Halloween Bingo 2020: The Second Week (+1 Day)

Posting this on Monday instead of Sunday again … oh well.

I guess after a near-phenomenal first bingo week it was only to be expected that the second week would not be quite as fabulous. Mind you, I’m not complaining — my card is coming together nicely, and none of the books I read this past week was a real dud; even if only some of them could compare with the first week’s reads (which, however, in some instances is also a “YMMV” kind of thing; i.e., it’s not the book, it’s me).

 

My “Week 2” Bingo Books:


Anthony Gilbert (Lucy Beatrice Malleson, aka Anne Meredith): Death in Fancy Dress

A carry-over from week 1, best described as “Golden Age country house mystery meets Wuthering Heights“. Lucy Beatrice Malleson was a member of the Detection Club who wrote under several pen names, including Anne Meredith and Anthony Gilbert, and reading her books almost a century after they were first published, it is hard to believe that they should have failed to attain widespread popularity, as both in Portrait of a Murderer (written as by Anne Meredith) and in this book she clearly shows herself to be a cut above many of her contemporaries.

Death in Fancy Dress concerns two young friends (one a budding solicitor, one an adventurer and “gentleman of leisure”) who are urgently called to the remote country home of the young solicitor’s — the narrator’s — extended family, which seems to be in the grip of a ruthless gang of blackmailers who have already driven a number of society figures to suicide in the face of impending scandal. (And no, this is not just a recap of Arthur Conan Doyle’s Charles Augustus Milverton.)  As indicated by the book’s title, murder ensues in short order after the two young amateur sleuths’ arrival, during a fancy dress ball no less.

Martin Edwards, in his introduction, cites Dorothy L. Sayers’s review, which highlights that one of this book’s great merits is not to leave any doubt about the fact that there is nothing cozy about this particular country house party; beginning right with the moment of the two young gentlemen’s arrival: during a storm, with the daughter of the house missing and feared in grave peril — even though she is an otherwise independent young lady, who ordinarily would easily be able to take care of herself.  Yet, right now the fact that her hand in marriage is coveted by several men would seem to be one of her lesser worries, if it weren’t also so obviously tied in with the blackmail threat. (Her suitors include one of our young sleuths, another guest who happens to be a professional detective, as well as her cousin, the local squire, who is a sort of blend of Rudolph Valentino, your quintessential dark, brooding rogue, and a sane and calculating version of Heathcliff.)  And indeed, atmosphere is big in this novel, with the squire’s (the antagonist’s) “Heathcliff” / dark, brooding rogue touch not the only Wuthering Heights overtones — the action is also set near a (fictional) moor, several hours from London: honi soit qui Yorkshire n’y pense. (Well, OK, or Exmoor, Bodmin or Dartmoor — but then we’re in Lorna Doone / Jamaica Inn / Hound of the Baskervilles territory; take your pick.)  All in all, definitely one of the highlights among the second bingo week’s books.

 


Marie-Elena John: Unburnable

This is a book from my Around the World project / reading list: the story of Lillian, a young woman of Caribbean descent who returns to her home island of Dominica in order to lay to rest the ghosts of her family history, which has been troubled ever since her grandmother — rumored to be a witch — was convicted for murder, after the unexplained disappearance of her male companion / common law husband, as well as the discovery of several skeletons near her remote mountainside village. Lillian believes the words that have been construed as her grandmother’s confession of guilt (“yes, I am responsible for those deaths”) to have been coerced;, and she bullies her ex-boyfriend, who still carries a torch for her and who is a lawyer specializing in overturning unjust convictions, to join her on a trip to Dominica to clear her grandmother’s name.

I thought the Caribbean / Dominican setting was well-executed; it’s obvious that John was writing from personal knowledge there — including, too, the cross-references between certain African and Caribbean cultures and belief systems.  What I liked decidedly less was the way the book was set up in what easily amounted to its entire first quarter, with apparently disconnected chapters tracing the histories of our protagonist, her mother, grandmother, as well as several other (also mostly female) characters important to the plot, and whose stories really only come together towards the end. This narrative technique is hit or miss with me, with “hits” occurring chiefly if I’m quickly drawn into each (apparently) separate character’s story, and if I can at least vaguely discern how the various strands are going to come together eventually. That wasn’t the case here, and things weren’t exactly helped by the fact that, especially at the beginning, John cuts a few corners by instances telling instead of showing, even though far be it from me to accuse her of doing this all the time (in fact, on the other end of the spectrum, there are also scenes that depict violence (by and) against women in a downright viscerally graphic manner). — Lastly, the plot fell apart for me towards the end, when it becomes clear that although Lillian (and her now-on-again boyfriend) find out what really happened all those decades ago, this is by no means the solution they have hoped for. (I do realize the depiction of Lillian’s falling apart instead of healing in Dominica is deliberate and is intended to be key to the novel, but John lost me in the way she went about depicting it.)

 


Aimee and David Thurlo: Second Sunrise

Native American police procedural meets vampires, witches and werewolves.  To give the authors their due, I guess with skinwalkers being a key part of Navajo mythology, it’s a proximate thought to capitalize on the past decade(s)’ vampire craze and go full tilt supernatural / paranormal, and the sequence of events that turns our protagonist into a (half-)vampire is / are well-enough executed.  Also, the Thurlos’ love for “their” Navajo country easily translates onto the page, and their prose and plot construction is assured and workmanlike (in a positive sense) enough for me to consider this reading experience encouragement to take a look at their “non-supernatural” Ella Clah Navajo cop series (which has actually been on my TBR longer than this particular book).  I guess I’m over vampires once and for all, though (unless they’re created by Terry Pratchett, that is) — and quite frankly, the antagonist’s back story is risible and shows that, supernatural elements aside, the authors really are only interested in giving a credible and true portrayal of Navajo Country, not also in researching the historical and political background of their plot in other respects, where instead they are quite happy to settle for hyperbole and cliché. So as I said, I guess based on their portrayal of Navajo Country (and culture) I’m still going to give them the benefit of the doubt and take a look at their Ella Clah series, but if that series should display similar downsides in its approach to the non-Navajo characters’ back stories, I won’t become a fan, however well-executed the Native American aspects of their books may be.

 


Christianna Brand: Fog of Doubt

Brand’s fifth Inspector Cockrill mystery, and of all the books by her that I have read (all of them this year), second only to Green for Danger, which remains my favorite among all of her novels. Brand specialized in closed circle mysteries, and apart from the traditional country house settings so prevalent in Golden Age mysteries, she also came up with a number of truly unusual circumstances creating that closed circle: whereas in Green for Danger it’s a WWII military hospital, here it is a house — in fact, her own Maida Vale home, as she explains in the preface — where a murder happens during a particularly vicious example of a London “pea-souper” (aka “London Particular”, which in fact was the book’s original title).  Brand’s plotting is superb, and when — like here — she doesn’t try to serve populist cliché, she has a knack for creating characters that easily draw you into the story (even if I could seriously do without the blonde ingenues that seem to be a fixture in many of her books, never mind that this particular story’s ingenue is decidedly less naïve and innocent than some of the other ones).  I only have few books by Brand left to read, and while I didn’t like all of them equally well, by and large she is one of my more notable Golden Age / Detection Club discoveries.

 


Kathryn Harkup: Death by Shakespeare

Hmmm.  After having read and liked — though not loved — Harkup’s book on Agatha Christie’s use of poisons in her mysteries (A Is for Arsenic), it took the Shakespeare fan in me about a millisecond to snatch up this third book of hers when I came across it earlier this year … only to then decide, almost as quickly, to save it for the “Truly Terrifying” (or alternatively, “Paint It Black”) Halloween Bingo squares.  And as is so often the case, anticipation built over a period of time in the end doesn’t quite deliver the hoped-for bundle of goods.

My main bit of gripe is that Harkup doesn’t seem to have had a very clear picture for which audience she was writing this book.  On the one hand, she spends (I’m tempted to say, wastes) several chapters giving an abbreviated biography of Shakespeare and describing the London and the theatrical world in which he moved — NONE of which will be new to anyone even remotely familiar with the Bard and his life, time, and works (and all of which, thus, can only be of any use to a complete newbie to Shakespeare’s works) … and ALL of which I’ve seen discussed better, in greater detail and with a better-informed historical perspective by both Shakespearean scholars (most notably Stanley Wells) and general historians writing for a non-scholarly audience (e.g., Ian Mortimer and Liza Picard). (At least she doesn’t give any credence to the identity conspiracy theorists, but that still doesn’t stop her from using bits of unfounded speculation on the Bard’s life experience later in the book whenever she considers it expedient for a specific purpose.)  Similar things can be said for her comments on medicine in the Elizabethan age, which on the one hand is pretty much a staple in historical fiction set in the Plantagenet and Tudor eras; on the other hand, the details that I didn’t already know as historical fiction background, I’ve learned in greater depth by visiting Hall’s Croft, the home of Shakespeare’s daughter Susanna and her husband Dr. John Hall, who was a medical doctor (incidentally with rather advanced and well-informed views, compared to many of his contemporaries), who is widely believed to have provided his father in law with the requisite background knowledge for a plethora of deaths occurring in his plays, and whose professional equipment and records form part of the permanent exhibition on Elizabethan-era medicine that can now be visited in his former home in Stratford-upon-Avon.

On the other hand, when Harkup does finally get around to discussing Shakespeare’s portrayal of death and killings in his plays, she gives very little context to the majority of scenes she discusses, so anyone not intimately familiar with those plays (particularly the “histories”, which probably feature most widely overall in her book — and chiefly among these, the two “Henriads”) is soon going to be utterly lost as to the significance and context of the scene(s) under discussion.

Moreover, in at least one instance (Richard III and “The Princes in the Tower”) Harkup, while paying lip service to the idea that RIII perhaps “wasn’t quite as bad a tyrant as Shakespeare makes him out to be”, nevertheless falls into the very trap for which she poo-poos the medical analysis that established the bones found in the Tower in the early 20th century as those of “The Princes”, namely to reason from the desired result instead of dispassionately looking at the available evidence and letting the chips fall where they may.  This review isn’t the place for this particular bit of historical discussion, so let me just say that I am unable to take seriously any writer who, like Harkup, blandly describes the reign of Henry VII as “a new era of hope and peace for England” (or words to that effect), in either blissful ignorance or blissful disregard of, to name but a few examples,

(1) the cruelty of “Morton’s Fork”,
(2) Henry VII’s (and later his son’s) ruthless and systematic annihilation of the remaining representatives of the House of York (most notably, the execution — on demonstrably trumped-up charges — of his own closest rival for the throne, who at the time was a teenager, imprisoned in the Tower on Henry VII’s orders since his early childhood), or
(3) the fact that Henry VII (a) purposefully dated his reign from the day before his victory at Bosworth, which in one single stroke of the pen made every single combatant on Richard’s side a traitor to the crown, and (b) only crowned his wife Elizabeth queen a year after he himself had well and truly secured the crown, never mind that she had a much greater claim to the crown than he himself did to begin with.

(And let’s not even get into the inconvenient little detail that BOTH Richard III and Henry VII had their fans and detractors among the eminent writers, politicians and diplomats of the time, depending on who you were listening to and whom they were writing for, which is precisely one of the reasons why it’s so hard to determine what is self-servicing Tudor propaganda when it comes to Richard III and what is credible historical testimony.  Or the fact that Harkup blithely buys in virtually all of the things now actually known to be Tudor propaganda and hence, inherently unreliable …)

Anyway.  For what it is in terms of the actual discussion of Shakespeare’s use of death in his plays, it’s an interesting read. Unfortunately, way too much of that discussion gets lost in superfluous and, in part, downright irritating “white noise”.

 


Patricia Moyes: The Sunken Sailor

I read Moyes’s first Henry & Emmy Tibbett book (Dead Men Don’t Ski) earlier this year and liked it a lot.  While I still liked most of book 2 as well, The Sunken Sailor (aka Down Among the Dead Men) suffers from a bit of a sophomore slump: Moyes first does a great job establishing the characters and atmosphere of the tiny Suffolk harbor community where the Tibbetts go to spend a sailing holiday with friends.  However, inexplicably, somewhere before the book’s halfway point, Henry Tibbett of all people, the man whose “nose” for crime is proverbial at Scotland Yard, after having duly “nosed out” the suspicious circumstances of the death lurking in the recent past of that seaside community, decides to let unexplained bygones be unexplained bygones … and for the worst (and in terms of his character, most unbelievable) of all reasons — as a result of being vamped by a woman (moreover, a woman who herself is one of several suspects and, even if not guilty, just might have reasons aplenty for not wanting the truth to come out).  A less convincing instance of throwing a spanner in the plot works just so as to be able to produce yet another avoidable death (as well as a belated solution) I’ve rarely come across, and based on her first book, I seriously would have expected better from Moyes.  (I also found few of the characters in thei book as likeable as Moyes obviously intends them to be.)  This isn’t an awful book, and I’m still going to continue reading this series, but I do hope we’re talking sophomore slump here and I trust I haven’t already seen the best of the bunch when I read book 1.

(In terms of bingo squares, the book just scrapes within the definition of “Dark and Stormy Night” and I’m counting it for that square as Christine expressly confirmed that it counts.  It would obviously also qualify for “Fear the Drowning Deep” — which however isn’t on my card — and, the edition I own, also for “Full Moon”, as that’s what the white dot on the cover actually is.)

 

Currently Reading


Naomi Novik: Spinning Silver

Rumpelstiltskin goes Eastern Europe and fairyland.  I’m using it for “Spellbound” (the fairy king — Rumpelstiltskin in the fairy tale — has already cast the story’s first spell,  and “fairy silver” with magic proportions has also made numerous appearances already), but it would of course also qualify for “A Grimm Tale” or “Supernatural”.

 

The State of the Card

Master Update Post: HERE

 

My Markers


Read             Called                   Read & Called   Read = Called

Halloween Bingo 2019: Tracking Post — Blackout! (And bingos Nos. 12 and 13.)

 

Many thanks to Moonlight Reader and Obsidian Blue for hosting this game for the fourth year in a row, bigger and better than ever before!

Witih today’s call, I’ve blacked out my card, in addition to collecting my final bingos (nos. 12 and 13).

Somewhat to my surprise, after completing my books for my official bingo card at the end of September, I even managed to read enough extra books to put together a supplemental inofficial card throughout the month of October, so this year’s game has really exceeded my wildest expectations in every conceivable way!

 

My Official 2019 Bingo Card:

Weekly Status Updates and Reviews:

First Week
Second Week
Third Week
Fourth Week

 

The Books:

International Woman of Mystery: Margaret Atwood: The Handmaid’s Tale and The Testaments – finished September 29, 2019.
Locked Room Mystery: Clayton Rawson: Death from a Top Hat – finished September 23, 2019.
Murder Most Foul: Michael Gilbert: Smallbone Deceased – finished September 13, 2019.
Psych: Sofi Oksanen: Fegefeuer (The Purge) – finished September 17, 2019.
Read by Flashlight or Candle Light: The Lady Detectives: Four BBC Radio 4 Crime Dramatisations – finished September 20, 2019.

DeadLands: Terry Pratchett: Monstrous Regiment – finished September 26, 2019.
Fear the Drowning Deep: Delia Owens: Where the Crawdads Sing – finished September 25, 2019.
Relics and Curiosities: Patricia Wentworth: Eternity Ring – finished September 10, 2019.
Dark Academia: James Hilton: Was It Murder? – finished September 1, 2019.
Modern Noir: Joy Ellis: The Guilty Ones – finished September 21, 2019.

Ghost Stories: Nina Blazon: Siebengeschichten – finished September 1, 2019.
Gothic: Peter Ackroyd: Hawksmoor – finished September 9, 2019.
Free (Raven) Space: Agatha Christie: The Regatta Mystery and Other Stories – finished September 7, 2019.
Truly Terrifying: Bob Berman: Earth-Shattering – finished September 12, 2019.
Amateur Sleuth: Priscilla Royal: Wine of Violence – finished September 5, 2019.

Cryptozoologist: Terry Pratchett: Guards! Guards! – finished September 18, 2019.
Diverse Voices: Toni Morrison: Beloved – finished September 22, 2019.
Black Cat: Jim Butcher: The Aeronaut’s Windlass – finished September 16, 2019.
Creepy Crawlies: Silvia Moreno-Garcia: Gods of Jade and Shadow – finished September 7, 2019.
Country House Mystery: Anthony Rolls: Scarweather – finished September 14, 2019.

Spellbound: Zen Cho: Sorcerer to the Crown – finished September 6, 2019.
A Grimm Tale: Ellen Datlow & Terry Windling (eds.): The Wolf at the Door and Other Retold Fairy Tales – finished September 4, 2019.
Creepy Carnivals: Fredric Brown: The Dead Ringer – finished September 12, 2019.
Paint It Black: Trudi Canavan: The Magicians’ Guild – finished September 20, 2019.
Cozy Mysteries: Margery Allingham: The White Cottage Mystery – finished September 19, 2019.

 

My Square Markers

 

Called but not read

Read but not called

Read and Called

Center Square: Read and Called

 

The Extra Squares / Card and Books:

13: Rex Stout: And Be a Villain
Supernatural: Jennifer Estep: Kill the Queen
New Release: Sara Collins: The Confessions of Frannie Langton
Genre: Mystery: Catherine Louisa Pirkis: The Experiences of Loveday Brooke, Lady Detective
Romantic Suspense: Georgette Heyer: The Unfinished Clue
Terror in a Small Town: Ann Cleeves: Raven Black
Halloween: Agatha Christie: Hallowe’en Party
Monsters: Terry Pratchett: Pyramids
Shifters: Joan D. Vinge: Ladyhawke
Sleepy Hollow: Dennis Lehane: The Given Day
Film at 11: J.B. Priestley: An Inspector Calls
In the Dark, Dark Woods: Joseph Conrad: Heart of Darkness
Free (Raven) Square: Various Authors: The Rivals: Tales of Sherlock Holmes’ Rival Detectives
Grave or Graveyard: Kathy Reichs: Grave Secrets
Genre: Suspense: Tony Medawar (ed.) & Various Authors: Bodies from the Library 2
Southern Gothic: Sharyn McCrumb: The Unquiet Grave
Baker Street Irregulars: Joanne Harris: Gentlemen & Players
Darkest London: J.V. Turner: Below the Clock
Magical Realism: Joanne Harris: Chocolat
It was a dark and stormy night: Peter May: The Lewis Man
Full Moon: Edmund Crispin: Glimpses of the Moon
King of Fear: John Le Carré: Absolute Friends
Serial / Spree Killer: Steven Kramer, Paul Holes & Jim Clemente: Evil Has a Name
Classic Noir: Patricia Highsmith: Strangers on a Train
Classic Horror: Matthew G. Lewis: The Monk

Note: With regard to the extra squares, I added the image for the relevant square for every book completed (= “read”); and I am using my “called” markers for the main card to indicate “called and read”.

 

My Spreadsheet:

My Book Preselections Post: HERE

 

My Transfiguration Spells

Not used.

 

My “Virgin” Bingo Card:

Posted for ease of tracking and comparison.

 

 

Original post:
http://themisathena.booklikes.com/post/1942220/halloween-bingo-2019-tracking-post

All 61 squares revealed: 39 through 61 (Non-Genre-Specific Squares)

Reblogged from: Moonlight Reader

 

The remaining, non-genre specific squares – you can read anything that is horror, mystery, suspense or supernatural that otherwise fits the square prompt.

  

39. Thirteen (13): any book that relates to bad luck, superstition, or the number 13, either in the title/book/series/page count. Booklist linked here.

40. A Grimm Tale:  any fairy tale or retelling of fairy tales, folklore, legends, etc. Book list linked here.

41. Aliens: any mystery, horror, suspense or supernatural book that includes aliens, either here on earth, or in space. Book list linked here.

  

42. Creepy Carnivals:  horror/mystery/supernatural set in or concerning a carnival, amusement park, or other party/festival – think Something Wicked This Way Comes by Ray Bradbury, Joyland by Stephen King or Hallowe’en Party by Agatha Christie; Book list linked here.

43. Creepy Crawlies: this is a throw back from 2016! Books with bugs, snakes, spiders, worms and other things that slither, scuttle or crawl, includes viruses and other parasites. Book list linked here.

44. In The Dark, Dark Woods: a mystery, suspense, horror or supernatural book in which the forest/woods plays a significant role, or which has a forest/woods on the cover. Book list linked here.

  

45. Darkest London: mystery, horror, supernatural, or suspense set in London. Book list linked here.

46. Demons: Any book involving demons, demonic possession or other such elements. Book list linked here.

47. Diverse voices: written by an author of color. Book list linked here.

  

48. Doomsday:  anything related to the end of the world, doomsday cults, or a post-apocalypse world. Book list linked here.

49. Fear the Drowning Deep: books with sea-related elements: sea creatures, ships, and sharks. Book list linked here.

50. Full Moon: a book with an image of the moon on the cover, the word moon in the title, or where a full moon figures prominently in the story. Book list linked here.

  

51. Gothic: any book with significant: a genre or mode of literature and film that combines fiction and horror, death, and at times romance. Book list linked here.

52. Grave or Graveyard: Books that have a grave or graveyard on their covers, in their titles, or any book primarily set in a graveyard. Book list linked here.

53. Halloween: This is a combination of the “pumpkin” and the “halloween” squares from 2016. so, any book set on halloween or has halloween in the title or that has a pumpkin on the cover, or in the title, etc.. will work for this square. Book lists linked here: pumpkins and halloween.

  

54. Monsters: This square covers any crytpozoological or mythological creature that isn’t a vampire, werewolf, or demon. Or zombie. Book list linked here.

55. New Release: mystery, suspense, horror or supernatural that was published after 10/31/18.

56. Read by Flashlight or Candlelight: Back by popular request! Any mystery, suspense, supernatural or horror book – the trick here is to spend an hour or so reading by flashlight or candlelight. Take a picture and share it with us, if you want to!

  

57. Relics and Curiosities: concerning magical, supernatural or haunted objects, such as spell-books, talismans or swords; Book list linked here.

58. Sleepy Hollow: this is the new version of set in New England, with a shout-out to that most New England of all stories, The Legend of Sleepy Hollow. Book list linked here.

59. Free square: Our friend, Poe, is back for his fourth outing!

 

60. Black Cat: We haven’t seen this square since our first bingo game, back in 2016! Any book that has a black cat in the title, on the cover, or in the story. Book list linked here.

61. It Was A Dark and Stormy Night: This is another throwback to 2016 – any book that takes place on “a dark and stormy night.” Book list linked here.

 

Original post:
ThemisAthena.booklikes.com/post/1933535/all-61-squares-revealed-39-through-61

Halloween Bingo 2019 PreParty — Question for 08/08 (Day 8): Favorite Past Halloween Bingo Squares?

Being more of a mystery than a horror reader, of course I like all of the mystery squares — as well as the squares adding diversity to the game (“Diverse Authors”, “Terrifying Women”, and the new “International Women of Mystery”) and the squares that allow me to sneak in a Terry Pratchett book or three (“Supernatural”, “Witches” / “Spellbound” — the latter also for other reasons).

But truth be told, the squares I am enjoying most are those calling for a specific topical reading prompt, e.g. “Full Moon”, “Creepy Carnivals”, or “In the Dark, Dark Woods”; as well as those calling for a specific regional or calendarial setting (“Darkest London”, “Southern Gothic”, “Set on Halloween”, etc.).  For one thing, these are the prompts that particularly showcase our bingo hosts’ creativity, and for another, what always amazes me is the wide selection of books that fit these categories — for each of them, you can go all the way from romantic suspense to the most gruesome and terrifying horror and still find something that matches the square’s requirements.  They’re also the squares that make me take the closest looks at the books on my TBR, reading book descriptions etc. and looking for matches, which in turn increases my anticipation of the game!

Here’s a compilation of my favorite squares from bingos past (in alphabetical order, regardless of year) … added to which, I have to say that I also love every single one of the new squares MR has so far introduced in connection with this year’s game.  To mark the fact that yet another thing about bingo I’m truly enjoying are the group and (impromptu) buddy reads, I’m also including the “Reads with BookLikes friends” square from the 2016 bingo card — even if group and buddy reads are by now such an ingrained part of the game that a square specifically calling for them seems highly superfluous at this point.

 

 

 

Original post:
ThemisAthena.booklikes.com/post/1932865/halloween-bingo-2019-preparty-question-for-08-08-day-8-favorite-past-halloween-bingo-squares

Antonia Hodgson: The Devil in the Marshalsea


Well, if this doesn’t count for “Darkest London,” then I don’t know what will.  Our narrator is tossed into the Marshalsea prison for being in debt to the tune of several months’ salary — a bit more than £20.00, which would have been a year’s salary or more to the poorer classes, but our Tom is an academic (albeit one without a degree, having been thrown out of Oxford for disorderly behaviour), so he’d have reached higher … instead of which, however, he has managed to drink and gamble it all away and then get himself robbed off the spoils when trying to win it back by turning a lucky card.  Even though Tom, being perceived as a gentleman, is spared the ultimate humiliation of being locked away on the Common Side of the prison (where conditions are sub-human and jail fever or some other form of death would be his certain fate in a matter of days or weeks; months at best), even the so-called “Master’s Side” — where Tom ends up — is a cut-throat place ruled by the diabolical whims of the prison governor and his brutal turnkeys, where your life and health is only worth as much as you are able to pay for them, and where you’ll find yourself deprived of either quicker than you can count to three if you’re stupid enough to trust even a single person.

To top it all off, Tom is given a choice of sharing either a putrid cell with a man dying of the pox for a cell-mate or occupying the bed of a recently-murdered man and sharing a cell with the man perceived as the most dangerous of all the inmates on the “Master’s Side,” nicknamed “the Devil” by the other prisoners … only to be then clandestinely tasked in short order to investigate the murder of the former occupant of his bed as a price for being released from prison.

Antonia Hodgson certainly has a way with words and with building the atmosphere of a place, and I do believe she has done her research thoroughly.  I nevertheless didn’t take to this book wholeheartedly; in no small part because — aside from Kitty, a kitchen maid whom Tom meets in the Marshalsea — I didn’t find anybody I could truly empathize with; and that most definitely includes Tom himself.

I also disliked the ending, which was (a) incredibly rushed and (b) a pronounced case of the solution being jammed up the investigator’s nose without him having managed to uncover any significant clue on his own, so he hardly deserves any credit for it, and for a series that is billed as a historical P.I. series beginning with Tom’s first “successful” investigation in the Marshalsea, that is simply not a very auspicious beginning.

I’ve got the next two books of the series on my TBR and I’m going to leave them there for the time being — I won’t rule out that I am going to return to them at a later point after all.  It likely will not be anytime soon, however.

 

Halloween Bingo 2017: Update 7 — Bingos No. 3 & 4!

Bingo No. 3: First column to the right.
Bingo No. 4: Second row.

 

The “bingo” squares and books read:

Bingo No. 3:

   

 

Bingo No. 4:









 

I’ll have a double bingo in the wings once “Amateur Sleuth” is called, and more immediate bingos for “Classic Horror” and “Country House Mystery.”  Complete blackout should tumble in within the next 10 days or so, depending just how the remaining bingo calls come up.  So, I’ll be taking my time finishing my last bingo book, Sharyn McCrumb’s She Walks These Hills — there hardly seems to be any reason for a particular rush.

 

My Square Markers and “Virgin” Bingo Card:

“Virgin” card posted for ease of tracking and comparison.


Black Kitty:
Read but not called


Black Vignette:
Called but not read

Black Kitty in Black Vignette:
Read and Called

Black Kitty Center Square: (Read = Called)

                  

Current Status of Spreadsheet:

(Note: Physical print editions unless stated otherwise)

 

Books Read / Finished – Update 7:


Antonia Hodgson: The Devil in the Marshalsea

Well, if this doesn’t count for “Darkest London,” then I don’t know what will.  Our narrator is tossed into the Marshalsea prison for being in debt to the tune of several months’ salary — a bit more than £20.00, which would have been a year’s salary or more to the poorer classes, but our Tom is an academic (albeit one without a degree, having been thrown out of Oxford for disorderly behaviour), so he’d have reached higher … instead of which, however, he has managed to drink and gamble it all away and then get himself robbed off the spoils when trying to win it back by turning a lucky card.  Even though Tom, being perceived as a gentleman, is spared the ultimate humiliation of being locked away on the Common Side of the prison (where conditions are sub-human and jail fever or some other form of death would be his certain fate in a matter of days or weeks; months at best), even the so-called “Master’s Side” — where Tom ends up — is a cut-throat place ruled by the diabolical whims of the prison governor and his brutal turnkeys, where your life and health is only worth as much as you are able to pay for them, and where you’ll find yourself deprived of either quicker than you can count to three if you’re stupid enough to trust even a single person.

To top it all off, Tom is given a choice of sharing either a putrid cell with a man dying of the pox for a cell-mate or occupying the bed of a recently-murdered man and sharing a cell with the man perceived as the most dangerous of all the inmates on the “Master’s Side,” nicknamed “the Devil” by the other prisoners … only to be then clandestinely tasked in short order to investigate the murder of the former occupant of his bed as a price for being released from prison.

Antonia Hodgson certainly has a way with words and with building the atmosphere of a place, and I do believe she has done her research thoroughly.  I nevertheless didn’t take to this book wholeheartedly; in no small part because — aside from Kitty, a kitchen maid whom Tom meets in the Marshalsea — I didn’t find anybody I could truly empathize with; and that most definitely includes Tom himself.

I also disliked the ending, which was (a) incredibly rushed and (b) a pronounced case of the solution being jammed up the investigator’s nose without him having managed to uncover any significant clue on his own, so he hardly deserves any credit for it, and for a series that is billed as a historical P.I. series beginning with Tom’s first “successful” investigation in the Marshalsea, that is simply not a very auspicious beginning.

I’ve got the next two books of the series on my TBR and I’m going to leave them there for the time being — I won’t rule out that I am going to return to them at a later point after all.  It likely will not be anytime soon, however.

 


Gabriel García Márquez: Crónica de una muerte anunciada
(Chronicle of a Death Foretold)

I read this book  in Spanish and I am glad I did — based on the translation of the title alone, I don’t know how many other subletlies I might have missed if I had gone for a translated version.  García Márquez’s novella deals with an honor killing, and beyond what is implied in the book’s English title, the resulting death is one that is both “foretold” (namely, in a dream) and blatantly announced by the would-be murderers, to all and sundry but to the victim himself. — At the beginning of the book, the murder has already happened, and the story is told circuitously in reverse, leading up to an almost surreal, slow-motion pacing in the minutes before the actual killing, when fate, circumstances, cowardice, lethargy and ill luck conspire to see opportunity after opportunity to save the intended victim being missed.

In just over 100 pages, García Márquez employs pacing, perspective and contrasts (of perspective, plot elements, personalities, potential and actual murder weapons and much, much more) to deconstruct the society where the murder occurs — a small coastal town in Columbia — and its prevailing attitudes that excuse and justify the murder, a justice system unable to adequately deal with the crime, and of course the honor code that causes the murder to be committed in the first place.  It’s a gut-punching book as far away from Love in the Time of Cholera as it could possibly be and it’s been sitting on my shelves unread for far too long — I’m glad I finally did something about that.

 


Peter May: Coffin Road

This book is billed as a stand-alone following May’s Lewis Trilogy, but that’s not actually quite correct, as the policeman from whose perspective part of the story is told (DS George Gunn) actually features in an important role in the Lewis Trilogy as well, and even the actual protagonist of that trilogy (Fin Macleod) and his girlfriend Marsailie are name-checked here.

That said, the book’s primary protagonist is a gentleman who at the beginning of the book finds himself washed up on a beach in the Western part of Harris island (the two major northern Outer Hebrides islands, Harris and Lewis, for geographical and all practical purposes form a unity), wearing a life jacket and with not a clue to his own identity, which to recover henceforth obviously becomes his primary obsession.  In a matter of days, he takes a boat trip to the Flannan Isles, a small group of islands some 30 miles west of Lewis (and double the distance, correspondingly from Harris), on the largest of which — Eilean Mòr — he stumbles across a corpse, and as he has clear indications that he must have visited the island before, he begins to suspect that he himself is the dead man’s murderer.

The book’s second protagonist is an Edinburgh teenager at odds with herself and the world ever since her scientist father is believed to have committed suicide two years earlier, and who is trying to find out whether that is actually what happened (and if so, why), or if not, where he is.

I tremendously enjoyed the book; May is a phantastic writer who manages to make the Hebrides come alive in all their magic austerity time and again.  Yet, this book has certain undeniable similarities to the first book of the Lewis Trilogy (The Blackhouse), which I read for last year’s Halloween Bingo — most notably, in that each book features a tiny, ocean-, wind- and rainswept island off the Outer Hebrides where the actual solution to the mystery haunting the hero is to be found, as well as contrasting narrative perspectives (first person present for the main protagonist, third person past tense for all other characters) — and I also have to admit that loss-of-memory stories aren’t my favorite type of mystery; chiefly because I never know with absolute certainty to what extent the described effects of the memory loss are in keeping with what is neurologically and psychologically / psychiatrically realistic.  (Which isn’t to say that I distrust Peter May’s level of research into the issue; still, there’s always the odd little detail that has me thinking, “wow, for purposes of storytelling it’s certainly convenient that he should [not] be able to remember this.”) 

Also, again at the ending, the recovery of memory is happening a bit too quickly and completely, but what do I know … if this is what May found to be possible, then so be it.   See what I mean about that little bit of uncertainty of where writerly imagination and storytelling needs come into play, though?

This all notwithstanding, however, I’m glad I’ve taken another, albeit “only” literary trip to the Hebrides — and not just Harris and Lewis, either; some small parts of the book are also set on the Western Scottish mainland, just south of an area I particularly love, as well as on the Isle of Skye … from where a couple of the story’s characters take the early morning ferry to Harris, which is exactly what I did a few years ago, so this part of the book evoked a whole lot of memories as well.

 


Eilean Mòr, Flannan Isles: The lighthouse, chapel of St. Flannan and erstwhile rail tracks leading up to the lighthouse from the mooring place — the novel’s key Flannan Isles locations (photos from Wikipedia).

 
Leaving Uig (Isle of Skye) on the early morning ferry to Harris.


Harris Island: approach at dawn


The bridge connecting Harris and Lewis, from the sea.


On Harris Island


Tabert, Harris — the ferry back to Uig, Isle of Skye.
(Even the bright yellow railing is mentioned in May’s novel …)



Isle of Skye: Kyle of Lochalsh and Skye Bridge


Isle of Skye: Sligachan Old Bridge


Western Scotland, near Achnasheen:
View towards the Torridon Mountains and Loch Maree


Western Scotland: in the Torridon Mountains, near Kinlochewe


Western Scotland, Applecross Peninsula: view of the Isle of Skye


Western Scotland: Sunset on Loch Torridon
(all photos of Harris, Skye and the Western Scottish mainland mine)

 

 
Joseph Sheridan Le  Fanu: Carmilla

I’d never read anything by Sheridan Le Fanu, even though In a Glass Darkly — the short story collection which includes Carmilla — has been sitting on my TBR for a minor eternity … no pun intended.  So when Carmilla was picked as the “Classic Horror” group read, I made a snap decision to jump in and join, though I’m using this read for my card’s “Vampire” square.

Carmilla predates Bram Stoker’s Dracula by 25 years, and either both authors were equally inspired by the Romanian “Count Drácul” myth and its mountain setting or Stoker took a page and a half out of Sheridan Le Fanu’s book.  Certainly, both vampires have similar attributes; not least their ability to shape-shift into a large mammal (a cat in Carmilla’s case, a dog in Dracula’s), which makes me wonder to what extent vampire and werewolf lore have common roots as well; and in both stories, ultimately a “vampire expert” is consulted and helps bring about the destruction of the vampire, strictly according to the rule book … a stake through the heart coupled with a beheading.

Yet, Sheridan Le Fanu’s story doesn’t begin to come close to Stoker’s in terms of atmosphere, and while Stoker’s Jonathan Harker does actually seek (and barely manage) to flee once he’s clued into who his host is, Carmilla’s hosts — father and daughter alike — keep wondering about with their eyes wide shut until it’s almost too late, and have to be made wise by a friend who made the same mistake at the cost of his young ward’s life.  Sheridan Le Fanu may have intended this approach as a concession to his readers’ expected attitude (“well, really, there is no such thing as vampires”), but Stoker convincingly shows that if you’re writing a book about supernatural monsters, there just comes a point where you have to kiss that attitude goodbye, and the more brutally and straightforward you do it, the more convincing it will ultimately come across.  (Heck, even Anne Rice managed that one better in Interview With the Vampire.)

That all being said, I’ll likely go on to read the rest of In a Glass Darkly, too, even though probably in bits and pieces and not all in a single go.

 

Currently Reading:

 

First Bingo (Update 3 — Sept. 23, 2017): Squares and Books Read:

  

 

Second Bingo (Update 5 — Oct. 7, 2017): Squares and Books Read:

   

                                                           

                                         

                                         

 

Books Read / Listened to – Update 1:



Terry Pratchett: Equal Rites

 



Wilkie Collins: Mrs. Zant and the Ghost
(Gillian Anderson audio)

 

 

Martin Edwards / British Library:
Miraculous Mysteries – Locked-Room Murders and Impossible Crimes

 



Agatha Christie: Mrs. McGinty’s Dead
(Hugh Fraser audio)

 

Books Read / Listened to – Update 2:



 Donna Andrews: Lord of the Wings

 


Ruth Rendell:
The Babes in the Wood

& Not in the Flesh

 


Robert Louis Stevenson: Dr. Jekyll & Mr. Hyde

 


Cornell Woolrich: The Bride Wore Black

 Raymond Chandler:
Farewell, My Lovely

  The Long Goodbye

The High Window

 

Books Read / Listened to – Update 3:

 
Martin Edwards: The Story of Classic Crime in 100 Books

 

 
Emily Brontë: Wuthering Heights
(Prunella Scales & Samuel West audio)

 

 
Simon Brett: An Amateur Corpse

 

 
The Medieval Murderers: House of Shadows

 

 
Shirley Jackson: We Have Always Lived in the Castle
(Bernadette Dunne audio)

 

  
Murder Most Foul (Anthology)

Edgar Allan Poe: The Dupin Stories — The Murders in the Rue Morgue / The Mystery of Marie Rogêt / The Purloined Letter
(Kerry Shale audio)

 Agatha Christie: Endless Night
(BBC full cast dramatization)

 Dick Francis: Knockdown (Tim Pigott-Smith audio)

 

   
 Ngaio Marsh:
Artists in Crime (Benedict Cumberbatch audio)

Overture to Death (Anton Lesser audio)

Death and the Dancing Footman (Anton Lesser audio)

Surfet of Lampreys (Anton Lesser audio)

Opening Night (aka Night at the Vulcan) (Anton Lesser audio)

 

Books Read / Listened to – Update 4:

 
James D. Doss: Grandmother Spider

 


Terry Pratchett: Men at Arms

 


Ovid: Metamorphoses
(German / Latin parallel print edition and David Horovitch audio)

Apollodorus: Library of Greek Mythology

Plutarch: Life of Theseus

 

Books Read / Listened to – Updates 5 & 6:

 
C.S. Forester: The African Queen

 

 
Margery Allingham: The Crime at Black Dudley
(David Thorpe audio)
 

 


Jo Nesbø: The Snowman

 

The Book Pool:

Most likely: Donna Andrews: Lord of the Wings

Alternatively:
* Diane Mott Davidson: Catering to Nobody
* One or more stories from Martin Greenberg’s and Ed Gorman’s (eds.)
Cat Crimes

* … or something by Lilian Jackson Braun


Most likely: Emily Brontë: Wuthering Heights
(audio return visit courtesy of
either Michael Kitchen or Prunella Scales and Samuel West)

Alternatively:
* Wilkie Collins: The Woman In White
(audio version read by Nigel Anthony and Susan Jameson)
* Jane Austen: Northanger Abbey
(audio return visit courtesy of Anna Massey)
* Isak Dinesen: Seven Gothic Tales
* Carol Goodman: The Lake of Dead Languages
* … or something by Daphne du Maurier


Candace Robb: The Apothecary Rose

Change of plan:
C.S. Forester: The African Queen


Most likely: Simon Brett: A book from a four-novel omnibus edition including An Amateur Corpse, Star Trap, So Much Blood, and Cast, in Order of Disappearance

Alternatively:
* Georgette Heyer: Why Shoot a Butler?
* Margery Allingham: The Crime at Black Dudley
(audio version read by David Thorpe)
* Carol Goodman: The Lake of Dead Languages
* Minette Walters: The Shape of Snakes


Most likely: Something from James D. Doss‘s Charlie Moon series (one of my great discoveries from last year’s bingo)
Or one of Walter Mosley‘s Easy Rawlins mysteries

Alternatively:
Sherman Alexie: Indian Killer


Terry Pratchett: Carpe Jugulum

Change of Plan:
Joseph Sheridan Le Fanu: Carmilla


One or more stories from Martin Edwards’s (ed.) and the British Library’s Miraculous Mysteries: Locked-Room Murders and Impossible Crimes


Most likely: Agatha Christie: Mrs. McGinty’s Dead
(audio return visit courtesy of Hugh Fraser)

Or one or more stories from Martin Edwards’s (ed.) and the British Library’s Serpents in Eden: Countryside Crimes

Alternatively:
* Carol Goodman: The Lake of Dead Languages
* Josephine Tey: Brat Farrar, To Love and Be Wise, or The Singing Sands
* Georgette Heyer: Why Shoot a Butler?
* Peter May: The Lewis Man
* S.D. Sykes: Plague Land
* Arthur Conan Doyle: The Mystery of Cloomber
* Michael Jecks: The Devil’s Acolyte
* Stephen Booth: Dancing with the Virgins
* Karen Maitland: The Owl Killers
* Martha Grimes: The End of the Pier
* Minette Walters: The Breaker


One of two “Joker” Squares:

To be filled in as my whimsy takes me (with apologies to Dorothy L. Sayers), either with one of the other mystery squares’ alternate books, or with a murder mystery that doesn’t meet any of the more specific squares’ requirements.  In going through my shelves, I found to my shame that I own several bingo cards’ worth of books that would fill this square alone, some of them bought years ago … clearly something needs to be done about that, even if it’s one book at a time!


Isabel Allende: Cuentos de Eva Luna (The Stories of Eva Luna) or
Gabriel García Márquez: Crónica de una muerte anunciada (Chronicle of a Death Foretold)


Most likely: One or more stories from Charles Dickens: Complete Ghost Stories or Sharyn McCrumb: She Walks These Hills

Alternatively:
* Wilkie Collins: Mrs. Zant and the Ghost
(Gillian Anderson audio)
* Stephen King: Bag of Bones


Terry Pratchett: Men at Arms


Obviously and as per definition in the rules, the second “Joker” Square.
Equally as per definition, the possibles for this square also include my alternate reads for the non-mystery squares.


Most likely: Cornell Woolrich: The Bride Wore Black

Alternatively:
* Raymond Chandler: Farewell My Lovely or The Long Goodbye / The High Window
* James M. Cain: Mildred Pierce
* Horace McCoy: They Shoot Horses, Don’t They?
* David Goodis: Shoot the Piano Player or Dark Passage
* … or something else by Cornell Woolrich, e.g., Phantom Lady or I Married a Dead Man


Most likely: Ruth Rendell: Not in the Flesh or The Babes in the Wood (audio versions read by Christopher Ravenscroft, aka Inspector Burden in the TV series)

Alternatively:
* Carol Goodman: The Lake of Dead Languages
* Sharyn McCrumb: She Walks These Hills


Most likely: Peter May: Coffin Road

Alternatively:
* Stephen King: Bag of Bones or Hearts in Atlantis
* Denise Mina: Field of Blood
* Carol Goodman: The Lake of Dead Languages
* Minette Walters: The Breaker
* Jonathan Kellerman: When The Bough Breaks, Time Bomb, Blood Test, or Billy Straight
* Greg Iles: 24 Hours


Most likely: Sharyn McCrumb: She Walks These Hills

Alternatively:
* Karen Maitland: The Owl Killers
* Greg Iles: Sleep No More


Most likely: Margery Allingham: The Crime at Black Dudley
(audio version read by David Thorpe)

Alternatively:
* One or more stories from Martin Edwards’s (ed.) and the British Library’s Murder at the Manor: Country House Mysteries
* Georgette Heyer: They Found Him Dead
* Ellis Peters: Black is the Colour of My True-Love’s Heart


Most likely: Something from Terry Pratchett’s Discworld / Witches subseries — either Equal Rites or Maskerade

Alternatively:
* Karen Maitland: The Owl Killers
* Shirley Jackson: The Witchcraft of Salem Village


Most likely: Antonia Hodgson: The Devil in the Marshalsea

Alternatively:
* Rory Clements: Martyr
* Philip Gooden: Sleep of Death 
* Minette Walters: The Shape of Snakes
* Ngaio Marsh: Death in Ecstasy
* One or more stories from Martin Edwards’s (ed.) and the British Library’s Capital Crimes: London Mysteries


Most likely: Robert Louis Stevenson: The Strange Case of Dr. Jekyll and Mr. Hyde (audio return visit courtesy of Sir Christopher Lee)

Alternatively:
* H.G. Wells: The Island of Dr. Moreau
* … or something by Edgar Allan Poe


Most likely: Something from Ovid’s Metamorphoses

Alternatively:
* Robert Louis Stevenson: The Bottle Imp
* Christina Rossetti: Goblin Market
* H.G. Wells: The Island of Dr. Moreau


Most likely: Jo Nesbø: The Snowman

Alternatively:
* Val McDermid: The Retribution
* Denise Mina: Sanctum 
* Mo Hayder: Birdman
* Caleb Carr: The Alienist
* Jonathan Kellerman: The Butcher’s Theater
* Greg Iles: Mortal Fear


Most likely: The Medieval Murderers: House of Shadows
or Hill of Bones

Alternatively:
* Sharyn McCrumb: She Walks These Hills
* Shirley Jackson: The Haunting of Hill House
* Stephen King: Bag of Bones
* Carol Goodman: The Lake of Dead Languages
* Michael Jecks: The Devil’s Acolyte


Ooohhh, you know — something by Shirley Jackson … if I don’t wimp out in the end; otherwise something by Daphne du Maurier.

 

 

 

Original post:
ThemisAthena.booklikes.com/post/1607982/halloween-bingo-2017-update-7-bingos-no-3-4

REBLOG — UPDATED: Halloween Bingo Lists by square

Reblogged from: Murder by Death

 

I posted a few days ago about the lists from last year, but I’ve since created lists for the new squares and I figured it would just be easier to re-do the post from scratch, using the list of squares Moonlight Reader posted in her game announcement.

So by square:

Locked room mystery
Country house mystery
Classic noir
Murder most foul  (This is the general Mystery list, updated to include new titles)
Romantic suspense
Serial/spree killer
Cozy mystery
American horror story: This is a combined list, containing American Horror, Genre Horror, Modern Masters and 80’s Horror (the category is specified in the notes section of each title and sorted in the list by each category
Genre: horror: This is a combined list, containing American Horror, Genre Horror, Modern Masters and 80’s Horror (the category is specified in the notes section of each title and sorted in the list by each category
Gothic
Darkest London
Modern Masters of Horror: This is a combined list, containing American Horror, Genre Horror, Modern Masters and 80’s Horror (the category is specified in the notes section of each title and sorted in the list by each category
Supernatural
Ghost: This is a combined list with Haunted House titles – I’ve noted whether or not each title is Ghost, Haunted House or qualifies for both.
Haunted houses: This is a combined list with Haunted House titles – I’ve noted whether or not each title is Ghost, Haunted House or qualifies for both.
Vampires This is a combined list with Werewolf titles – I’ve noted whether or not each title is Vampires, Werewolf or qualifies for both.
Werewolves This is a combined list with Vampire titles – I’ve noted whether or not each title is Vampires, Werewolf or qualifies for both.
Witches
Demons
Classic horror
Chilling children
Aliens
Monsters – NEW!
The dead will walk
80’s horror: This is a combined list, containing American Horror, Genre Horror, Modern Masters and 80’s Horror (the category is specified in the notes section of each title and sorted in the list by each category
In the dark, dark woods
Terror in a small town
Magical realism
Terrifying women
Diverse voices

If anyone would like to suggest titles for any of the lists, please feel free to leave them in the comments for that list (not this post please, or I’ll lose track).  I’ll update them ASAP.

Happy Bingo!

 

Original post:
ThemisAthena.booklikes.com/post/1591764/updated-halloween-bingo-lists-by-square

REBLOG: Halloween Bingo Lists

Reblogged from: Murder by Death

For last year’s (Inaugural) Halloween Bingo, many of the participants contributed to lists by square, as a resource for anyone struggling to find books that fit.

This year, several of the squares/categories are similar to last year’s, so I thought I’d post them here again.

These lists can definitely be added to; just leave your suggestions in the list’s comment section.

(Scary) Women Authors square – Same as this year’s “Terrifying Women”

Classic Horror Square

Ghost Stories and Haunted Houses Square – this was a combined square last year, but hopefully the list is still useful (can a house be haunted without ghosts?).

Diverse Authors Square – same as “Diverse Voices”

Gothic Square

Locked Room Mystery Square

Magical Realism Square

Supernatural square

Witches Square

Mystery Square – there are books in this list that would work for “Cozy Mystery”, “Amateur Sleuth”, and “Murder Most Foul”

Vampires vs. Werewolves square – this was another combined square last year, but looking over the list briefly, most of them are marked whether they are vampires, werewolves or both.  The list also seems to be clear of shifter books.

If time permits, I’ll try to create a few more lists for the new categories (zombies, demons, Romantic Suspense, etc.)  Please, if you have any suggestions, help a girl out and let me know.  🙂

 

Original post:
ThemisAthena.booklikes.com/post/1590882/halloween-bingo-lists