January 2020 Reading

January turned out a bit of a roller coaster in RL, continuing the course things had already taken in December: not quite whiplash-inducing, but with several sickness-prone twists and turns (for however much I’d expected them to materialize) surrounding one major glorious event (which was, however, truly glorious; even if this, too, was something I’d had every reason to expect).

So my January books mostly were comfort reading in one form or another.  Other than the three Golden Age mysteries (or in one case, a mystery radio play collection) that I (re)visited — Agatha Christie’s 12 Radio Mysteries, Ngaio Marsh’s Scales of Justice, and my carryover from 2019, Gladys Mitchell’s Death Comes at Christmas — and two contemporary mystery short story collections I read / listened to, I burned through all four volumes of Tamora Pierce’s Song of the Lioness Quartet in the space of a week (well, they are fairly short books), read four books of historical fiction (two of which also qualify as historical mysteries), and more books falling into the sci-fi / fantasy / speculative fiction subset, with classics and nonfiction bringing up the rear, with one book each.

For all that, 14 of those 18 books were by women (and one an anthology, Mystery Writers of America Presents: Vengeance, featuring both male and female authors), and I’ve added two new countries to my “Around the World” challenge — Antigua and Iceland –; even if, with two of my first three books of February (Chimamanda Ngozi Adichie’s We Should All Be Feminists and Mia Alvar’s short story collection In the Country), I’m already doing more for the Caucasian / non-Caucasian balance in my reading than in all of January.

 


Looking at my January books individually, clearly last month’s reading highlight was the buddy read with Moonlight Reader, BrokenTune and Lillelara of the first volume of Dorothy Dunnett’s Lymond Chronicles, The Game of Kings; a tour de force piece of historical fiction set in the mid-16th century, during the reign of England’s boy king Edward VI (the son of Henry VIII) — or rather, his guardian Edward Seymour, the Duke of Somerset, who goverend England in his stead — and Marie de Guise, the widow of Scottish king James V, who ruled Scotland in lieu of her infant daughter Mary (Stuart).

Francis Crawford of Lymond, ostensibly the book’s (and the series’s) central character, is essentially Rob Roy and Robin Hood rolled into one, with a bit of Edmond Dantes thrown in for good measure, as well as just about every other hero of historical fiction seeking to recapture the position and estate taken from him by the connivance of his enemies. For the longest time, he wasn’t even my favorite character in the book — those honors clearly went to virtually every major female character, all of whom are fully rounded, three-dimensional and very much their own women; strong, intelligent, and more than capable of holding their own in a society dominated by men.  Yet, I have to say that Lymond considerably grew on me in the final episode of the novel.

In terms of pacing, although the book took its sweet time establishing the characters and their place in the era and events of the history of Scotland during which it is set (while assuming its readers to either be familiar with that period in history or treating them as adult enough to read up on it themselves, without having to be taught by the author in setting up the novel), once it took off … it really took off, and I whizzed through the last big chunk in almost a single sitting (pausing once more only before the final episode), all of which literally left me breathless by the time I was done.  I can absolutely see myself continuing the series, though as a first read, these aren’t the kinds of books I can seamlessly tie together one right after the other; so it may be a while before I’ll start the next book.

 

Among the month’s other highlights was the second book of Tony Riches’s Tudor Trilogy, Jasper — the volume I’d been looking forward to the least, as it essentially covers the War of the Roses from the Lancastrian POV, which is a tale of many woes and few moments of glory, even if it culminates in Henry of Richmond’s (Henry VII-to-be) victory at Bosworth. But I still enjoyed the narrative voice, empathy for all the characters, and the obviously painstaking historical research going into the writing.

 

After the disappointment that virtually every bit of YA fantasy I read last year had turned out to be, a somewhat unexpected third highlight was Tamora Pierce’s Song of the Lioness Quartet.  But I was won over by Alanna (the main character)’s personality and by the fact that Pierce’s approach to creating a fantasy world where it is possible for a woman to beat the odds and assert herself without actually glorying in violence (looking at you, Jennifer Estep); in fact, Alanna learns to use her magical powers as a healer more than as a fighter, and to employ them in order to offset some of the damage and pain she causes as a knight.

Obviously, the idea of a girl masquerading as a boy in order to be trained as a knight, and surviving years of training without ever being discovered by the vast majority of the people at court (except for a select few trusted friends), takes a bit of suspension of disbelief; particularly in the second book, where Alanna and her friends are in puberty and, if nothing else, her voice should be breaking if she were a boy (so the lack of change there, if nothing else, should unmask her — bound chest or not).  This, and the equally unlikely notion of a pseudo-Arab tribe of desert nomads firmly rooted in pseudo-Muslim principles of society being swiftly brought around to accepting women as self-determined agents of their own fate solely by their encounter with Alanna in book 3 of the series, were a bit much to take without reducing my rating somewhat.

But overall I still enjoyed the series quite a bit more than I had expected.  (Indeed, I hadn’t even really expected to progress beyond book 1 to begin with.)  I also truly enjoyed Pierce’s no-nonsense approach to not in out-Tolkien-ing Tolkien — proper names are almost without exception from our world (John, Gary, Alan(na), Tom, etc.), and there are no attempts at giving dodgy half-baked names to animals and inanimate things, either, which is something that hugely annoys me in many a fantasy series I’ve come across lately (particularly, again, YA).

 

Radio Girls, the book I began this year with (as picked by the bibliomancy dreidel in 24 Festive Tasks) started out strong, and I truly enjoyed the author’s exploration of the early days of the BBC.  Unfortunately, she couldn’t resist the temptation of bringing in the (real life) spy background of one of the book’s characters (Hilda Matheson, director of BBC Talks), as a result of which it felt like the book couldn’t really make up its mind whether it wanted to be about the BBC, about pre-WWII Nazi activities in Britain, or about women’s rights (especially general suffrage and women’s (in)equality in the workplace).  Less would definitely have been more here.  Still, overall the book was enjoyable enough.

 

Another pleasant surprise, in terms of the book itself at least, was Yrsa Sigurðardóttir’s The Legacy, the first book of a series of mysteries / crime novels focusing on the so-called “Children’s House”, the (real) institution that processes children involved in Icelandic court cases (murder trials, custody suits, prosecutions for child abuse, etc.).  I liked Sigurðardóttir’s assured writing and well-informed approach to child (and child witness) psychology, and — mostly — also the characters she created.  After having finished the book, however, I listened to the interview she gave in the Audible Sessions series, where (somewhat to my surprise) she comes across as a bit condescending, which in turn rather dampened my enthusiasm for quickly  following up with another book by her.  But I do think I’ll give her books another try eventually.

 

Most of the remainder of my reading this past month was an exercise in Mt. TBR reduction:

By far the best (audio)book of this bunch was the first installment of the BBC’s McLevy series, which is based on the real life diaries of Victorian Edinburgh police inspector named, you guessed it, James McLevy.  It features a great cast (with Brian Cox starring in the title role), great atmosphere, and several intelligently-plotted episode-length cases, and I can already see myself coming back for more again and again.

 

Scott Lynch’s The Lies of Locke Lamora presents an interesting approach to speculative fiction, somewhere on the borderline between fantasy and steampunk, with an exciting plot and well-rounded characters: enough to make me at least contemplate also reading the next books of the Gentleman Bastard series.  However, this seems to be another series featuring excessive amounts of violence (at least judging by book 1), and its installments aren’t exactly short, either — at the end of this book, I felt similarly drained as after Dunnett’s Game of Kings — so this probably won’t be a high and early priority.  Still, I’m not unhappy that I’ve finally read it.

 

Martha Wells’s All Systems Red is intelligently conceived and redolent with edgy humor, satire, and questions about the nature of consciousness, individuality and, ultimately, the thing that we call a soul: if science fiction is your thing (and if you’ve been living under a rock or for any other reason haven’t read it long before I did), it’s definitely a book — and a series — that I’d recommend.  Personally, though I enjoyed Wells’s exploration of the inner life of a semi-humanoid AI security unit (aka “murderbot”) that has hacked and disabled its own main governor module, and would much rather watch soap operas than look after inept human research teams on alien planets, I won’t be continuing the series.  For one thing, if it comes to tropes, I just prefer those of the mystery genre to those of science fiction (and it seemed like every single sci-fi trope is present here); and then, I also think the pricing of the books in this series is a huge money grab on the part of the publisher (and Audible / Amazon) that I am simply not willing to support; beyond satisfying my curiosity about book 1, that is.

 

E.M. Delafield’s Diary of a Provincial Lady was to the 1930s what Bridget Jones’s Diary is to us: Roll up Angela Thirkell’s High Rising, Winifred Holtby’s South Riding, and Helen Fielding’s Bridget Jones’s Diary into one, shake thoroughly, season with a pinch or three of Emma Thompson’s character (the Duchess d’Antan) from the movie Impromptu, and with the perpetual financial woes of the landed gentry, and this (albeit largely autobiographical) book is pretty much what you should get as a result.

Delafield, one of those prolific early 20th century writers who thoroughly dropped off the radar after WWII, went on to write several more installments of the Diary: I got curious about her because of Martin Edwards’s speculation, in The Golden Age of Murder, about a possible relationship between her and Anthony Berkeley, but having read this book by her and several books by him, I can’t see more than the friendship between them that is known to actually have existed.  Quite frankly (and quite apart from the fact that they were both married to other people to begin with), judging by her writing, she strikes me as way too shrewdly intelligent to ever have been interested in him as anything other than a friend.

 

Jamaica Kincaid’s A Small Place, finally, is a short, brutal, angry dismanteling of any naive and romantic perceptions that white North American and European conceivably might be holding about her island home of Antigua.  Frankly, since I never held any such perceptions, she was pretty much barking up the wrong tree with me, and though I can empathize with her anger, I wonder whether, skilled writer that she is, she wouldn’t have served her purpose better by exchanging the verbal claymore that she insists on wielding for a foil (or at most an epée) — i.e., keep the razor sharp verbal blade, but allow for a less heavy-handed approach.  Though I’ll readily concede that probably this is a facile position to take for someone who hasn’t had to do battle with the “Caribbean island paradise” cliché all her life to begin with.

 

To round things off, my mystery comfort reading consisted of:

* Agatha Christie: 12 Radio Mysteries (BBC adaptations of 12 of Christie’s short stories, which I loved and which incidentally proved that Christie’s writing has not only stood the test of time but is also easily amenable to being transferred to a modern setting without losing any of its punch);

* Ngaio Marsh: Scales of Justice (one of my all-time favorite entries in the Roderick Alleyn series and, it occurred to me while listening to the new unabridged audio recording published a few years ago, also a good book to start the series with for anyone curious about it — PS: it even features a cat in a pivotal role);

* Gladys Mitchell’s Death Comes at Christmas (aka Dead Men’s Morris) (decidedly not a favorite installment in the Mrs. Bradley series);

* Elizabeth George’s I, Richard (another reread, which I liked a whole lot better than when I had first read it; not only for the final / titular story, which has a contemporary setting but a historic background, namely Richard III’s final hours before the Battle at Bosworth — the true standout here is the story immediately preceding it, Remember I’ll Always Love You, where a young widow confronts the aftermath of her husband’s spontaneous suicide); and finally:

* Mystery Writers of America Presents: Vengeance (the mixed bag that such anthologies usually are, with overall better writing than I had expected, though, some of the best pieces of which were from the pens of the lesser-known contributors rather than the big-name authors).

 

 

Original post:
ThemisAthena.booklikes.com/post/2048220/january-2020-reading

David Ashton / BBC: McLevy, The Collected Editions, Series 1 & 2

A substantial part of my reading in January was an exercise in Mt. TBR reduction: By far the best (audio)book of this bunch was the first installment of the BBC’s McLevy series, which is based on the real life diaries of Victorian Edinburgh police inspector named, you guessed it, James McLevy.  It features a great cast (with Brian Cox starring in the title role), great atmosphere, and several intelligently-plotted episode-length cases, and I can already see myself coming back for more again and again.

Halloween Bingo 2019: Tracking Post — Blackout! (And bingos Nos. 12 and 13.)

 

Many thanks to Moonlight Reader and Obsidian Blue for hosting this game for the fourth year in a row, bigger and better than ever before!

Witih today’s call, I’ve blacked out my card, in addition to collecting my final bingos (nos. 12 and 13).

Somewhat to my surprise, after completing my books for my official bingo card at the end of September, I even managed to read enough extra books to put together a supplemental inofficial card throughout the month of October, so this year’s game has really exceeded my wildest expectations in every conceivable way!

 

My Official 2019 Bingo Card:

Weekly Status Updates and Reviews:

First Week
Second Week
Third Week
Fourth Week

 

The Books:

International Woman of Mystery: Margaret Atwood: The Handmaid’s Tale and The Testaments – finished September 29, 2019.
Locked Room Mystery: Clayton Rawson: Death from a Top Hat – finished September 23, 2019.
Murder Most Foul: Michael Gilbert: Smallbone Deceased – finished September 13, 2019.
Psych: Sofi Oksanen: Fegefeuer (The Purge) – finished September 17, 2019.
Read by Flashlight or Candle Light: The Lady Detectives: Four BBC Radio 4 Crime Dramatisations – finished September 20, 2019.

DeadLands: Terry Pratchett: Monstrous Regiment – finished September 26, 2019.
Fear the Drowning Deep: Delia Owens: Where the Crawdads Sing – finished September 25, 2019.
Relics and Curiosities: Patricia Wentworth: Eternity Ring – finished September 10, 2019.
Dark Academia: James Hilton: Was It Murder? – finished September 1, 2019.
Modern Noir: Joy Ellis: The Guilty Ones – finished September 21, 2019.

Ghost Stories: Nina Blazon: Siebengeschichten – finished September 1, 2019.
Gothic: Peter Ackroyd: Hawksmoor – finished September 9, 2019.
Free (Raven) Space: Agatha Christie: The Regatta Mystery and Other Stories – finished September 7, 2019.
Truly Terrifying: Bob Berman: Earth-Shattering – finished September 12, 2019.
Amateur Sleuth: Priscilla Royal: Wine of Violence – finished September 5, 2019.

Cryptozoologist: Terry Pratchett: Guards! Guards! – finished September 18, 2019.
Diverse Voices: Toni Morrison: Beloved – finished September 22, 2019.
Black Cat: Jim Butcher: The Aeronaut’s Windlass – finished September 16, 2019.
Creepy Crawlies: Silvia Moreno-Garcia: Gods of Jade and Shadow – finished September 7, 2019.
Country House Mystery: Anthony Rolls: Scarweather – finished September 14, 2019.

Spellbound: Zen Cho: Sorcerer to the Crown – finished September 6, 2019.
A Grimm Tale: Ellen Datlow & Terry Windling (eds.): The Wolf at the Door and Other Retold Fairy Tales – finished September 4, 2019.
Creepy Carnivals: Fredric Brown: The Dead Ringer – finished September 12, 2019.
Paint It Black: Trudi Canavan: The Magicians’ Guild – finished September 20, 2019.
Cozy Mysteries: Margery Allingham: The White Cottage Mystery – finished September 19, 2019.

 

My Square Markers

 

Called but not read

Read but not called

Read and Called

Center Square: Read and Called

 

The Extra Squares / Card and Books:

13: Rex Stout: And Be a Villain
Supernatural: Jennifer Estep: Kill the Queen
New Release: Sara Collins: The Confessions of Frannie Langton
Genre: Mystery: Catherine Louisa Pirkis: The Experiences of Loveday Brooke, Lady Detective
Romantic Suspense: Georgette Heyer: The Unfinished Clue
Terror in a Small Town: Ann Cleeves: Raven Black
Halloween: Agatha Christie: Hallowe’en Party
Monsters: Terry Pratchett: Pyramids
Shifters: Joan D. Vinge: Ladyhawke
Sleepy Hollow: Dennis Lehane: The Given Day
Film at 11: J.B. Priestley: An Inspector Calls
In the Dark, Dark Woods: Joseph Conrad: Heart of Darkness
Free (Raven) Square: Various Authors: The Rivals: Tales of Sherlock Holmes’ Rival Detectives
Grave or Graveyard: Kathy Reichs: Grave Secrets
Genre: Suspense: Tony Medawar (ed.) & Various Authors: Bodies from the Library 2
Southern Gothic: Sharyn McCrumb: The Unquiet Grave
Baker Street Irregulars: Joanne Harris: Gentlemen & Players
Darkest London: J.V. Turner: Below the Clock
Magical Realism: Joanne Harris: Chocolat
It was a dark and stormy night: Peter May: The Lewis Man
Full Moon: Edmund Crispin: Glimpses of the Moon
King of Fear: John Le Carré: Absolute Friends
Serial / Spree Killer: Steven Kramer, Paul Holes & Jim Clemente: Evil Has a Name
Classic Noir: Patricia Highsmith: Strangers on a Train
Classic Horror: Matthew G. Lewis: The Monk

Note: With regard to the extra squares, I added the image for the relevant square for every book completed (= “read”); and I am using my “called” markers for the main card to indicate “called and read”.

 

My Spreadsheet:

My Book Preselections Post: HERE

 

My Transfiguration Spells

Not used.

 

My “Virgin” Bingo Card:

Posted for ease of tracking and comparison.

 

 

Original post:
http://themisathena.booklikes.com/post/1942220/halloween-bingo-2019-tracking-post

Halloween Bingo 2019: Tracking Post — Bingo No. 3 and Reading Blackout

* Triple Bingo Happy Dance *

Well, that went by much faster than I had anticipated … Many thanks to Moonlight Reader and Obsidian Blue for hosting this game for the fourth year in a row, bigger and better than ever before!

I’ll continue tracking my bingos of course — and since we now have so many more great squares than can possibly fit on one person’s card, I’ll just continue reading for a few of the extra squares that didn’t make it onto mine.

And I hope everybody else is going to continue / start collecting bingos soon as well!

 

Weekly Status Updates and Reviews:

First Week
Second Week
Third Week

 

The Books:

International Woman of Mystery: Margaret Atwood: The Handmaid’s Tale and The Testaments – finished September 29, 2019.
Locked Room Mystery: Clayton Rawson: Death from a Top Hat – finished September 23, 2019.
Murder Most Foul: Michael Gilbert: Smallbone Deceased – finished September 13, 2019.
Psych: Sofi Oksanen: Fegefeuer (The Purge) – finished September 17, 2019.
Read by Flashlight or Candle Light: The Lady Detectives: Four BBC Radio 4 Crime Dramatisations – finished September 20, 2019.

DeadLands: Terry Pratchett: Monstrous Regiment – finished September 26, 2019.
Fear the Drowning Deep: Delia Owens: Where the Crawdads Sing – finished September 25, 2019.
Relics and Curiosities: Patricia Wentworth: Eternity Ring – finished September 10, 2019.
Dark Academia: James Hilton: Was It Murder? – finished September 1, 2019.
Modern Noir: Joy Ellis: The Guilty Ones – finished September 21, 2019.

Ghost Stories: Nina Blazon: Siebengeschichten – finished September 1, 2019.
Gothic: Peter Ackroyd: Hawksmoor – finished September 9, 2019.
Free (Raven) Space: Agatha Christie: The Regatta Mystery and Other Stories – finished September 7, 2019.
Truly Terrifying: Bob Berman: Earth-Shattering – finished September 12, 2019.
Amateur Sleuth: Priscilla Royal: Wine of Violence – finished September 5, 2019.

Cryptozoologist: Terry Pratchett: Guards! Guards! – finished September 18, 2019.
Diverse Voices: Toni Morrison: Beloved – finished September 22, 2019.
Black Cat: Jim Butcher: The Aeronaut’s Windlass – finished September 16, 2019.
Creepy Crawlies: Silvia Moreno-Garcia: Gods of Jade and Shadow – finished September 7, 2019.
Country House Mystery: Anthony Rolls: Scarweather – finished September 14, 2019.

Spellbound: Zen Cho: Sorcerer to the Crown – finished September 6, 2019.
A Grimm Tale: Ellen Datlow & Terry Windling (eds.): The Wolf at the Door and Other Retold Fairy Tales – finished September 4, 2019.
Creepy Carnivals: Fredric Brown: The Dead Ringer – finished September 12, 2019.
Paint It Black: Trudi Canavan: The Magicians’ Guild – finished September 20, 2019.
Cozy Mysteries: Margery Allingham: The White Cottage Mystery – finished September 19, 2019.

 

My Square Markers

 

Called but not read

Read but not called

Read and Called

Center Square: Read and Called

 

My Spreadsheet:

My Book Preselections Post: HERE

 

My Transfiguration Spells

Not used.

 

My “Virgin” Bingo Card:

Posted for ease of tracking and comparison.

 

 

Original post:
ThemisAthena.booklikes.com/post/1942220/halloween-bingo-2019-tracking-post-bingo-no-3-and-reading-blackout