise, The Golden Egg
* Scott Lynch: The Lies of Locke Lamora
Silvia Moreno-Garcia: Gods of Jade and Shadow
* Ellis Peters: A Morbid Taste for Bones, The Devil’s Novice
Terry Pratchett: Wyrd Sisters, Pyramids
* Christopher Priest: The Prestige
* Philip Pullman: His Dark Materials
Clayton Rawson: Death from a Top Hat
* Mary Stewart: The Last Enchantment
* Josephine Tey: The Daughter of Time
* Barbara Vine: Asta’s Book, A Dark-Adapted Eye
* Oscar Wilde: The Picture of Dorian Gray

 

DARK ACADEMIA
Most likely:
* James Hilton: Murder at School √

Alternatives:
Nina Blazon: Siebengeschichten
Joanne Harris: Gentlemen and Players
* Michael Innes: Death at the President’s Lodging
* Robert B. Parker: School Days
* Philip Pullman: His Dark Materials
* Donna Tartt: The Secret History

 

MODERN NOIR
Most likely:
* Joy Ellis: The Guilty Ones √

Alternatives:
* Jay Bonansinga: The Sleep Police
* Ann Cleeves: The Crow Trap, Raven Black
* Jeffery Deaver: The Bone Collector, The Cold Moon
* Hugh Fraser: Harm
Joanne Harris: Gentlemen and Players
* Anthony Horowitz: The Word is Murder
* Marlon James: A Brief History of Seven Killings
* Dennis Lehane: Shutter Island
* Jo Nesbø: Macbeth
* Robert B. Parker: School Days
* Ian Rankin: Rebus series
* Ruth Rendell: Some Lie and Some Die
* Peter Robinson: Gallows View, Wednesday’s Child
* Jay Stringer: Ways to Die in Glasgow
* Donna Tartt: The Secret History
* C.J. Tudor: The Taking of Annie Thorne
* Minette Walters: Disordered Minds
* R.D. Wingfield: A Killing Frost
* Mystery Writers of America Presents: Vengeance
* Various Authors: MachUp

 

GHOST STORIES
Most likely:
* Nina Blazon: Siebengeschichten √

Alternatives:
 Georgette Heyer: Footsteps in the Dark
* Michael McDowell: Blackwater
 Barbara Michaels: Witch
Toni Morrison: Beloved
* Ellis Peters: A Morbid Taste for Bones
Terry Pratchett: Wyrd Sisters, Pyramids

 

GOTHIC
Most likely:
* Peter Ackroyd: Hawksmoor 

Alternatives:
* Marie Belloc Lowndes: The Lodger
Nina Blazon: Siebengeschichten
* Emily Brontë: Wuthering Heights
John Dickson Carr: The Hollow Man
* Agatha Christie: The Pale Horse
* Wilkie Collins: The Woman in White
* Neil Gaiman: Fragile Things
* Thomas Hardy: The Mayor of Casterbridge, Tess of the D’Urbervilles
* Victor Hugo: The Hunchback of Notre Dame
* Elizabeth Kostova: The Historian
* Michael McDowell: Blackwater
* Barbara Michaels: Witch
Toni Morrison: Beloved
Delia Owens: Where the Crawdads Sing
* Christopher Priest: The Prestige
* Ann Radcliffe: The Mysteries of Udolpho
* Mary Roberts Rinehart: The Circular Staircase
* Diane Setterfield: Once Upon a River
* Mary Stewart: This Rough Magic
* Bram Stoker: Dracula
* Barbara Vine: The Blood Doctor, A Dark-Adapted Eye
* Patricia Wentworth: Pilgrim’s Rest
* Oscar Wilde: The Picture of Dorian Gray

 

TRULY TERRIFYING
Most likely:
Audible Original: Evil Has a Name
Susan Orlean: The Library Book
Substitution:
Bob Berman: Earth-Shattering √

Alternatives:
* Agatha Christie: Autobiography
* Neil Gaiman: The View from the Cheap Seats
* Christopher Hibbert: The Borgias and Their Enemies
* Sebastian Junger: The Perfect Storm
Hesketh Pearson: Arthur Conan Doyle: A Life
* Patrick Radden Keefe: Say Nothing
* Bob Woodward: The Last of the President’s Men, The Secret Man

 

CRYPTOZOOLOGIST
Most likely:
* Terry Pratchett: Guards! Guards! √

Alternatives:
* Arthur Conan Doyle: The Lost World
* Michael Ende: Die unendliche Geschichte (The Neverending Story)
* Stephen Fry: Heroes
* Neil Gaiman: Fragile Things
* Anne McCaffrey: Dragonflight
* Victor Hugo: The Hunchback of Notre Dame
* Terry Pratchett: Pyramids
* Philip Pullman: His Dark Materials
* Bram Stoker: Dracula
* J.R.R. Tolkien: The Children of Húrin, Tales from the Perilous Realm

 

DIVERSE VOICES
Most likely:
* Toni Morrison: Beloved 

Alternatives:
Nina Blazon: Siebengeschichten
Zen Cho: Sorcerer to the Crown
Sara Collins: The Confessions of Frannie Langton
* Edwidge Danticat: Krik? Krak!
* Alexandre Dumas: The Three Musketeers
* Marlon James: A Brief History of Seven Killings
Silvia Moreno-Garcia: Gods of Jade and Shadow

 

BLACK CAT
Most likely:
* Jim Butcher: The Aeronaut’s Windlass √

Alternatives:
* Barbara Michaels: Witch
* Sofie Ryan: The Whole Cat and Caboodle
* Various Authors: Magicats
* Various Authors: Feline Felonies

 

CREEPY CRAWLIES
Most likely:
*Silvia Moreno-Garcia: Gods of Jade and Shadow √

Alternatives:
* Arthur Conan Doyle: The Lion’s Mane
* Stephen Fry: Heroes
* Victor Hugo: The Hunchback of Notre Dame
* Rudyard Kipling: The Jungle Book
* Alexander McCall Smith: The Girl Who Married a Lion
Terry Pratchett: Pyramids
* Philip Pullman: His Dark Materials
* Bram Stoker: Dracula

 

COUNTRY HOUSE MYSTERY

Most likely:
* Anthony Rolls: Scarweather 

Alternatives:
 Margery Allingham: The White Cottage Mystery
Agatha Christie: The Regatta Mystery and Other Stories, The Pale Horse, Curtain, Halloween Party
* Wilkie Collins: The Woman in White
* Matthew Costello, Neil Richards: Cherringham
Arthur Conan Doyle: The Naval Treaty, The Return of Sherlock Holmes (several stories), His Last Bow (several stories)
* Elizabeth George: Careless in Red, This Body of Death, Believing the Lie
* Anna Katherine Green: The Leavenworth Case
 Georgette Heyer: The Unfinished Clue, Footsteps in the Dark
* P.D. James: Unnatural Causes
* Mary Roberts Rinehart: The Circular Staircase
* Diane Setterfield: Once Upon a River
* Patricia Wentworth: Pilgrim’s Rest

 

SPELLBOUND
Most likely:
* Zen Cho: Sorcerer to the Crown √

Alternatives:
* Hans Christian Andersen: Fairy Tales
* J.M. Barrie: Peter Pan
Nina Blazon: Siebengeschichten
Jim Butcher: The Aeronaut’s Windlass
Trudi Canavan: The Magicians’ Guild
* Agatha Christie: The Pale Horse
* Michael Ende: Die unendliche Geschichte (The Neverending Story)
Jennifer Estep: Kill the Queen
* Stephen Fry: Heroes
* Neil Gaiman: Fragile Things
* Lois McMaster Bujold: The Curse of Chalion
Silvia Moreno-Garcia: Gods of Jade and Shadow
Terry Pratchett: Wyrd Sisters, Maskerade, Pyramids
* Philip Pullman: His Dark Materials
* Diane Setterfield: Once Upon a River
* Mary Stewart: The Last Enchantment
* J.R.R. Tolkien: The Children of Húrin, Tales from the Perilous Realm
* Various Authors: Magicats

 

A GRIMM TALE
Most likely:
 Stephen Fry: Heroes
Substitution:
 Ellen Datlow & Terri Windling (eds.), Various Authors: A Wolf at the Door and Other Retold Fairy Tales √

Alternatives:
 Hans Christian Andersen: Fairy Tales
Nina Blazon: Siebengeschichten
* Neil Gaiman: Fragile Things
* Alexander McCall Smith: The Girl Who Married a Lion
Silvia Moreno-Garcia: Gods of Jade and Shadow
 Mary Stewart: The Last Enchantment

 

CREEPY CARNIVALS
Most likely:
* Fredric Brown: The Dead Ringer 

Alternatives:
John Dickson Carr: The Hollow Man
* Arthur Conan Doyle: The Veiled Lodger
* Christopher Priest: The Prestige
Clayton Rawson: Death from a Top Hat

 

PAINT IT BLACK
Most likely:
* Trudi Canavan: The Magicians’ Guild 

Alternatives:
Margery Allingham: The White Cottage Mystery, Blackkerchief Dick
* Nicholas Blake: Minute for Murder, Thou Shell of Death, The Beast Must Die
* Agatha Christie: The Pale Horse
Ann Cleeves: Raven Black
Sara Collins: The Confessions of Frannie Langton
* Wilkie Collins: The Woman in White
* Michael Crichton: The Great Train Robbery
* Thomas Hardy: The Mayor of Casterbridge
* Anthony Horowitz: The Word is Murder
* Marlon James: A Brief History of Seven Killings
* Elizabeth Kostova: The Historian
* Scott Lynch: The Lies of Locke Lamora
* Lois McMaster Bujold: The Curse of Chalion
Toni Morrison: Beloved
* Mario Puzo: The Godfather
* Ruth Rendell: Some Lie and Some Die, Simisola
* Peter Robinson: Wednesday’s Child
* Donna Tartt: The Secret History
* C.J. Tudor: The Taking of Annie Thorne
* Barbara Vine: The Blood Doctor, Asta’s Book, A Dark-Adapted Eye
* Various Authors: Classic Crime Short Stories

 

Squares for which I’ve already got too many options to list them all here:

Finally, since I’ve found books for all of my card’s squares, I don’t currently expect to be using my transfiguration spells.  If during the game I decide I’m not in the mood for any of the book choices listed here, though, these are the squares (currently without associated books) from which, as of right now, I’d most likely make my replacement / transformation selection:




 

 

 

Original post:
ThemisAthena.booklikes.com/post/1935284/halloween-bingo-book-selections

Halloween Bingo 2019: Tracking Post — Blackout! (And bingos Nos. 12 and 13.)

 

Many thanks to Moonlight Reader and Obsidian Blue for hosting this game for the fourth year in a row, bigger and better than ever before!

Witih today’s call, I’ve blacked out my card, in addition to collecting my final bingos (nos. 12 and 13).

Somewhat to my surprise, after completing my books for my official bingo card at the end of September, I even managed to read enough extra books to put together a supplemental inofficial card throughout the month of October, so this year’s game has really exceeded my wildest expectations in every conceivable way!

 

My Official 2019 Bingo Card:

Weekly Status Updates and Reviews:

First Week
Second Week
Third Week
Fourth Week

 

The Books:

International Woman of Mystery: Margaret Atwood: The Handmaid’s Tale and The Testaments – finished September 29, 2019.
Locked Room Mystery: Clayton Rawson: Death from a Top Hat – finished September 23, 2019.
Murder Most Foul: Michael Gilbert: Smallbone Deceased – finished September 13, 2019.
Psych: Sofi Oksanen: Fegefeuer (The Purge) – finished September 17, 2019.
Read by Flashlight or Candle Light: The Lady Detectives: Four BBC Radio 4 Crime Dramatisations – finished September 20, 2019.

DeadLands: Terry Pratchett: Monstrous Regiment – finished September 26, 2019.
Fear the Drowning Deep: Delia Owens: Where the Crawdads Sing – finished September 25, 2019.
Relics and Curiosities: Patricia Wentworth: Eternity Ring – finished September 10, 2019.
Dark Academia: James Hilton: Was It Murder? – finished September 1, 2019.
Modern Noir: Joy Ellis: The Guilty Ones – finished September 21, 2019.

Ghost Stories: Nina Blazon: Siebengeschichten – finished September 1, 2019.
Gothic: Peter Ackroyd: Hawksmoor – finished September 9, 2019.
Free (Raven) Space: Agatha Christie: The Regatta Mystery and Other Stories – finished September 7, 2019.
Truly Terrifying: Bob Berman: Earth-Shattering – finished September 12, 2019.
Amateur Sleuth: Priscilla Royal: Wine of Violence – finished September 5, 2019.

Cryptozoologist: Terry Pratchett: Guards! Guards! – finished September 18, 2019.
Diverse Voices: Toni Morrison: Beloved – finished September 22, 2019.
Black Cat: Jim Butcher: The Aeronaut’s Windlass – finished September 16, 2019.
Creepy Crawlies: Silvia Moreno-Garcia: Gods of Jade and Shadow – finished September 7, 2019.
Country House Mystery: Anthony Rolls: Scarweather – finished September 14, 2019.

Spellbound: Zen Cho: Sorcerer to the Crown – finished September 6, 2019.
A Grimm Tale: Ellen Datlow & Terry Windling (eds.): The Wolf at the Door and Other Retold Fairy Tales – finished September 4, 2019.
Creepy Carnivals: Fredric Brown: The Dead Ringer – finished September 12, 2019.
Paint It Black: Trudi Canavan: The Magicians’ Guild – finished September 20, 2019.
Cozy Mysteries: Margery Allingham: The White Cottage Mystery – finished September 19, 2019.

 

My Square Markers

 

Called but not read

Read but not called

Read and Called

Center Square: Read and Called

 

The Extra Squares / Card and Books:

13: Rex Stout: And Be a Villain
Supernatural: Jennifer Estep: Kill the Queen
New Release: Sara Collins: The Confessions of Frannie Langton
Genre: Mystery: Catherine Louisa Pirkis: The Experiences of Loveday Brooke, Lady Detective
Romantic Suspense: Georgette Heyer: The Unfinished Clue
Terror in a Small Town: Ann Cleeves: Raven Black
Halloween: Agatha Christie: Hallowe’en Party
Monsters: Terry Pratchett: Pyramids
Shifters: Joan D. Vinge: Ladyhawke
Sleepy Hollow: Dennis Lehane: The Given Day
Film at 11: J.B. Priestley: An Inspector Calls
In the Dark, Dark Woods: Joseph Conrad: Heart of Darkness
Free (Raven) Square: Various Authors: The Rivals: Tales of Sherlock Holmes’ Rival Detectives
Grave or Graveyard: Kathy Reichs: Grave Secrets
Genre: Suspense: Tony Medawar (ed.) & Various Authors: Bodies from the Library 2
Southern Gothic: Sharyn McCrumb: The Unquiet Grave
Baker Street Irregulars: Joanne Harris: Gentlemen & Players
Darkest London: J.V. Turner: Below the Clock
Magical Realism: Joanne Harris: Chocolat
It was a dark and stormy night: Peter May: The Lewis Man
Full Moon: Edmund Crispin: Glimpses of the Moon
King of Fear: John Le Carré: Absolute Friends
Serial / Spree Killer: Steven Kramer, Paul Holes & Jim Clemente: Evil Has a Name
Classic Noir: Patricia Highsmith: Strangers on a Train
Classic Horror: Matthew G. Lewis: The Monk

Note: With regard to the extra squares, I added the image for the relevant square for every book completed (= “read”); and I am using my “called” markers for the main card to indicate “called and read”.

 

My Spreadsheet:

My Book Preselections Post: HERE

 

My Transfiguration Spells

Not used.

 

My “Virgin” Bingo Card:

Posted for ease of tracking and comparison.

 

 

Original post:
http://themisathena.booklikes.com/post/1942220/halloween-bingo-2019-tracking-post

Halloween Bingo 2019: Tracking Post — Bingo No. 3 and Reading Blackout

* Triple Bingo Happy Dance *

Well, that went by much faster than I had anticipated … Many thanks to Moonlight Reader and Obsidian Blue for hosting this game for the fourth year in a row, bigger and better than ever before!

I’ll continue tracking my bingos of course — and since we now have so many more great squares than can possibly fit on one person’s card, I’ll just continue reading for a few of the extra squares that didn’t make it onto mine.

And I hope everybody else is going to continue / start collecting bingos soon as well!

 

Weekly Status Updates and Reviews:

First Week
Second Week
Third Week

 

The Books:

International Woman of Mystery: Margaret Atwood: The Handmaid’s Tale and The Testaments – finished September 29, 2019.
Locked Room Mystery: Clayton Rawson: Death from a Top Hat – finished September 23, 2019.
Murder Most Foul: Michael Gilbert: Smallbone Deceased – finished September 13, 2019.
Psych: Sofi Oksanen: Fegefeuer (The Purge) – finished September 17, 2019.
Read by Flashlight or Candle Light: The Lady Detectives: Four BBC Radio 4 Crime Dramatisations – finished September 20, 2019.

DeadLands: Terry Pratchett: Monstrous Regiment – finished September 26, 2019.
Fear the Drowning Deep: Delia Owens: Where the Crawdads Sing – finished September 25, 2019.
Relics and Curiosities: Patricia Wentworth: Eternity Ring – finished September 10, 2019.
Dark Academia: James Hilton: Was It Murder? – finished September 1, 2019.
Modern Noir: Joy Ellis: The Guilty Ones – finished September 21, 2019.

Ghost Stories: Nina Blazon: Siebengeschichten – finished September 1, 2019.
Gothic: Peter Ackroyd: Hawksmoor – finished September 9, 2019.
Free (Raven) Space: Agatha Christie: The Regatta Mystery and Other Stories – finished September 7, 2019.
Truly Terrifying: Bob Berman: Earth-Shattering – finished September 12, 2019.
Amateur Sleuth: Priscilla Royal: Wine of Violence – finished September 5, 2019.

Cryptozoologist: Terry Pratchett: Guards! Guards! – finished September 18, 2019.
Diverse Voices: Toni Morrison: Beloved – finished September 22, 2019.
Black Cat: Jim Butcher: The Aeronaut’s Windlass – finished September 16, 2019.
Creepy Crawlies: Silvia Moreno-Garcia: Gods of Jade and Shadow – finished September 7, 2019.
Country House Mystery: Anthony Rolls: Scarweather – finished September 14, 2019.

Spellbound: Zen Cho: Sorcerer to the Crown – finished September 6, 2019.
A Grimm Tale: Ellen Datlow & Terry Windling (eds.): The Wolf at the Door and Other Retold Fairy Tales – finished September 4, 2019.
Creepy Carnivals: Fredric Brown: The Dead Ringer – finished September 12, 2019.
Paint It Black: Trudi Canavan: The Magicians’ Guild – finished September 20, 2019.
Cozy Mysteries: Margery Allingham: The White Cottage Mystery – finished September 19, 2019.

 

My Square Markers

 

Called but not read

Read but not called

Read and Called

Center Square: Read and Called

 

My Spreadsheet:

My Book Preselections Post: HERE

 

My Transfiguration Spells

Not used.

 

My “Virgin” Bingo Card:

Posted for ease of tracking and comparison.

 

 

Original post:
ThemisAthena.booklikes.com/post/1942220/halloween-bingo-2019-tracking-post-bingo-no-3-and-reading-blackout

Toni Morrison: Beloved


The book that accompanied me throughout this third week of September 2019, bit by bit, in both audio and the print version.  And oh, what a writer the world lost when Toni Morrison died.  This wasn’t my first book by her, but it brought home her extraordinary qualities as a writer all over again: There isn’t a word wasted here; Morrison even makes every single syllable stand up and be counted, and each and every one of them comes from a place deep inside her and reaches out right to the reader.  The narration is not linear; every fact unveiled simultaneously shrouds two more in allusion and “rememory” too painful to be allowed to come to the surface; and both this and the changing viewpoints make for a canvas that requires time, patience, and the reader’s full attention to pull it out from its multiple layers of protection — and the complete picture, when it is finally out in the open, is one crying out with unbearable heartbreak.

Much as I enjoyed listening to Toni Morrison’s narration as a companion experience to the book, I would join those who counsel against relying on the audiobook alone if this is your first experience with this novel: Morrison’s vocal performance essentially does the same as her writing, coaxing forth and simultaneously shushing bits and pieces of the story as they come up in the text, so it adds yet another layer of complexity to a book that, based on its story alone, already calls on the full engagement of the reader’s senses and awareness.

Whichever way you choose to experience this book, though — if you only read one book by Toni Morrison, by all means let it be this one.  She deserved the Nobel Prize in Literature for Beloved alone, and while her literary legacy has hopefully made her voice immortal, among the many great authors we have lost this year, she stands head and shoulders above all the rest.  Her contributions to the literary and social discourse will well and truly be missed.

Halloween Bingo 2019: The Third Week

Well, the third week really hit my bingo experience out of the ballpark this year — and not only Pbecause it finished with my first completed bingo; that was actually just the icing on the cake.  But it included no less than three absolutely knock-out fabulous books, plus a fourth that was almost as good — and the remaining three, though not quite reaching this level, were at least mostly enjoyable, all in their own particular way.  So without any further ado:

 

The Books

Sofi Oksanen: Fegefeuer (The Purge)

Based on everything I’d previously heard about this book, it took me quite a while to get up my nerve to read it, because I knew I’d be in for a fairly merciless game of psychological hares and foxes — which however, of course, meant that it would be a natural choice for the “Psych” bingo square.

Sofi Oksanen’s The Purge contrasts the early 1990s’ post-Soviet Union independent Estonia with that of the WWII and post-WWII era which had led to the country’s being swallowed up by the Soviet Union.  The setting in which this happens is the isolated farm where one of the novel’s protagonists, has been living almost all her life, and where at the beginning of the book the other protagonist — a young woman who is obviously on the run — suddenly appears, seeking refuge.  Although the two women have never seen each other in their entire lives (and the young refugee for all practical purposes is Russian rather than Estonian), it soon becomes clear that it is by no means an accident for her to show up in this place and none other.  What follows is a dance macabre style exploration of death, guilt, betrayal, running away from versus accepting responsibility for one’s own actions, and one (or two?) families’ entanglement with Estonia’s and the Soviet Union’s brutal social and political order in the second half of the 20th century.  This is an uncomfortable read, but it perfectly encapsulates the mental, psychological, political and social purge that every society will embark on both upon slipping into and upon freeing itself from a dictatorial system; and particularly in today’s political climate it comes highly recommended.

 

Terry Pratchett: Guards! Guards!

And talking about books that ought to be read, today more than ever, this turned out to be yet another one, right on the heels of Oksanen’s.  The eighth Discworld novel and the first book of the Night Watch subseries — but first and foremost, an exploration of just how a political system can fail and slip into dictatorships right before everybody’s eyes. Whatever it was that motivated Pratchett to write this book exactly 30 years ago, in the waning days of the Cold War, it is eerily prescient and feels as if it were written this or last year; so exactly does it foretell recent events (particularly in the UK and the U.S., but by far not merely there).  There is, of course, also plenty of Pratchett’s trademark pith and humor, and plenty of lines that, at least in the first part of the book, will make you laugh out loud; but in the second half, more often than not your laughter is going to get stuck right in your throat.

Oh, and in case anyone is wondering about my bingo square attribution, it features dragons.  Plural — but one in particular.

 

Margery Allingham: The White Cottage Mystery

Allingham’s first mystery, and it clearly shows off her talent as a writer from the start.  As in the first Albert Campion book (The Crime at Black Dudley) and several of the subsequent Campion mysteries, there’s an international “detour” — here: literally so — that is not in any way, shape and form necessary to the plot and that I could therefore have done without, and it’s no particular surprise that Allingham later chose a somewhat more flamboyant hero for the series she would come to write.  But for an afternoon’s (or in my case, morning’s) worth of entertainment this works very nicely indeed.

 

BBC Audio: The Lady Detectives

See separate post HERE.

 

Trudi Canavan: The Magicians’ Guild

The first book of Canavan’s Black Magician trilogy and, while it started out enjoyable enough, another book that ultimately failed to live up to my expectations.  (It’s by no means awful, but it also didn’t entice me to continue with the series, however much the ending may have be trying to do just that.)

The book concerns a teenage girl from the slums who in the course of an anti-magician rally with fatal consequences — though not for herself — accidentally discovers that (drumroll …) she has magical powers herself and is henceforth sought out by the Magicians’ Guild who (1) want to make her one of their own and (2) even if she should refuse that rather unexpeted honor — all things magical ordinarily being perceived as something restricted to the country’s ruling families — have decided that in her own interest as well as for the common good, a clamp must be put on her magical abilities, which indeed quickly turn out to be destructive and beyond her own control (a control she can only be taught by a fully-trained magician).

The first part of the book, which essentially concerns the hide and seek game involving the magicians’ hunt for the protagonist, is sprightly enough — though even there the book is displaying its first unnecessary lengths –, but the second part, instead of kicking things into a higher gear, is riddled with lengthy and largely unnecessary exposition, and from the book’s mid-point onwards the plot is entirely predictable.  The world-building, too, is only so-so: hardly original — and it doesn’t become anymore so just by giving fancy names to ordinary everyday creatures such as farm animals, crops, or certain types of city buildings such as boarding houses, taverns and brothels –, and I am seriously sick of fantasy novels that believe they’re doing something clever by slightly altering the spelling and pronunciation of ordinary everyday names.  (The heroine’s first name is Sonea — pronounced Son-EE-a –; one of the magicians is called Dannyl (pronounced DANNyl.)

In summary, I miight have enjoyed this a good deal more if (1) it had been only about half (or at most, 2 /3) of its actual length and (2) the second half of the book had lived up to the promise of the first half, instead of delving into banal predictability.

 

Joy Ellis: The Guilty Ones

Aaah, but what a joy to move from the week’s last so-so book to another absolute stunner!  I had every faith this was going to be the case, and Ellis delivers in spades — in a mystery that this time comes calling so close to DI Jackman’s home that in reality he would probably have had to recuse himself from the investigation.  (Obviously we can’t have such a thing in a mystery, but to give Ellis her due, at least she doesn’t duck the issue; and by and large she handles it more successfully here than a similar — albeit slightly less weighty — situation in an earlier book.)  I know that at least one other bingo participant is still looking to read this book, so I won’t say a word about the plot — and I only mentioned Jackman’s personal involvement because this is essentially the setup of the entire thing and we’re being told about it right from the start — but what I will say is that this book came very, very close to competing with Their Lost Daughters for the spot of my favorite installment in the entire series; and just when I thought I had figured it all out, Ellis kicked things onto a whole new level.  Brava!

 

Toni Morrison: Beloved

… and finally: The book that accompanied me throughout the week, bit by bit, in both audio and the print version.  And oh, what a writer the world lost when Toni Morrison died.  This wasn’t my first book by her, but it brought home her extraordinary qualities as a writer all over again: There isn’t a word wasted here; Morrison even makes every single sillable stand up and be counted, and each and every one of them comes from a place deep inside her and reaches out right to the reader.  The narration is not linear; every fact unveiled simultaneously shrouds two more in allusion and “rememory” too painful to be allowed to come to the surface; and both this and the changing viewpoints make for a canvas that requires time, patience, and the reader’s full attention to pull it out from its multiple layers of protection — and the complete picture, when it is finally out in the open, is one crying out with unbearable heartbreak.

Much as I enjoyed listening to Toni Morrison’s narration as a companion experience to the book, I would join those who counsel against relying on the audiobook alone if this is your first experience with the book: Morrison’s vocal performance essentially does the same as her writing, coaxing forth and simultaneously shushing bits and pieces of the story as they come up in the text, so it adds yet another layer of complexity to a book that, based on its story alone, already calls on the full engagement of the reader’s senses and awareness.

Whichever way you choose to experience this book, though — if you only read one book by Toni Morrison, by all means let it be this one.  She deserved the Nobel Prize in Literature for Beloved alone.

 

The Card

… as of today; with my “virgin” card below for reference:

 

Original post:
ThemisAthena.booklikes.com/post/1956503/halloween-bingo-2019-the-third-week

All 61 squares revealed: 39 through 61 (Non-Genre-Specific Squares)

Reblogged from: Moonlight Reader

 

The remaining, non-genre specific squares – you can read anything that is horror, mystery, suspense or supernatural that otherwise fits the square prompt.

  

39. Thirteen (13): any book that relates to bad luck, superstition, or the number 13, either in the title/book/series/page count. Booklist linked here.

40. A Grimm Tale:  any fairy tale or retelling of fairy tales, folklore, legends, etc. Book list linked here.

41. Aliens: any mystery, horror, suspense or supernatural book that includes aliens, either here on earth, or in space. Book list linked here.

  

42. Creepy Carnivals:  horror/mystery/supernatural set in or concerning a carnival, amusement park, or other party/festival – think Something Wicked This Way Comes by Ray Bradbury, Joyland by Stephen King or Hallowe’en Party by Agatha Christie; Book list linked here.

43. Creepy Crawlies: this is a throw back from 2016! Books with bugs, snakes, spiders, worms and other things that slither, scuttle or crawl, includes viruses and other parasites. Book list linked here.

44. In The Dark, Dark Woods: a mystery, suspense, horror or supernatural book in which the forest/woods plays a significant role, or which has a forest/woods on the cover. Book list linked here.

  

45. Darkest London: mystery, horror, supernatural, or suspense set in London. Book list linked here.

46. Demons: Any book involving demons, demonic possession or other such elements. Book list linked here.

47. Diverse voices: written by an author of color. Book list linked here.

  

48. Doomsday:  anything related to the end of the world, doomsday cults, or a post-apocalypse world. Book list linked here.

49. Fear the Drowning Deep: books with sea-related elements: sea creatures, ships, and sharks. Book list linked here.

50. Full Moon: a book with an image of the moon on the cover, the word moon in the title, or where a full moon figures prominently in the story. Book list linked here.

  

51. Gothic: any book with significant: a genre or mode of literature and film that combines fiction and horror, death, and at times romance. Book list linked here.

52. Grave or Graveyard: Books that have a grave or graveyard on their covers, in their titles, or any book primarily set in a graveyard. Book list linked here.

53. Halloween: This is a combination of the “pumpkin” and the “halloween” squares from 2016. so, any book set on halloween or has halloween in the title or that has a pumpkin on the cover, or in the title, etc.. will work for this square. Book lists linked here: pumpkins and halloween.

  

54. Monsters: This square covers any crytpozoological or mythological creature that isn’t a vampire, werewolf, or demon. Or zombie. Book list linked here.

55. New Release: mystery, suspense, horror or supernatural that was published after 10/31/18.

56. Read by Flashlight or Candlelight: Back by popular request! Any mystery, suspense, supernatural or horror book – the trick here is to spend an hour or so reading by flashlight or candlelight. Take a picture and share it with us, if you want to!

  

57. Relics and Curiosities: concerning magical, supernatural or haunted objects, such as spell-books, talismans or swords; Book list linked here.

58. Sleepy Hollow: this is the new version of set in New England, with a shout-out to that most New England of all stories, The Legend of Sleepy Hollow. Book list linked here.

59. Free square: Our friend, Poe, is back for his fourth outing!

 

60. Black Cat: We haven’t seen this square since our first bingo game, back in 2016! Any book that has a black cat in the title, on the cover, or in the story. Book list linked here.

61. It Was A Dark and Stormy Night: This is another throwback to 2016 – any book that takes place on “a dark and stormy night.” Book list linked here.

 

Original post:
ThemisAthena.booklikes.com/post/1933535/all-61-squares-revealed-39-through-61

Halloween Bingo 2019 PreParty — Question for 08/08 (Day 8): Favorite Past Halloween Bingo Squares?

Being more of a mystery than a horror reader, of course I like all of the mystery squares — as well as the squares adding diversity to the game (“Diverse Authors”, “Terrifying Women”, and the new “International Women of Mystery”) and the squares that allow me to sneak in a Terry Pratchett book or three (“Supernatural”, “Witches” / “Spellbound” — the latter also for other reasons).

But truth be told, the squares I am enjoying most are those calling for a specific topical reading prompt, e.g. “Full Moon”, “Creepy Carnivals”, or “In the Dark, Dark Woods”; as well as those calling for a specific regional or calendarial setting (“Darkest London”, “Southern Gothic”, “Set on Halloween”, etc.).  For one thing, these are the prompts that particularly showcase our bingo hosts’ creativity, and for another, what always amazes me is the wide selection of books that fit these categories — for each of them, you can go all the way from romantic suspense to the most gruesome and terrifying horror and still find something that matches the square’s requirements.  They’re also the squares that make me take the closest looks at the books on my TBR, reading book descriptions etc. and looking for matches, which in turn increases my anticipation of the game!

Here’s a compilation of my favorite squares from bingos past (in alphabetical order, regardless of year) … added to which, I have to say that I also love every single one of the new squares MR has so far introduced in connection with this year’s game.  To mark the fact that yet another thing about bingo I’m truly enjoying are the group and (impromptu) buddy reads, I’m also including the “Reads with BookLikes friends” square from the 2016 bingo card — even if group and buddy reads are by now such an ingrained part of the game that a square specifically calling for them seems highly superfluous at this point.

 

 

 

Original post:
ThemisAthena.booklikes.com/post/1932865/halloween-bingo-2019-preparty-question-for-08-08-day-8-favorite-past-halloween-bingo-squares

James D. Doss: Grandmother Spider

 

I “rediscovered” James D. Doss’s Charlie Moon series during last year’s bingo — in fact, I had been sufficiently impressed with what I’d read about the books when I first found out about them years ago to buy several of them at a time, only to let them get buried, however, under a pile of other purchases in the interim.  Thank God, therefore, for last year’s “Full Moon” square, which made me undust White Shell Woman, the serie’s no.7 book … whose events follow closely on the heels of Grandmother Spider, the book I chose for this year’s “Diverse Voices” square!

Charlie Moon, the series’s protagonist, is Acting Chief of the Ute Tribal Police; he usually teams up in his investigations with his friend Scott Parris, the Police Chief of Granite Creek, CO (who used to be the protagonist of the series’s first book — though Charlie took over from him soon enough).

Doss seemed to have a penchant for doings during dark and stormy nights; however, there is nothing Bulwer-Lytton’ish about his settings: You could easily be scared sh*tless by the atmosphere that he creates, if it weren’t for the laugh-out-loud crap shots that he takes at himself and his characters just when things are on the point of getting serously spooky.  As such, at the beginning of Grandmother Spider, Charlie Moon’s aunt Daisy — a Ute shaman and tribal elder — at nightfall tells her nine year old ward Sarah the legend of Grandmother Spider, a giant arachnid demon / deity / monster / spirit believed to live below Navajo Lake, to come out and avenge the death of any spiders killed by humans (such as, you guessed it, Sarah has just done) and to store any human bodies she isn’t ready to eat just yet high up in a convenient tree.  (Shelob and her kin from The Hobbit, anyone?)  Only minutes later, they are confronted by a huge, round thing with eight tentacle-like legs and flashing lights that may or may not be eyes, flying past Daisy’s trailer at the mouth of Canyon del Espíritu in Southern Colorado … which does an instant vanishing act after having absorbed two rounds of bird shot that Daisy has emptied into it on the suspicion that it just might be a UFO carrying space aliens.  Minutes earlier, the same mysterious apparition has already been witnessed, in not-quite-biblical fashion, by a lone sheperd watching his flock at night on a nearby mountain ridge (failing any other logical explanation, he blames the apparition on the Government in D.C., once more out to annoy its loyal citizens out West), and somehow, the whole thing also seems to have something to do with the unlikely drinking-and-fishing — mostly drinking — fellowship spontaneously formed on the shores of Lake Navajo by a Ute tribesman and a New Mexico scientist passing through on his way to Albuquerque, who maybe would have done better heeding the warning in the rearview mirror of the Ute’s truck: “Caution: Objects in mirror are closer than they appear.”  (One of them will, shortly thereafter, be discovered in a state of severe hypothermia up a tree quite a distance away, which of course does nothing for dispelling the supernatural overtones of these events.)

The solution to it all is, I am happy to report, anything but supernatural; however, high marks to Mr. Doss for sheer wackiness and invention alone.  What I like most about his books, though — aside from his dry and spot-on sense of humor — is the way in which the Native American spiritual world and beliefs and the secular world of the late 20th century blend together in a truly engaging storyline, with equal respect being paid to both; and on that count, Grandmother Spider delivers every bit as successfully as White Shell Woman.  What a pity Mr. Doss passed away in 2012 and there will be no new instalments to the series … though I am looking forward to the 15 volumes I have yet to discover!