Bingo Call: 10/20/2019 – Classic Noir

Reblogged from: Obsidian Blue

 

Classic Noir: mysteries published prior to 1980 with noir elements, including authors like Raymond Chandler, Cornell Woolrich and Dashiell Hammett. Book list linked here.

Mystery square.

 

Original post:
ThemisAthena.booklikes.com/post/1973348/bingo-call-10-20-2019

Black Cat Productions Presents: Bingos No. 12 & 13 and BINGO BLACK OUT!

 

 

 This has been enormously great fun; thanks to Moonlight Reader and Obsidian Blue for putting this together and hosting it!  I’ve loved following everybody’s reads – still sorry RL duties made me bow out for 2+ weeks smack in the middle of it all.  Most of my selections turned out to be enjoyable, many even great reads, and as a bonus I’ve discovered two new favorite series (James D. Doss’s Charlie Moon series and Peter May’s Lewis crime novels) and a new favorite character in an already-loved series (Angua, in the Night Watch subseries of Terry Pratchett’s Discworld).

 

The Books:
The Books:

Read by Candlelight or Flashlight – E.T.A. Hoffmann: Das Fräulein von Scuderi (Mademoiselle de Scuderi)
=> Bingos No. 1, No. 5, No. 6 & No. 12

Magical Realism – Isabel Allende: La casa de los espíritus (The House of the Spirits)
=> Bingos No. 6 & No. 11

Witches – Terry Pratchett / Neil Gaiman: Good Omens
=> Bingos No. 3 & No. 6

Genre: Horror – Mary Shelley: Frankenstein
=> Bingos No. 6 & No. 8

Black Cat – Frances & Richard Lockridge: The Norths Meet Murder
=> Bingos No. 4, No. 5, No. 6 & No. 9

Diverse Authors Can Be Spooky Fun – Sherman Alexie: Reservation Blues
=> Bingos No. 10 & No. 12

Ghost Stories and Haunted Houses – Henry James: The Turn of the Screw
=> Bingos No. 1, No. 10 & No. 11

Young Adult Horror – Oscar Wilde: The Canterville Ghost
=> Bingos No. 3 & No. 10

Scary Women (Authors) – Daphne Du Maurier: Jamaica Inn
=> Bingos No. 4, No. 8 & No. 10

Reads with BookLikes Friends – Arthur Conan Doyle: The Hound of the Baskervilles
=> Bingos No. 9 & No. 10

Grave or Graveyard – Bram Stoker: Dracula & Edgar Allan Poe: The Cask of Amontillado
=> Final Bingo Square: Bingos No. 12 & No. 13

Genre: Mystery – Peter May: The Blackhouse
=> Bingos No. 11 & No. 13

Free Space – Dashiell Hammett: The Dain Curse
=> Bingos No. 1, No. 3, No. 4, No. 5 & No. 13

Gothic – Horrace Walpole: The Castle of Otranto
=> Bingos No. 8 & No. 13

Creepy Crawlies – Arthur Conan Doyle: The Adventure of the Speckled Band
=> Bingos No. 9 & No. 13

“Fall” into a Good Book – Edgar Allan Poe: The Fall of the House of Usher
=> Bingos No. 7 & No. 12

Locked Room Mystery – Gaston Leroux: Le mystère de la chambre jaune (The Mystery of the Yellow Room)
=> Bingos No. 4, No. 7 & No. 11

It Was a Dark and Stormy Night – Agatha Christie: And Then There Were None
=> Bingos No. 3 & No. 7

Set in New England – Shirley Jackson: The Lottery
=> Bingos No. 1, No. 7 & No. 8

Full Moon – James D. Doss: White Shell Woman
=> Bingos No. 7 & No. 9

Vampires vs. Werewolves – Terry Pratchett: Feet of Clay
=> Bingos No. 2, No. 4, No. 5 & No. 12

Supernatural – Arthur Conan Doyle: The Sussex Vampire
=> Bingos No. 2 & No. 11

Classic Horror – E.T.A. Hoffmann: Der Sandmann (The Sandman)
=> Bingos No. 2 & No. 3

Pumpkin – Washington Irving: The Legend of Sleepy Hollow
=> Bingos No. 2 & No. 8

Set on Halloween – Agatha Christie: Hallowe’en Party
=> Bingos No. 1, No. 2, No. 5 & No. 9

 

 

Original post:
http://themisathena.booklikes.com/post/1486610/black-cat-productions-presents-bingos-no-12-13-and-bingo-black-out

Halloween Book Bingo 2016: Eighth Update – TRIPLE BINGO (Nos. 3-5)!

 

The Books:
Bingo No. 3:


WitchesTerry Pratchett / Neil Gaiman: Good Omens

Terry Pratchett and Neil Gaiman’s hilarious end-of-the-world spoof: Armageddon as foretold in the nice and accurate predictions of one Agnes Nutter, witch.  (Time of Armageddon: Next Saturday. Place: Tadfield, Oxfordshire.)  Starring one demon named CrawlyCrowley (who’s got just about enough of a spark of goodness inside him to be congenial company to one particular angel), one angel named Aziraphale (who deep down inside is just about enough of a bastard to get along like a house on fire with one particular demon), the Son of Satan (one Adam Young, 11 years old, resident of Tadfield) and his friends (think the Three Investigators and the Famous Five rolled into one; hellhound named Dog included), the Four Horsepersons of the Apocalypse (and the Hell’s Angels got nothing on ’em), a Witchfinder Sergeant and his Private (father and son Pulsifer … that’s -ssssifer with a sharp “ess”), and of course the aforementioned Agnes Nutter (the last witch burned in England, by the great-great-great-great-grandfather of the aforementioned Witchfinder Sergeant Pulsifer) and her great-great-great-great-great-granddaughter Anathema (also a resident of Tadfield), who will run into the aforementioned Witchfinder Private Pulsifer (Newt to those who aren’t into witchfinding) just in time before Armageddon rolls around; and last but not least a self-proclaimed medium named Madame Tracy.

Tremendous fun, and I’m glad I simultaneously treated myself to the book and its BBC full cast adaptation, which was broadcast as BBC 4’s 2014 Christmas Special!

P.S. My review of the 2019 TV adaptation is HERE.

 

The Canterville Ghost - Oscar Wilde, Inga Moore
Young Adult Horror –
Oscar Wilde: The Canterville Ghost

One of the stories that Oscar Wilde wrote for his own children; a haunted castle story as only he could have devised it – or on second thought, in light of some of my other Halloween Bingo reads, actually as Oscar Wilde, Terry Pratchett or Neil Gaiman could have devised it: the sense of humor here is actually very similar to Pratchett’s and Gaiman’s.  Take one no-nonsense American family and have them face off against a ghost who’s getting tired of haunting the castle that used to be his (not to mention being thwarted and frustrated in his efforts by the new American residents at every angle), a good dose of empathy, and one big-hearted unafraid young lady, and what you get is a Halloween story that’s not so much scary as very touching – while at the same time also being laugh-out-loud funny.

By the by, we are reminded that Britain has “really everything in common with America nowadays, except, of course, language.”  Which would seem to explain the odd thing or other …

 

The Dain Curse - Dashiell Hammett
Free Space
Dashiell Hammett: The Dain Curse

Hammett’s second novel; one of his “Continental Op” stories, concerning the (alleged) curse besetting a young San Francisco heiress who sees all persons close to her die a violent death within a very short space of time.  A classic noir tale, though the damsel in distress is actually not so much “damsel” as in genuine distress; with everything from an obscure cult that could give any of the more recent real-life ones a run for their money, a lonesome cliffside mansion, plenty of flying bullets and other sinister doings, and plenty of “saps,” “chumps,” and “swell” things and characters.  I like the Op’s narrative voice; it’s unsentimental and matter of fact, but without quite the level of cynicism of Chandler’s Philip Marlowe. The Op also genuinely cares for the lady’s well-being and goes to quite a distance on her behalf, without claiming even half his well-deserved laurels at the end.

 


It Was a Dark and Stormy Night
Agatha Christie: And Then There Were None

Ten people are invited to an island off the Devon coast by a Mr. and Mrs. U.N. Owen, who however never make an appearance themselves.  One by one, the invitees meet their death; not before, however, it is revealed that they themselves all have someone else’s death on their hands in turn and have gotten away with it. – One of Agatha Christie’s most famous mysteries: certainly her most-read nonseries book, and a hot contender with the likes of Murder on the Orient Express for the place of the one book that solidified her reputation as the Queen of Crime more than any others.  This one’s really got it all: a locked room puzzle (or several, actually), a sinister, secluded island location, Christie’s trademark use of nursery rhymes (this wasn’t the first such occurrence in her writing, but it’s unquestionably the most notable one), a cast that – in the absence of any recognizable “detective” character – seems to consist of ambiguous, unreliable characters only, and a turntable conclusion of the sort that only Christie could have come up with.

 

Der Sandmann - Ernst Theodor Amadeus Hoffmann
Classic Horror
E.T.A. Hoffmann: Der Sandmann (The Sandman)


The first of three Tales of Hoffmann that were (partially) used in the libretto of Jacques Offenbach’s opera of that name; one of the works that cemented Hoffmann’s rank among the progenitors of the horror genre and also one of the (pseudo-)scientific narratives that, over 100 years later, would inspire the steampunk genre:

The story of a student named Nathanael who, having seen his childhood and his family terrorized by a sinister attorney named Coppelius (the eponymous “Sandman”), years later believes that he has recognized as the self-same man a creepy barometer and eyeglass salesman named Coppola, who haunts his steps in the city where he has gone to study chemistry with a certain professor Spalanzani.  While at university, Nathanael falls in love with an enchanting, albeit a bit doll-like creature that professor Spalanzani one evening introduces into polite society as his daughter Olimpia.  Accidentally learning the truth about his presumed fiancée and two more sinister encounters with Coppola, however, eventually prove too much for Nathanael’s nerves and drive him into insanity.

Hoffmanns Erzählungen - Bilder - Theater Bonn: Hoffmanns Erzählungen - Bilder - Theater Bonn:
Jacques Offenbach: Les contes d’Hoffmann (The Tales of Hoffmann) – framework narrative and Olimpia episode (Bonn Opera, spring 2015)

 

 

 Bingo No. 4:


Black CatFrances & Richard Lockridge: The Norths Meet Murder

 A murder investigation occurring in New York City’s martini- and cocktail-guzzling Greenwich Village “beautiful people” set, wherein a black cat named Pete (the titular Mr. and Mrs. North’s pet, who seems to be modelled on the authors’ own cat) is a witness to the murder and is ultimately also (unwittingly) instrumental in bringing the murderer to book.

I could never really get into this book; while it did have its amusing moments, by and large it read like the work of a cookie cutter, rather pedestrian mind trying to copycat Dashiell Hammett’s Nick and Nora Charles of Thin Man fame.  The writing dragged interminably in parts – e.g., I seriously did not need to know what the chief investigator, who isn’t either of the Norths but a police lieutenant called Weigand, had for every single one of his meals during the investigation.  (Obviously, it also didn’t help that I have actually just read the real thing, an honest-to-God Dashiell Hammett novel, for the Halloween Bingo, so Hammett’s own style and craftsmanship is still fresh in my mind at this point.)  This is the first book of a series that seems to have had quite a successful and long run, so I may eventually end up taking another look at the Lockridges’ writing at some later point, but it probably won’t be any time soon.

Now, if Asta were a cat and not a dog …

 


Scary Women (Authors)
Daphne Du Maurier: Jamaica Inn

17 year old Mary has made a deathbed-side promise to her mother to go and live with her aunt and uncle Patience and Joss after her mother has died.  So she exchanges the friendly South Cornwall farming town where she has grown up for Uncle Joss’s Jamaica Inn on the Bodmin Moor, which couldn’t possibly be any more different from her childhood home.

From page 1, Du Maurier wields her expert hand at creating a darkly foreboding, sinister atmosphere, which permeates the entire story.  This being Cornwall, there is smuggling aplenty, and though there are a few elements and characters I could have done without (most noticeably, Mary’s infatuation / love affair with a “charming rogue” who is about as clichéd as they come, as is her final decision, which impossibly even manages to combine both of the associated trope endings – (1) “I’m the only woman who can match him in wildness and who can stand up to him, therefore I am the one woman who is made for him,” and (2) “I am the woman who will tame him and make him respectable, therefore I am the one woman who is made for him” – which in and of itself bumped the book down a star in my rating), the story’s antagonist (Uncle Joss) in particular is more multi-layered and interesting than you’d expect, I (mostly) liked Mary, and anyway, Du Maurier’s books are all about atmosphere, atmosphere, atmosphere, and as an entry for the “Scary Women Authors” bingo square this one fit my purposes quite admirably.

The real Jamaica Inn in its present-day incarnation:

  

 

Free Space – Dashiell Hammett: The Dain Curse

(See above.)

 


Locked Room Mystery
Gaston Leroux: Le mystère de la chambre jaune
(The Mystery of the Yellow Room)


This book is billed as the first-ever locked room mystery, which isn’t entirely correct, as by the time it was published (1907), there already were several very well-known mysteries relying on the same feature (Edgar Allan Poe’s Murders in the Rue Morgue, as well as Arthur Conan Doyle’s Sign of Four and The Speckled Band), even though their solutions are different than this book’s.  The Murders in the Rue Morgue and The Speckled Band are, interestingly, expressly referenced here, and it is quite obvious that Leroux was a huge admirer of Sherlock Holmes and his creator, to the point that I couldn’t make up my mind to the very end to what extent he was copycatting and to what extent he was paying hommage.  By and large it’s an enjoyable read, though, and I can well believe that the book’s contemporaneous readership considered it a novelty and was seriously wowed by its solution.  (Side note: Grammar nuts reading this in French will have the rare joy of finding the chief narrative tense to be the first person plural passé simple, which greatly added to my personal reading pleasure.)

 

Feet of Clay (Discworld, #19) - Terry Pratchett
Vampires vs. Werewolves
Terry Pratchett: Feet of Clay (Discworld #19)

Part of the Night Watch subseries and officially now one of my favorite non-Witches Pratchett novels.  And I also have a new favorite non-Witches Discworld character: the Night Watch’s resident female werewolf Constable Angua, who seriously kicks a$$ (or, um, prods bottom, as Sam Vimes would have it).

The members of the Watch have their hands full: An old priest and the caretaker of the Dwarf Bread Museum have been killed, and as if that weren’t enough, someone is slowly poisoning Lord Vetinari.  While it falls to Commander (Sir) Sam Vimes to take the matter of Vetinari’s health in hand personally (assisted by Sergeant Detritus (troll)), Captain Carrot (human) and his sort-of-love-interest, Constable Angua (werewolf) go after the killers of the priest and of the museum caretaker, assisted by Night Watch oldtimers Fred Colon and and Nobby Nobbs (humans), as well as newcomer / forensic scienalchemist Cheery Littlebottom (dwarf).  Meanwhile, Sam Vimes is persuaded to make an appointment at the Ankh Morpork Royal College of Heralds, to see its chief herald – the Dragon King of Arms, who is in fact a vampire – about the possibility of a Vimes coat of arms (the city’s latest fashion, which has (literally) extended to the butcher, the baker and the candlestick maker); and much fun is poked at the conventions of the mystery novel, particular the golden age variety in the style of Arthur Conan Doyle and Agatha Christie. – The titular feet of clay are those of the city’s golems, who play a pivotal role in the events and who, horror of horrors, seem to have begun to think for themselves.

I originally turned to Pratchett because (other than his books reliably being a hoot or two) straightforward paranormal stuff just isn’t my thing and, with the Night Watch being a mixed bunch of pretty much all sorts of creatures that Discworld has on offer, this seemed the most likely subseries where to encounter both a werewolf and a vampire in some sort of prominent role in the same book (I picked this before MM and OBD had clarified that either of the two would actually be enough for a book to qualify for the “Vampires vs. Werewolves” square).  Going in, I only knew that this would fit the requirements because one of the protagonists is a female werewolf and vampires feature in some fashion in the narrative (I checked by way of a keyword search using Amazon’s sneak peek feature), but as it turns out my selection was actually completely on point, because Angua (the werewolf) is a key member of team Watch (i.e., team “good”), whereas it becomes clear fairly early on that the Dragon King of Arms (the vampire) is the chief conspirator (i.e., the leader of team “bad”), even though the other members, as well as the aims and nature of the conspiracy are only revealed bit by bit.

 

 

UPDATE: Well, gosh darn.  I was over the moon for having gotten a double bingo (nos. 3 & 4), but it looks like I even nailed a fifth bingo without being aware of it — says here the four corners and the central square also count.  Woohee!!

So …

Bingo No. 5:


Read by Candlelight or Flashlight
E.T.A. Hoffmann: Das Fräulein von Scuderi (Mademoiselle de Scuderi)
(read by flashlight, in bed)

A spooky mystery set in the 1680s, in the Paris of Louis XIV. Mlle. de Scuderi – an elderly gentlewoman who is in the confidence of the king and his maitresse, Madame de Maintenon – gets involved, very much against her own will, in the efforts to clear up a string of brutal robbery-murders, as well as the death of Paris’s most famous jeweller.  She isn’t actually the person to solve the crimes, but acts as a powerful intermediary on behalf of the person wrongfully accused, and her advocacy on his behalf eventually leads to the solution.

Those familiar with the real-life Edinburgh tale of Deacon Brodie may find some elements of this story familiar.

I read this in German; Hoffmann’s language is rather florid (and might well be too florid for me under different circumstances), but somehow it fits the setting and mood of this story very well.

 

 Black Cat – Frances & Richard Lockridge: The Norths Meet Murder

(See above.)

 

Free Space – Dashiell Hammett: The Dain Curse

(See above.)

 

Vampires vs. Werewolves – Terry Pratchett: Feet of Clay (Discworld #19)

(See above.)

 


Set on Halloween
Agatha Christie: Hallowe’en Party

One of Christie’s final Poirot novels, and one of the few books that stand out favorably among her final books overall.  There is the odd passage here and there where Christie reveals that she really was not – nor did she seem to want to be – in touch with the England of the 1960s, but the mystery itself is finely-crafted and holds up well; even if Christie in part revisits familiar ground (but then, she frequently did that).

Poirot is summonned to a village some 40 miles from London (in Miss Marple territory, it would seem in fact) by his friend, crime novelist (and Agatha Christie stand-in) Ariadne Oliver, after a young girl has been found murdered at a Halloween party that Miss Oliver happens to have attended.  The dead girl, during the preparations for the party, had proclaimed that she had once witnessed a murder – and though everybody is quick to declare her to have been a braggart and a liar who was probably just trying to impress the celebrity novelist in attendance, Poirot is reluctant to agree with that judgment, arguing that someone obviously took her words at face value and chose to kill her rather than running the risk of discovery.

 

 

Finished – Update 8:

And Then There Were None - Agatha Christie The Norths Meet Murder (The Mr. and Mrs. North Mysteries) - Frances Lockridge, Richard Lockridge

Witches – Terry Pratchett / Neil Gaiman: Good Omens
Black Cat – Frances & Richard Lockridge: The Norths Meet Murder
It Was a Dark and Stormy Night – Agatha Christie: And Then There Were None

 

Currently Reading:


Magical Realism – Isabel Allende: La casa de los espíritus (The House of the Spirits)
Full Moon – James D. Doss: White Shell Woman

 

Finished – Update 1:

 

Creepy Crawlies – Arthur Conan Doyle: The Adventure of the Speckled Band
Supernatural – Arthur Conan Doyle: The Sussex Vampire
Set in New England – Shirley Jackson: The Lottery

 

Finished – Update 2:

The Turn of the Screw - Henry James Das Fräulein von Scuderi: Erzählung aus dem Zeitalter Ludwig des Vierzehnten - E.T.A. Hoffmann

Ghost Stories and Haunted Houses – Henry James: The Turn of the Screw
Read by Candlelight or Flashlight – E.T.A. Hoffmann: Das Fräulein von Scuderi (Mademoiselle de Scuderi)
(read by flashlight, in bed)

 

Finished – Update 3:

The Canterville Ghost - Oscar Wilde, Inga Moore 

Young Adult Horror –
Oscar Wilde: The Canterville Ghost
Pumpkin –
Washington Irving: The Legend of Sleepy Hollow

 

Finished – Update 4:

The Dain Curse - Dashiell Hammett

Free Space – Dashiell Hammett: The Dain Curse
Set on Halloween – Agatha Christie: Hallowe’en Party

 

Finished – Update 5:

 Der Sandmann - Ernst Theodor Amadeus Hoffmann

Scary Women (Authors) – Daphne Du Maurier: Jamaica Inn
Classic Horror – E.T.A. Hoffmann: Der Sandmann (The Sandman)

 

Finished – Update 6:


Locked Room Mystery – Gaston Leroux: Le mystère de la chambre jaune
(The Mystery of the Yellow Room)

 

Finished Update 7:

Feet of Clay (Discworld, #19) - Terry Pratchett
Vampires vs. Werewolves – Terry Pratchett: Feet of Clay (Night Watch novel)

 

TA’s Reading List:

Read by Candlelight or Flashlight – E.T.A. Hoffmann: Das Fräulein von Scuderi (Mademoiselle de Scuderi) (novella)

Magical Realism – Isabel Allende: La casa de los espíritus (The House of the Spirits) (novel)

Witches – Terry Pratchett: Wyrd Sisters (or possibly Terry Pratchett / Neil Gaiman: Good Omens (novel)

Genre: Horror – Edgar Allan Poe: The System of Dr. Tarr and Professor Fether (short story); alternately E.A. Poe: The Tell-Tale Heart or The Masque of the Red Death (also short stories)

Black CatNgaio Marsh: Black as He’s Painted (novel) (black cat central to the story and therefore also black cat on the cover of the stand-alone paperback edition) change of plan: Frances & Richard Lockridge: The Norths Meet Murder (novel)

Diverse Authors Can Be Spooky Fun – Possibly Edwidge Danticat (ed.): Haiti Noir (short story anthology); otherwise TBD

Ghost Stories and Haunted Houses – Henry James: The Turn of the Screw (novella)

Young adult horror – Oscar Wilde: The Canterville Ghost (novella)

Scary Women (Authors) – Daphne Du Maurier: Jamaica Inn (novel)

Reads with BookLikes Friends – Arthur Conan Doyle: The Hound of the Baskervilles (novel)

Grave or Graveyard – Edgar Allan Poe: The Cask of Amontillado (short story); alternately Ngaio Marsh: Grave Mistake (novel) or Umberto Eco: The Prague Cemetery

Genre: Mystery – Peter May: The Blackhouse (novel)

Free Space – Dashiell Hammett: The Dain Curse

Gothic – Horrace Walpole: The Castle of Otranto (novel)

Creepy Crawlies – Arthur Conan Doyle: The Adventure of the Speckled Band (short story)

“Fall” into a Good Book – Edgar Allan Poe: The Fall of the House of Usher (short story)

Locked Room Mystery – Gaston Leroux: Le mystère de la chambre jaune (The Mystery of the Yellow Room) (novel)

It Was a Dark and Stormy Night – Agatha Christie: And Then There Were None (novel)

Set in New England – Shirley Jackson: The Lottery (short story)

Full Moon – James D. Doss: White Shell Woman (novel) (full moon on the cover, and the protagonist / investigator is called Charlie Moon); alternately Dennis Lehane: Moonlight Mile

Vampires vs. Werewolves – Terry Pratchett: Feet of Clay (Night Watch novel)

Supernatural – Arthur Conan Doyle: The Sussex Vampire (short story)

Classic Horror – E.T.A. Hoffmann: Der Sandmann (The Sandman) (short story)

Pumpkin – Washington Irving: The Legend of Sleepy Hollow (short story)

Set on Halloween – Agatha Christie: Hallowe’en Party (novel)

Dashiell Hammett: The Dain Curse

The Dain Curse - Dashiell Hammett

Hammett’s second novel; one of his “Continental Op” stories, concerning the (alleged) curse besetting a young San Francisco heiress who sees all persons close to her die a violent death within a very short space of time.  A classic noir tale, though the damsel in distress is actually not so much “damsel” as in genuine distress; with everything from an obscure cult that could give any of the more recent real-life ones a run for their money, a lonesome cliffside mansion, plenty of flying bullets and other sinister doings, and plenty of “saps,” “chumps,” and “swell” things and characters.  I like the Op’s narrative voice; it’s unsentimental and matter of fact, but without quite the level of cynicism of Chandler’s Philip Marlowe. The Op also genuinely cares for the lady’s well-being and goes to quite a distance on her behalf, without claiming even half his well-deserved laurels at the end.

THE MALTESE FALCON

The Birth of Hollywood’s Original Noir Anti-Hero

Like few other actors, Humphrey Bogart ruled the Hollywood of the 1940s and 1950s – epitome of the handsome, cynical and oh-so lonesome wolf and looking unbeatably cool in his fedora and trenchcoat, a cigarette dangling from the corner of his mouth; endowed with a legendary aura several times larger than his real life stature, and still admired by scores of women wishing they had been born 50+ years earlier, preferably somewhere in California and to parents connected with the movie business, so as to have at least a marginal chance of meeting him. The American Film Institute elected him the No. 1 film legend of the 20th century; and looking back, indeed no other actor seems to have been surrounded by the same kind of darkly magical aura as the one surrounding Bogart.

The Maltese Falcon (1941), directed by John Huston, based on Dashiell Hammett‘s eponymous 1930 novel and itself also ranking in the top quarter of the AFI’s list of the 100 best 20th century movies, laid the groundwork for Bogart‘s lasting image, by transforming his on-screen persona from the tough, often two-dimensional gangsters he had portrayed before; beginning with the 1936 adaptation of Robert Sherwood’s Petrified Forest where, like in its 1934 stage production, Bogart had starred opposite Leslie Howard, with Bette Davis as the female lead. Now imbuing his tough guy shell with a softer core, in The Maltese Falcon Bogart became not only Hammett‘s Sam Spade but, moreover, the film noir anti-hero per se; a role that stayed with him throughout the rest of his career, and in which he still remains virtually unparalleled.

The movie’s long-famous story centers around the mysterious statue of a falcon made from solid gold, diamonds and other precious stones; the 16th century Maltese Knights’ immeasurably precious gift of thanks to Emperor Charles V for the protection he had granted them. Stolen by pirates, blackened on the outside in order to conceal its true value and passed on through the centuries by a number of unsuspecting possessors, it finally attracts the attention of two rivaling pairs of equally cunning, ruthless and high-flying scoundrels, who chase each other and the statue halfway around the world and finally end up in Sam Spade’s San Francisco office – not without getting both Spade’s partner Miles Archer (Jerome Cowan) and one of their own killed in the process; thus also causing additional grief for Spade, whom the police soon suspect of being behind the murders himself – or at least behind that of Archer – in order to make off with Archer’s widow Iva (Gladys George). And of course, it doesn’t exactly help that he has had his office sign changed from “Spade & Archer” to “Samuel Spade” within mere hours of his partner’s death.

Looking at the movie and its stars’ almost mythical fame, it is difficult to imagine that, produced at the height of the studio system era, this was originally just one of the roughly 50 films released by Warner Brothers over the course of one year. But mass production didn’t equal low quality; on the contrary, the great care given to all production values, from script-writing to camera work, editing, score and the stars’ presentation in the movie itself and in its trailer, was as responsible for its lasting success as were Humphrey Bogart and his outstanding costars; first and foremost Mary Astor as the double-crossing and now partner-less Brigid O’Shaughnessy, Peter Lorre and Sydney Greenstreet (in their first of several appearances opposite Bogart) as Joel Cairo and Kaspar Guttman, O’Shaughnessy/Astor’s competitors for possession of the precious statue, and Elisha Cook Jr., as Guttman’s rough but inept bodyguard Wilmer Cook. Genre-defining and the first truly giant highlight of Bogart‘s career, The Maltese Falcon is an unmissable piece of Hollywood history, captivating you from the first moment you spend in Sam Spade’s office all the way to its cynical conclusion, and a thrill to watch over and over again.

 

Production Credits /
Cast and Crew

Production Credits
  • Studio: Warner Bros. (1941)
  • Director: John Huston
  • Executive Producer: Hal B. Wallis
  • Screenplay: John Huston
  • Based on the novel by: Dashiell Hammett
  • Music: Adolph Deutsch
  • Cinematography / Director of Photography: Arthur Edeson
Cast
  • Humphrey Bogart: Samuel Spade
  • Mary Astor: Brigid O’Shaughnessy
  • Gladys George: Iva Archer
  • Peter Lorre: Joel Cairo
  • Barton MacLane: Lt. of Detectives Dundy
  • Lee Patrick: Effie Perine
  • Sydney Greenstreet: Kasper Gutman
  • Ward Bond: Detective Tom Polhaus
  • Jerome Cowan: Miles Archer
  • Elisha Cook Jr.: Wilmer Cook

 

Major Awards and Honors

American Film Institute
  • Top 25 Stars (male) – No. 1 (Humphrey Bogart)
  • Top 100 American Films – No. 23
  • Top 10 Mystery Films – No. 6
  • Top 100 Thrillers – No. 26
  • Top 100 Movie Quotes – 14th: “”The stuff that dreams are made of.” (Sam Spade)

 

Links

Merken