Halloween Bingo: Book Selections — UPDATED

Like virtually all of my book consumption this year, my Halloween Bingo books are more or less necessarily going to have to be primarily audiobooks.  So I had a look at my Audible and CD collections what might fit the bill for my card, and here’s what I’ve come up with (mostly new-to-me books but also a few rereads); currently most likely choices first, then the alternative choices in alphabetical order, and listing all books for every square where they match.

 

—  UPDATED WITH ACTUAL BOOKS READ / SELECTED —

(Note: Originally posted on Aug. 14, 2019. — Books read for a given square are marked in bold print.  Crossed-out books are books read for other squares, including inofficial extra squares.)

 

INTERNATIONAL WOMAN OF MYSTERY
Plenty of choices from the writings of white American and British women, so here I’m just going to list the non-U.S. and UK authors as well as the books by WoC.

Most likely:
* Margaret Atwood: The Handmaid’s TaleThe Testaments √

Alternatives:
* Margaret Atwood: The Robber Bride
Nina Blazon: Siebengeschichten
Sara Collins: The Confessions of Frannie Langton
Trudi Canavan: The Magicians’ Guild
* Edwidge Danticat: Krik? Krak!
Silvia Moreno-Garcia: Gods of Jade and Shadow
Toni Morrison: Beloved
Sofi Oksanen: The Purge

 

LOCKED ROOM MYSTERY

Most likely:
* Clayton Rawson: Death from a Top Hat √
* John Dickson Carr: The Hollow Man 

Alternatives:
* Nicholas Blake: Minute for Murder
* Arthur Conan Doyle: The Golden Pince Nez, The Second Stain, The Bruce-Partington Plans, The Crooked Man, the Naval Treaty
* P.D. James: Unnatural Causes

 

DEADLANDS
Most likely:
Terry Pratchett: Pyramids
Substitution:
Terry Pratchett: Monstrous Regiment √

Alternatives:
 Nina Blazon: Siebengeschichten
 John Dickson Carr: The Hollow Man
* Edwidge Danticat: Krik? Krak!
* Elizabeth Kostova: The Historian
* Terry Pratchett: Eric
* Diane Setterfield: Once Upon a River
* Bram Stoker: Dracula

 

FEAR THE DROWNING DEEP
Most likely:
* Delia Owens: Where the Crawdads Sing √

Alternatives:
 Margery Allingham: Blackkerchief Dick
* Hans Christian Andersen: Fairy Tales
* J.M. Barrie: Peter Pan
 Nina Blazon: Siebengeschichten
Jim Butcher: The Aeronaut’s Windlass
Agatha Christie: The Regatta Mystery and Other Stories, Halloween Party
* Freeman Wills Crofts: The Cask
* Edwidge Danticat: Krik? Krak!
Joy Ellis: The Guilty Ones
* Stephen Fry: Heroes
* Elizabeth George: Careless in Red
* P.D. James: Unnatural Causes, Devices and Desires
* Dennis Lehane: Shutter Island
* Anne McCaffrey: Dragonflight
* Michael McDowell: Blackwater
* Herman Melville: The Confidence-Men
* Diane Setterfield: Once Upon a River
* Mary Stewart: This Rough Magic
* Jay Stringer: Ways to Die in Glasgow

 

RELICS AND CURIOSITIES

Most likely:
* Patricia Wentworth: Eternity Ring 

Alternatives:
Peter Ackroyd: Hawksmoor
* Hans Christian Andersen: Fairy Tales
Nina Blazon: Siebengeschichten
Trudi Canavan: The Magicians’ Guild
* Agatha Christie: The Pale Horse, Halloween Party
* Freeman Wills Crofts: The Cask
* Edwidge Danticat: Krik? Krak!
* Jeffery Deaver: The Cold Moon
* Alexandre Dumas: The Three Musketeers
* Michael Ende: Die unendliche Geschichte (The Neverending Story)
* Ken Follett: Eye of the Needle
* Stephen Fry: Heroes
* Neil Gaiman: Fragile Things
Michael Gilbert: Smallbone Deceased
* Jason Goodwin: The Janissary Tree
* Donna Leon: The Jewels of Paradise, The Golden Egg
* Scott Lynch: The Lies of Locke Lamora
Silvia Moreno-Garcia: Gods of Jade and Shadow
* Ellis Peters: A Morbid Taste for Bones, The Devil’s Novice
Terry Pratchett: Wyrd Sisters, Pyramids
* Christopher Priest: The Prestige
* Philip Pullman: His Dark Materials
Clayton Rawson: Death from a Top Hat
* Mary Stewart: The Last Enchantment
* Josephine Tey: The Daughter of Time
* Barbara Vine: Asta’s Book, A Dark-Adapted Eye
* Oscar Wilde: The Picture of Dorian Gray

 

DARK ACADEMIA
Most likely:
* James Hilton: Murder at School √

Alternatives:
Nina Blazon: Siebengeschichten
Joanne Harris: Gentlemen and Players
* Michael Innes: Death at the President’s Lodging
* Robert B. Parker: School Days
* Philip Pullman: His Dark Materials
* Donna Tartt: The Secret History

 

MODERN NOIR
Most likely:
* Joy Ellis: The Guilty Ones √

Alternatives:
* Jay Bonansinga: The Sleep Police
* Ann Cleeves: The Crow Trap, Raven Black
* Jeffery Deaver: The Bone Collector, The Cold Moon
* Hugh Fraser: Harm
Joanne Harris: Gentlemen and Players
* Anthony Horowitz: The Word is Murder
* Marlon James: A Brief History of Seven Killings
* Dennis Lehane: Shutter Island
* Jo Nesbø: Macbeth
* Robert B. Parker: School Days
* Ian Rankin: Rebus series
* Ruth Rendell: Some Lie and Some Die
* Peter Robinson: Gallows View, Wednesday’s Child
* Jay Stringer: Ways to Die in Glasgow
* Donna Tartt: The Secret History
* C.J. Tudor: The Taking of Annie Thorne
* Minette Walters: Disordered Minds
* R.D. Wingfield: A Killing Frost
* Mystery Writers of America Presents: Vengeance
* Various Authors: MachUp

 

GHOST STORIES
Most likely:
* Nina Blazon: Siebengeschichten √

Alternatives:
 Georgette Heyer: Footsteps in the Dark
* Michael McDowell: Blackwater
 Barbara Michaels: Witch
Toni Morrison: Beloved
* Ellis Peters: A Morbid Taste for Bones
Terry Pratchett: Wyrd Sisters, Pyramids

 

GOTHIC
Most likely:
* Peter Ackroyd: Hawksmoor 

Alternatives:
* Marie Belloc Lowndes: The Lodger
Nina Blazon: Siebengeschichten
* Emily Brontë: Wuthering Heights
John Dickson Carr: The Hollow Man
* Agatha Christie: The Pale Horse
* Wilkie Collins: The Woman in White
* Neil Gaiman: Fragile Things
* Thomas Hardy: The Mayor of Casterbridge, Tess of the D’Urbervilles
* Victor Hugo: The Hunchback of Notre Dame
* Elizabeth Kostova: The Historian
* Michael McDowell: Blackwater
* Barbara Michaels: Witch
Toni Morrison: Beloved
Delia Owens: Where the Crawdads Sing
* Christopher Priest: The Prestige
* Ann Radcliffe: The Mysteries of Udolpho
* Mary Roberts Rinehart: The Circular Staircase
* Diane Setterfield: Once Upon a River
* Mary Stewart: This Rough Magic
* Bram Stoker: Dracula
* Barbara Vine: The Blood Doctor, A Dark-Adapted Eye
* Patricia Wentworth: Pilgrim’s Rest
* Oscar Wilde: The Picture of Dorian Gray

 

TRULY TERRIFYING
Most likely:
Audible Original: Evil Has a Name
Susan Orlean: The Library Book
Substitution:
Bob Berman: Earth-Shattering √

Alternatives:
* Agatha Christie: Autobiography
* Neil Gaiman: The View from the Cheap Seats
* Christopher Hibbert: The Borgias and Their Enemies
* Sebastian Junger: The Perfect Storm
Hesketh Pearson: Arthur Conan Doyle: A Life
* Patrick Radden Keefe: Say Nothing
* Bob Woodward: The Last of the President’s Men, The Secret Man

 

CRYPTOZOOLOGIST
Most likely:
* Terry Pratchett: Guards! Guards! √

Alternatives:
* Arthur Conan Doyle: The Lost World
* Michael Ende: Die unendliche Geschichte (The Neverending Story)
* Stephen Fry: Heroes
* Neil Gaiman: Fragile Things
* Anne McCaffrey: Dragonflight
* Victor Hugo: The Hunchback of Notre Dame
* Terry Pratchett: Pyramids
* Philip Pullman: His Dark Materials
* Bram Stoker: Dracula
* J.R.R. Tolkien: The Children of Húrin, Tales from the Perilous Realm

 

DIVERSE VOICES
Most likely:
* Toni Morrison: Beloved 

Alternatives:
Nina Blazon: Siebengeschichten
Zen Cho: Sorcerer to the Crown
Sara Collins: The Confessions of Frannie Langton
* Edwidge Danticat: Krik? Krak!
* Alexandre Dumas: The Three Musketeers
* Marlon James: A Brief History of Seven Killings
Silvia Moreno-Garcia: Gods of Jade and Shadow

 

BLACK CAT
Most likely:
* Jim Butcher: The Aeronaut’s Windlass √

Alternatives:
* Barbara Michaels: Witch
* Sofie Ryan: The Whole Cat and Caboodle
* Various Authors: Magicats
* Various Authors: Feline Felonies

 

CREEPY CRAWLIES
Most likely:
*Silvia Moreno-Garcia: Gods of Jade and Shadow √

Alternatives:
* Arthur Conan Doyle: The Lion’s Mane
* Stephen Fry: Heroes
* Victor Hugo: The Hunchback of Notre Dame
* Rudyard Kipling: The Jungle Book
* Alexander McCall Smith: The Girl Who Married a Lion
Terry Pratchett: Pyramids
* Philip Pullman: His Dark Materials
* Bram Stoker: Dracula

 

COUNTRY HOUSE MYSTERY

Most likely:
* Anthony Rolls: Scarweather 

Alternatives:
 Margery Allingham: The White Cottage Mystery
Agatha Christie: The Regatta Mystery and Other Stories, The Pale Horse, Curtain, Halloween Party
* Wilkie Collins: The Woman in White
* Matthew Costello, Neil Richards: Cherringham
Arthur Conan Doyle: The Naval Treaty, The Return of Sherlock Holmes (several stories), His Last Bow (several stories)
* Elizabeth George: Careless in Red, This Body of Death, Believing the Lie
* Anna Katherine Green: The Leavenworth Case
 Georgette Heyer: The Unfinished Clue, Footsteps in the Dark
* P.D. James: Unnatural Causes
* Mary Roberts Rinehart: The Circular Staircase
* Diane Setterfield: Once Upon a River
* Patricia Wentworth: Pilgrim’s Rest

 

SPELLBOUND
Most likely:
* Zen Cho: Sorcerer to the Crown √

Alternatives:
* Hans Christian Andersen: Fairy Tales
* J.M. Barrie: Peter Pan
Nina Blazon: Siebengeschichten
Jim Butcher: The Aeronaut’s Windlass
Trudi Canavan: The Magicians’ Guild
* Agatha Christie: The Pale Horse
* Michael Ende: Die unendliche Geschichte (The Neverending Story)
Jennifer Estep: Kill the Queen
* Stephen Fry: Heroes
* Neil Gaiman: Fragile Things
* Lois McMaster Bujold: The Curse of Chalion
Silvia Moreno-Garcia: Gods of Jade and Shadow
Terry Pratchett: Wyrd Sisters, Maskerade, Pyramids
* Philip Pullman: His Dark Materials
* Diane Setterfield: Once Upon a River
* Mary Stewart: The Last Enchantment
* J.R.R. Tolkien: The Children of Húrin, Tales from the Perilous Realm
* Various Authors: Magicats

 

A GRIMM TALE
Most likely:
 Stephen Fry: Heroes
Substitution:
 Ellen Datlow & Terri Windling (eds.), Various Authors: A Wolf at the Door and Other Retold Fairy Tales √

Alternatives:
 Hans Christian Andersen: Fairy Tales
Nina Blazon: Siebengeschichten
* Neil Gaiman: Fragile Things
* Alexander McCall Smith: The Girl Who Married a Lion
Silvia Moreno-Garcia: Gods of Jade and Shadow
 Mary Stewart: The Last Enchantment

 

CREEPY CARNIVALS
Most likely:
* Fredric Brown: The Dead Ringer 

Alternatives:
John Dickson Carr: The Hollow Man
* Arthur Conan Doyle: The Veiled Lodger
* Christopher Priest: The Prestige
Clayton Rawson: Death from a Top Hat

 

PAINT IT BLACK
Most likely:
* Trudi Canavan: The Magicians’ Guild 

Alternatives:
Margery Allingham: The White Cottage Mystery, Blackkerchief Dick
* Nicholas Blake: Minute for Murder, Thou Shell of Death, The Beast Must Die
* Agatha Christie: The Pale Horse
Ann Cleeves: Raven Black
Sara Collins: The Confessions of Frannie Langton
* Wilkie Collins: The Woman in White
* Michael Crichton: The Great Train Robbery
* Thomas Hardy: The Mayor of Casterbridge
* Anthony Horowitz: The Word is Murder
* Marlon James: A Brief History of Seven Killings
* Elizabeth Kostova: The Historian
* Scott Lynch: The Lies of Locke Lamora
* Lois McMaster Bujold: The Curse of Chalion
Toni Morrison: Beloved
* Mario Puzo: The Godfather
* Ruth Rendell: Some Lie and Some Die, Simisola
* Peter Robinson: Wednesday’s Child
* Donna Tartt: The Secret History
* C.J. Tudor: The Taking of Annie Thorne
* Barbara Vine: The Blood Doctor, Asta’s Book, A Dark-Adapted Eye
* Various Authors: Classic Crime Short Stories

 

Squares for which I’ve already got too many options to list them all here:

Finally, since I’ve found books for all of my card’s squares, I don’t currently expect to be using my transfiguration spells.  If during the game I decide I’m not in the mood for any of the book choices listed here, though, these are the squares (currently without associated books) from which, as of right now, I’d most likely make my replacement / transformation selection:




 

 

 

Original post:
ThemisAthena.booklikes.com/post/1935284/halloween-bingo-book-selections

Halloween Bingo 2019: Tracking Post — Blackout! (And bingos Nos. 12 and 13.)

 

Many thanks to Moonlight Reader and Obsidian Blue for hosting this game for the fourth year in a row, bigger and better than ever before!

Witih today’s call, I’ve blacked out my card, in addition to collecting my final bingos (nos. 12 and 13).

Somewhat to my surprise, after completing my books for my official bingo card at the end of September, I even managed to read enough extra books to put together a supplemental inofficial card throughout the month of October, so this year’s game has really exceeded my wildest expectations in every conceivable way!

 

My Official 2019 Bingo Card:

Weekly Status Updates and Reviews:

First Week
Second Week
Third Week
Fourth Week

 

The Books:

International Woman of Mystery: Margaret Atwood: The Handmaid’s Tale and The Testaments – finished September 29, 2019.
Locked Room Mystery: Clayton Rawson: Death from a Top Hat – finished September 23, 2019.
Murder Most Foul: Michael Gilbert: Smallbone Deceased – finished September 13, 2019.
Psych: Sofi Oksanen: Fegefeuer (The Purge) – finished September 17, 2019.
Read by Flashlight or Candle Light: The Lady Detectives: Four BBC Radio 4 Crime Dramatisations – finished September 20, 2019.

DeadLands: Terry Pratchett: Monstrous Regiment – finished September 26, 2019.
Fear the Drowning Deep: Delia Owens: Where the Crawdads Sing – finished September 25, 2019.
Relics and Curiosities: Patricia Wentworth: Eternity Ring – finished September 10, 2019.
Dark Academia: James Hilton: Was It Murder? – finished September 1, 2019.
Modern Noir: Joy Ellis: The Guilty Ones – finished September 21, 2019.

Ghost Stories: Nina Blazon: Siebengeschichten – finished September 1, 2019.
Gothic: Peter Ackroyd: Hawksmoor – finished September 9, 2019.
Free (Raven) Space: Agatha Christie: The Regatta Mystery and Other Stories – finished September 7, 2019.
Truly Terrifying: Bob Berman: Earth-Shattering – finished September 12, 2019.
Amateur Sleuth: Priscilla Royal: Wine of Violence – finished September 5, 2019.

Cryptozoologist: Terry Pratchett: Guards! Guards! – finished September 18, 2019.
Diverse Voices: Toni Morrison: Beloved – finished September 22, 2019.
Black Cat: Jim Butcher: The Aeronaut’s Windlass – finished September 16, 2019.
Creepy Crawlies: Silvia Moreno-Garcia: Gods of Jade and Shadow – finished September 7, 2019.
Country House Mystery: Anthony Rolls: Scarweather – finished September 14, 2019.

Spellbound: Zen Cho: Sorcerer to the Crown – finished September 6, 2019.
A Grimm Tale: Ellen Datlow & Terry Windling (eds.): The Wolf at the Door and Other Retold Fairy Tales – finished September 4, 2019.
Creepy Carnivals: Fredric Brown: The Dead Ringer – finished September 12, 2019.
Paint It Black: Trudi Canavan: The Magicians’ Guild – finished September 20, 2019.
Cozy Mysteries: Margery Allingham: The White Cottage Mystery – finished September 19, 2019.

 

My Square Markers

 

Called but not read

Read but not called

Read and Called

Center Square: Read and Called

 

The Extra Squares / Card and Books:

13: Rex Stout: And Be a Villain
Supernatural: Jennifer Estep: Kill the Queen
New Release: Sara Collins: The Confessions of Frannie Langton
Genre: Mystery: Catherine Louisa Pirkis: The Experiences of Loveday Brooke, Lady Detective
Romantic Suspense: Georgette Heyer: The Unfinished Clue
Terror in a Small Town: Ann Cleeves: Raven Black
Halloween: Agatha Christie: Hallowe’en Party
Monsters: Terry Pratchett: Pyramids
Shifters: Joan D. Vinge: Ladyhawke
Sleepy Hollow: Dennis Lehane: The Given Day
Film at 11: J.B. Priestley: An Inspector Calls
In the Dark, Dark Woods: Joseph Conrad: Heart of Darkness
Free (Raven) Square: Various Authors: The Rivals: Tales of Sherlock Holmes’ Rival Detectives
Grave or Graveyard: Kathy Reichs: Grave Secrets
Genre: Suspense: Tony Medawar (ed.) & Various Authors: Bodies from the Library 2
Southern Gothic: Sharyn McCrumb: The Unquiet Grave
Baker Street Irregulars: Joanne Harris: Gentlemen & Players
Darkest London: J.V. Turner: Below the Clock
Magical Realism: Joanne Harris: Chocolat
It was a dark and stormy night: Peter May: The Lewis Man
Full Moon: Edmund Crispin: Glimpses of the Moon
King of Fear: John Le Carré: Absolute Friends
Serial / Spree Killer: Steven Kramer, Paul Holes & Jim Clemente: Evil Has a Name
Classic Noir: Patricia Highsmith: Strangers on a Train
Classic Horror: Matthew G. Lewis: The Monk

Note: With regard to the extra squares, I added the image for the relevant square for every book completed (= “read”); and I am using my “called” markers for the main card to indicate “called and read”.

 

My Spreadsheet:

My Book Preselections Post: HERE

 

My Transfiguration Spells

Not used.

 

My “Virgin” Bingo Card:

Posted for ease of tracking and comparison.

 

 

Original post:
http://themisathena.booklikes.com/post/1942220/halloween-bingo-2019-tracking-post

Halloween Bingo 2019: Tracking Post — Bingo No. 3 and Reading Blackout

* Triple Bingo Happy Dance *

Well, that went by much faster than I had anticipated … Many thanks to Moonlight Reader and Obsidian Blue for hosting this game for the fourth year in a row, bigger and better than ever before!

I’ll continue tracking my bingos of course — and since we now have so many more great squares than can possibly fit on one person’s card, I’ll just continue reading for a few of the extra squares that didn’t make it onto mine.

And I hope everybody else is going to continue / start collecting bingos soon as well!

 

Weekly Status Updates and Reviews:

First Week
Second Week
Third Week

 

The Books:

International Woman of Mystery: Margaret Atwood: The Handmaid’s Tale and The Testaments – finished September 29, 2019.
Locked Room Mystery: Clayton Rawson: Death from a Top Hat – finished September 23, 2019.
Murder Most Foul: Michael Gilbert: Smallbone Deceased – finished September 13, 2019.
Psych: Sofi Oksanen: Fegefeuer (The Purge) – finished September 17, 2019.
Read by Flashlight or Candle Light: The Lady Detectives: Four BBC Radio 4 Crime Dramatisations – finished September 20, 2019.

DeadLands: Terry Pratchett: Monstrous Regiment – finished September 26, 2019.
Fear the Drowning Deep: Delia Owens: Where the Crawdads Sing – finished September 25, 2019.
Relics and Curiosities: Patricia Wentworth: Eternity Ring – finished September 10, 2019.
Dark Academia: James Hilton: Was It Murder? – finished September 1, 2019.
Modern Noir: Joy Ellis: The Guilty Ones – finished September 21, 2019.

Ghost Stories: Nina Blazon: Siebengeschichten – finished September 1, 2019.
Gothic: Peter Ackroyd: Hawksmoor – finished September 9, 2019.
Free (Raven) Space: Agatha Christie: The Regatta Mystery and Other Stories – finished September 7, 2019.
Truly Terrifying: Bob Berman: Earth-Shattering – finished September 12, 2019.
Amateur Sleuth: Priscilla Royal: Wine of Violence – finished September 5, 2019.

Cryptozoologist: Terry Pratchett: Guards! Guards! – finished September 18, 2019.
Diverse Voices: Toni Morrison: Beloved – finished September 22, 2019.
Black Cat: Jim Butcher: The Aeronaut’s Windlass – finished September 16, 2019.
Creepy Crawlies: Silvia Moreno-Garcia: Gods of Jade and Shadow – finished September 7, 2019.
Country House Mystery: Anthony Rolls: Scarweather – finished September 14, 2019.

Spellbound: Zen Cho: Sorcerer to the Crown – finished September 6, 2019.
A Grimm Tale: Ellen Datlow & Terry Windling (eds.): The Wolf at the Door and Other Retold Fairy Tales – finished September 4, 2019.
Creepy Carnivals: Fredric Brown: The Dead Ringer – finished September 12, 2019.
Paint It Black: Trudi Canavan: The Magicians’ Guild – finished September 20, 2019.
Cozy Mysteries: Margery Allingham: The White Cottage Mystery – finished September 19, 2019.

 

My Square Markers

 

Called but not read

Read but not called

Read and Called

Center Square: Read and Called

 

My Spreadsheet:

My Book Preselections Post: HERE

 

My Transfiguration Spells

Not used.

 

My “Virgin” Bingo Card:

Posted for ease of tracking and comparison.

 

 

Original post:
ThemisAthena.booklikes.com/post/1942220/halloween-bingo-2019-tracking-post-bingo-no-3-and-reading-blackout

Ellen Datlow & Terri Windling (eds.); Various Authors: A Wolf at the Door and Other Retold Fairy Tales


Considering that according to the preface the authors of this collection are supposed to be exploring “the dark side” of fairy tales, most of the stories here come across as unexpectedly light and fluffy.  Maybe this is due to the fact that I actually grew up with the real thing — the Grimm Brothers’, Hans Christian Andersen’s, Charles Perrault’s and Wilhelm Hauff’s original tales, instead of their Disney versions (which the authors of this collection’s preface blame for the modern-day bowdlerization of fairy tales and our perception of them) — but even today I find those original tales decidedly scarier (and also more interesting) than most of the stories in this collection, even if I do credit the authors’ frequently original approach in giving them a contemporary context.  If it hadn’t been for the Garth Nix’s Hansel’s Eyes and Patricia McKillip’s update on The Twelve Dancing Princesses, both of which are truly superb (and do deliver on the “dark side” premise — in spades), this would have been a three-star read for me at most.

Halloween Bingo 2019: The First Week

So, on the plus side, despite serious RL interventions progress on my card is well under way, with four squares (including the centre / free / raven square) marked “called and read”; three of these in a row — plus reading for the remaining two squares of that row also in progress — and several more options in place to go for a bingo, depending how the next couple of calls come out.

On the downside, I seriously hope my book selections are going to improve.  Except for Priscilla Royal’s Wine of Violence, which delivered all that I had hoped from it and then some, most of the first bingo week’s books fell well short of my expectations.  It’s not that they were awful (with one significant exception), but they could have been so much more, and that’s obviously what I’d been hoping for.  I hope with yesterday’s spontaneous revisit of Agatha Christie’s Regatta Mystery and Other Stories and the book I started (also yesterday) for the Gothic square, Peter Ackroyd’s Hawksmoor, I’ve finally turned that corner.  (Ditto my planned read for today’s call, Black Cat — Jim Butcher’s The Aeronaut’s Windlass.)

Still, apologies if the tone of some of the below should rub anybody the wrong way — I’m moderately miffed with my bingo books so far.

N.B.: Below I am, with one exception, using the relevant audiobook covers, as with most of these books I either went back and forth between the print and the audiobook version or I listened to the audiobook throughout (even though I do also own the print version).

 

The Books

 
James Hilton: Was it Murder?

My 2019 pre-bingo read and actually a fairly decent start into the game.  And yes, this is “the” James Hilton of Goodbye Mr. Chips and Lost Horizon — actually, in a number of ways this book was probably Hilton’s dry run for Goodbye Mr. Chips.

Hilton’s protagonist jokingly describes writing a novel a young Oxbridge graduate’s rite of passage, and that may very well have been what was at work with Hilton himself here, too, tapping into the interwar period’s craze for mysteries to boot.  It’s a good thing he eventually decided to leave the “mystery” bit behind — but what really does stand out in this book is the very well-crafted public school atmosphere.

(For those who are interested, this book was originally published under the pseudonym Glen Trevor, and later also republished with the somewhat spoilery title Murder at School.)

 


Nina Blazon: Siebengeschichten

A collection of short stories featuring ghosts and other supernatural elements, set in places ranging from Ireland, England and the U.S. to Sweden, Iceland, France and Japan.  (Perhaps a minor point, but why not also in the author’s own Germany and Slovenia?  Indeed, in some — though not all — of the stories the choice of the setting feels entirely random.)

The title literally translates as “Sevenstories” and turns out to be merely a fancy way of saying “this is a collection of seven stories”; it’s not an allusion to any particular feature of the book.  Based on the fact that the entry that’s obviously intended as a tribute to Oscar Wilde’s Picture of Dorian Gray manages to get the core element of Wilde’s novel only halfway right I’m not wholly confident about the author’s research into the supernatural elements from other cultures she uses and with which I am less familiar (especially those from Japanese mythology and folklore), but that aside, I’ve spent a few moderately entertaining hours with this book.  The two standout entries are probably a fairly well-crafted Stephen King-type “Christmas horror” story and a tribute to the Icelandic troll folklore; followed by a story (randomly set in France) playing on mirrors and on the question what is real and what is perception.  By and large, though, it’s not a major loss to the non-German speaking public that so far this collection doesn’t seem to have been translated into English.

 


Ellen Datlow & Terri Windling (eds.); Various Authors: A Wolf at the Door and Other Retold Fairy Tales

Considering that according to the preface the authors of this collection are supposed to be exploring “the dark side” of fairy tales, most of the stories here come across as unexpectedly light and fluffy.  Maybe this is due to the fact that I actually grew up with the real thing — the Grimm Brothers’, Hans Christian Andersen’s, Charles Perrault’s and Wilhelm Hauff’s original tales, instead of their Disney versions (which the authors of this collection’s preface blame for the modern-day bowdlerization of fairy tales and our perception of them) — but even today I find those original tales decidedly scarier (and also more interesting) than most of the stories in this collection, even if I do credit the authors’ frequently original approach in giving them a contemporary context.  If it hadn’t been for the Garth Nix’s Hansel’s Eyes and Patricia McKillip’s update on The Twelve Dancing Princesses, both of which are truly superb (and do deliver on the “dark side” premise — in spades), this would have been a three-star read for me at most.

 


Priscilla Royal: Wine of Violence

The first book of Priscilla Royal’s longstanding medieval mystery series focusing on Eleanor, Prioress of (fictional) Tyndall Priory in Norfolk.

This is a series I’ve long wanted to start and that I had penciled in as a “definite” for this year’s bingo.  In fact, by the time I began reading this book, I had already started Zen Cho’s dismal Sorcerer to the Crown (see below), and coming after two so-so short story collections and looking at a book (in Sorcerer to the Crown) that I’d definitely have DNF’d if it hadn’t been for Halloween Bingo, I decided a change of pace was more than called for.

As I was / am new to the series, of course I didn’t know for sure this was going to be the book that would deliver the goods, but I’d seen and heard enough about it to be reasonably confident, and Ms. Royal essentially won me over with her preface, where she sets out her approach — as well as the series’s real life background — and which shows just how much research she’d put into it.  And after the first couple of chapters I knew for sure I’d hit on a winner: The period atmosphere is finely crafted, the characters are fully rounded and believable (even if Eleanor — period allowances notwithstanding — sometimes comes across as a bit too worldly-wise for her age), and the mystery plotting is solid, never mind that it did peter out a bit towards the obvious towards the end.  But for a “first in the series”, this was a very satisfying read and exactly what the doctor ordered at the time.

 


Zen Cho: Sorcerer to the Crown

As indicated above, I knew early on that if it hadn’t been for Halloween Bingo I’d have DNF’d this book, and I was tempted to do just that right until the very end.

When I began composing this post, I didn’t think I was going to write much more than “infantile drivel” in my summary of Cho’s book, but as I’ve since had an exchange with BT on it here, I might as well copy over what I said in that conversation (with a copy of minor add-ons to round out the picture):

The premise of this book sounded really good — and this shall teach me (again) not to buy into hype.  Essentially, it turns out that this is fanfiction for Jonathan Strange & Mr. Norrell (and probably also for Naomi Novik’s Temeraire series, though I haven’t read those books, so I can’t say for sure), written by an author who wouldn’t even know how to craft ordinary adult communication if hit over the head with it (way above and beyond “mere” TSTL behavior), and whose idea of
(1) politics (both domestic and international, including and in particular early 19th century British politics),
(2) power (including the thought processes, actions, responses, strategies and priorities of those wielding it, in politics, business / civil society associations, and elesewhere) and
(3) not least, magic (!)
is strictly kindergarten level.

Add to that plot holes and inconsistencies big enough to drive several carriages through and a complete lack of Georgian society atmosphere (note to the author: absent a coherent whole, the description of ball gowns and interiors or the mention of carriages does not replace the creation of period atmosphere), against which the use of isolated speech patters obviously copied from Austen (such as “do not you” / “is not he” interrogative constructions) comes across as nothing short of gimmicky.

The only reason why I am rating this 1 1/2 stars (instead of 1/2 or even 0) is that Cho makes the attempt to address both race and gender issues in the context of her book.  Unfortunately, however, that alone is by far not enough to salvage the decidedly less-than-workmanlike execution of the whole.

I’m not the biggest fan of Jonathan Strange & Mr. Norrell — the beginning, the end, and the world building are superb, but for me it seriously dragged in the middle — but I’ll be the first to recognize that it really does accomplish something new and original.  If there has to be fanfic for it, at least let it be something that at least halfway stands up to the original.

That said, I’ve given the audio version an extra half star and promoted Jenny Sterlin straight to my “you can read me the phone book” list of narrators, as she essentially did just that and still managed to make at least bits of it actually sound more interesting and “alive” than taken straight off the page.

 


Silvia Moreno-Garcia: Gods of Jade and Shadow

A (largely) modernized retelling of the Popol Vuh, the sacred book of the Mayas, set in 1920s Mexico.  The beginning easily draws the reader in, Casiopeia is a likeable enough (and well-drawn enough) heroine, and the book has an — albeit somewhat sketchy — recognizable 1920s atmosphere with an initial rural Yucatán setting that likewise rings true.

What does eventually drag the book down significantly, however, is its absolutely casual treatment of the supernatural elements of its story and more particularly, the elements of the specific context in which it is set.  Let’s make no mistake: Casiopeia moves among the gods of the Mayan underworld; i.e., in a world that was, at least to the extent that the Mayas had integrated part of the Aztec and Toltec beliefs and rituals into their own religion, controlled by an absolutely merciless, cruel and bloody death cult; and it is precisely this cult that plays out in the Popol Vuh.  And yet we’re to believe that our heroine not only zips back and forth across Mexico alongside the supreme ruler of just that world without the slightest bit of fear but she actually talks back to him out of nothing more than spite without ever incurring his wrath (and I mean wrath, not some sort of minor dislike) — and without suffering severe personal consequences as a result?  Not on your life.

I can buy some of the scenes and exchanges towards the end of the book, because we’re told he becomes progressively more human, weaker and more vulnerable (and “of course” he falls in love with our heroine), but at the beginning and, say, during the first half of the story?  Nope.  Just — no.  Not in a million years.  (Also, the descent from all-powerful deity to something at least approaching mortality should be absolutely enormous here.  Instead of which, it barely registers.  No, nope, and no again.)  Ditto, to an only marginally lesser extent, the other creatures endowed with supernatural powers that Casioipeia encounters.  Ditto, also, the final conflict arising out of the two protagonists’ changing nature, which is only partially developed and ultimately resolved in a way too convenient way.

As a side note to those who are planning to read this book for the Creepy Crawlies bingo square: Don’t despair — the justification for this square does eventually show up, even if you have to wait quite a while for it.  Fortunately (for me at least) it’s not the nightmare-inducing sort.

 


Agatha Christie: The Regatta Mystery and Other Stories

I decided I needed a palate cleanser towards the end of the week, and there’s nothing better than a book by Agatha Christie to serve that purpose.  (Since she is also one of my quintessential “go to” bingo authors, it seemed only fitting to use this collection for the center / raven square.)  I know both this collection as such and have also listened to all of the audio recordings of each of the stories collected here, but that didn’t take away in the slightest from the joy of revisiting them.  Here’s to finding more along similarly solid lines for the rest of my bingo reading!

 


Peter Ackroyd: Hawksmoor

In progress since last night — off to a phantastic start.  Fingers crossed.

 


Bob Berman: Earth-Shattering

The Flat Book Society’s September 2019 read.  I haven’t progressed very far yet (so far, it seems to be along the lines of “astrophysics for total beginners”), but if it’s done one thing already, it’s demonstrated that the forces involved in the Big Bang (and similar cosmic cataclysms) more than justify its use for the Truly Terrifying bingo square.

 

The Card

… as of today; with my “virgin” card below for reference:

 

Original post:
ThemisAthena.booklikes.com/post/1948717/halloween-bingo-2019-the-first-week

All 61 squares revealed: 39 through 61 (Non-Genre-Specific Squares)

Reblogged from: Moonlight Reader

 

The remaining, non-genre specific squares – you can read anything that is horror, mystery, suspense or supernatural that otherwise fits the square prompt.

  

39. Thirteen (13): any book that relates to bad luck, superstition, or the number 13, either in the title/book/series/page count. Booklist linked here.

40. A Grimm Tale:  any fairy tale or retelling of fairy tales, folklore, legends, etc. Book list linked here.

41. Aliens: any mystery, horror, suspense or supernatural book that includes aliens, either here on earth, or in space. Book list linked here.

  

42. Creepy Carnivals:  horror/mystery/supernatural set in or concerning a carnival, amusement park, or other party/festival – think Something Wicked This Way Comes by Ray Bradbury, Joyland by Stephen King or Hallowe’en Party by Agatha Christie; Book list linked here.

43. Creepy Crawlies: this is a throw back from 2016! Books with bugs, snakes, spiders, worms and other things that slither, scuttle or crawl, includes viruses and other parasites. Book list linked here.

44. In The Dark, Dark Woods: a mystery, suspense, horror or supernatural book in which the forest/woods plays a significant role, or which has a forest/woods on the cover. Book list linked here.

  

45. Darkest London: mystery, horror, supernatural, or suspense set in London. Book list linked here.

46. Demons: Any book involving demons, demonic possession or other such elements. Book list linked here.

47. Diverse voices: written by an author of color. Book list linked here.

  

48. Doomsday:  anything related to the end of the world, doomsday cults, or a post-apocalypse world. Book list linked here.

49. Fear the Drowning Deep: books with sea-related elements: sea creatures, ships, and sharks. Book list linked here.

50. Full Moon: a book with an image of the moon on the cover, the word moon in the title, or where a full moon figures prominently in the story. Book list linked here.

  

51. Gothic: any book with significant: a genre or mode of literature and film that combines fiction and horror, death, and at times romance. Book list linked here.

52. Grave or Graveyard: Books that have a grave or graveyard on their covers, in their titles, or any book primarily set in a graveyard. Book list linked here.

53. Halloween: This is a combination of the “pumpkin” and the “halloween” squares from 2016. so, any book set on halloween or has halloween in the title or that has a pumpkin on the cover, or in the title, etc.. will work for this square. Book lists linked here: pumpkins and halloween.

  

54. Monsters: This square covers any crytpozoological or mythological creature that isn’t a vampire, werewolf, or demon. Or zombie. Book list linked here.

55. New Release: mystery, suspense, horror or supernatural that was published after 10/31/18.

56. Read by Flashlight or Candlelight: Back by popular request! Any mystery, suspense, supernatural or horror book – the trick here is to spend an hour or so reading by flashlight or candlelight. Take a picture and share it with us, if you want to!

  

57. Relics and Curiosities: concerning magical, supernatural or haunted objects, such as spell-books, talismans or swords; Book list linked here.

58. Sleepy Hollow: this is the new version of set in New England, with a shout-out to that most New England of all stories, The Legend of Sleepy Hollow. Book list linked here.

59. Free square: Our friend, Poe, is back for his fourth outing!

 

60. Black Cat: We haven’t seen this square since our first bingo game, back in 2016! Any book that has a black cat in the title, on the cover, or in the story. Book list linked here.

61. It Was A Dark and Stormy Night: This is another throwback to 2016 – any book that takes place on “a dark and stormy night.” Book list linked here.

 

Original post:
ThemisAthena.booklikes.com/post/1933535/all-61-squares-revealed-39-through-61

Halloween Bingo 2019 PreParty — Question for 08/08 (Day 8): Favorite Past Halloween Bingo Squares?

Being more of a mystery than a horror reader, of course I like all of the mystery squares — as well as the squares adding diversity to the game (“Diverse Authors”, “Terrifying Women”, and the new “International Women of Mystery”) and the squares that allow me to sneak in a Terry Pratchett book or three (“Supernatural”, “Witches” / “Spellbound” — the latter also for other reasons).

But truth be told, the squares I am enjoying most are those calling for a specific topical reading prompt, e.g. “Full Moon”, “Creepy Carnivals”, or “In the Dark, Dark Woods”; as well as those calling for a specific regional or calendarial setting (“Darkest London”, “Southern Gothic”, “Set on Halloween”, etc.).  For one thing, these are the prompts that particularly showcase our bingo hosts’ creativity, and for another, what always amazes me is the wide selection of books that fit these categories — for each of them, you can go all the way from romantic suspense to the most gruesome and terrifying horror and still find something that matches the square’s requirements.  They’re also the squares that make me take the closest looks at the books on my TBR, reading book descriptions etc. and looking for matches, which in turn increases my anticipation of the game!

Here’s a compilation of my favorite squares from bingos past (in alphabetical order, regardless of year) … added to which, I have to say that I also love every single one of the new squares MR has so far introduced in connection with this year’s game.  To mark the fact that yet another thing about bingo I’m truly enjoying are the group and (impromptu) buddy reads, I’m also including the “Reads with BookLikes friends” square from the 2016 bingo card — even if group and buddy reads are by now such an ingrained part of the game that a square specifically calling for them seems highly superfluous at this point.

 

 

 

Original post:
ThemisAthena.booklikes.com/post/1932865/halloween-bingo-2019-preparty-question-for-08-08-day-8-favorite-past-halloween-bingo-squares

2018 Halloween Bingo: The Books So Far

… in the order in which they’re appearing on my card (not the order in which they’ve read them).

Soooo … in this year’s twist on RL doing its best trying to throw a spanner in the works of Halloween Bingo fun, I’ve been spending the better part of the month either sitting around in conference rooms or glued to some piece of writing on my computer screen (or both).  Fortunately this has so far involved a fair amount of driving, too, so I’ve largely been able to shift my bingo reads to audiobooks … without, however, also having a whole lot of time to write reviews.  Looks like right now is one of those moments where I might have a shot at catching up — so let’s give this a try, shall we?

In other words: Halloween Bingo 2018: the (mostly) audiobook version.

 


Georgette Heyer: Penhallow

On the face of it, your classic country house mystery, country estate and horse farm in Cornwall and all; but Heyer wrote this as a contract breaker, and boy, does it ever show.  Neither seekers after romance and after knights in shiny armour nor seekers of a genteel country house atmosphere need apply here, and what might be termed “a somewhat crotchety original” in any other book (including but not limited to Heyer’s own), here is styled as a crass, meanspirited old family tyrant who likes nothing better than bullying each and every member of his vast and long-suffering family into submission and downright terror.  With the exception of two creations by Agatha Christie (Simeon Lee in Hercule Poirot’s Christmas and Mrs. Boynton in Appointment with Death), I can’t think of any character in another mystery, Golden Age or not, who is so totally devoid of redeeming qualities.  However, while both of Christie’s two infamous bullies — who clearly come from he same mold as old Penhallow — meet their ends fairly early on in the respective books and thus relieve both the reader and their families of their continued presence, we (and Penhallow’s harassed household) have to suffer until almost the 65% mark of this book until someone’s nerves finally snap once and for all.  We actually get to witness the murder, so there’s no great mystery as to whodunnit — although I admit that for the longest time I kept hoping for a Christie-esque twist, but that was not to be.

(Also, though this is a far cry from George R.R. Martin, be careful which of the other characters you invest your sympathies in … though God knows, few enough of them deserve any empathy to begin with; but then, with old man Penhallow around, it’s hard to see how any of them could have grown both a spine and halfway decent manners at all.)

There’s some ambivalence as to the book’s two LGBT characters — one son of Penhallow’s who is obviously modeled on Oscar Wilde and who, apart from a few witticisms, comes across rather negatively and as checking off pretty much every anti-gay cliché in the book, and a daughter who, apart from being a bit “bossy”, is one of the few members of the younger generation endowed with a brain, a healthy dose of common sense, and the gumption to stand up to her father (albeit helped, no doubt, by the fact that she is also one of the few family members not financially dependent on the old man).

All in all, a far cry from your typical Heyer (or at least, from her mysteries — can’t speak to her Regency romances) — I’m not sorry I read it, but as far as grumpy old patriarchs and bickering families go, I vastly prefer one of her Inspector Hemingway mysteries, Envious Casca (republished as A Christmas Party).

Reading Progress Update: 120 of 833 Minutes

 


Patricia McKillip: The Forgotten Beasts of Eld

My first book by McKillip; a short(ish) fantasy tale substantially in the traditional mold with a strong female heroine — a sorceress living on a mountainside high above the fighting human empires down in the plain; alone but for the company of a number of magical beasts.  At the risk of sounding jaded, the basic plotline (and the type of ending) is pretty much telegraphed from the very beginning; still, the characters are emphatically drawn, there are enough twists and turns over the course of the story to always ensure that the book held my attention, and I’m definitely interested in reading more books by McKillip in the future.

 


Mary Roberts Rinehart: Locked Doors

The second of Rinehart’s “Nurse Hilda Adams” stories; in terms of setup, of the “woman in peril” kind of tale that Rinehart specialized in — and which I’m usually not a fan of, but I’ll gladly make an exception here.  Nurse Hilda is the epitome of what is called a “feisty” young woman in certain types of fiction: especially taking into account that this story was written shortly after the turn of the last century (published in 1914), she is independent (and independently-minded) and able to take care of herself to an extraordinary degree, and thus makes for an admirable protagonist.

Here she takes a position in a stately home where, as she soon finds out, bedroom doors are locked at night, beloved pets go missing, all the servants have recently left or been let go, and there seems to be a strange, slithering presence on the stairway at night and a mystery madwoman (or invalid) in, you guessed it, the attic — but before you cry “Gothic cliché”, beware … just like Nurse Hilda, Rinehart actually had her feet planted firmly on the ground, and was also very much up to date with the state of medical knowledge and research, which in an unexpected way made this story an enjoyable companion read / listen to Jennifer Wright’s decidedly less enjoyable Get Well Soon.

I guess at some point I should also read Rinehart’s Circular Staircase, which I’m still not entirely sold on however, but I’ll definitely read more of her Nurse Hilda stories.

 


Joy Ellis: Their Lost Daughters

Why, oh why did anybody think that this book’s title (!!) needed an appendage such as “a gripping crime thriller with a huge twist” on Amazon (and likely thus also on every other site that draws its feed from Amazon and where there aren’t any librarians to do away with this sort of nonsense) in order to generate proper sales?!  That sort of hype is, ordinarily, a sure fire turn-off for me, and it almost would have been here, too, had Their Lost Daughters not been reviewed favorably by friends whose opinions I trust (and, cough, I admit the fact that the audio version is narrated by Richard Armitage helped as well).  As a result, I’d almost have missed out on one of the best books I read all year … and that makes me even madder at whoever was the eejit that came up with that super-hypey tag line.

Beyond the fact that this begins as a “missing girls” investigation, there is little I can say in terms of plot description that wouldn’t be a huge spoiler, so let’s just stick with the fact that Ellis draws the sombre, downright oppressing Fenlands setting very, very astutely and expressively, and her team of detectives (led by DI Rowan Jackman and DS Marie Evans) are among the most likeable, rounded, and overall believable investigators that have appeared on the mystery scene in recent years — and I also very much like Marie’s (Welsh) mother, who I hope is going to be a continued presence in the series, too.  That all said, and much as it pains me to admit it, the “huge twist” thing from Amazon’s abominable tagline is actually true: even if you think you sort of see part of the solution coming, you don’t clue into how it all hangs together until it’s unraveled right under your very nose.  (And lest anyone say the solution is too outlandish to be true, there are several real life cases published in the past couple of years that featured decidedly more gruesome facts, and which may easily have inspired this book’s solution; or at least, certain parts of it.)

 


Angela Carter: The Bloody Chamber

Reviewed separately HERE.

 


Anthony Berkeley: The Wychford Poisoning Case

The fifth time, this year alone, that I’ve found myself running into a fictional incarnation of the (in)famous real life case of Florence Maybrick, the American-born Liverpool housewife convicted, in 1889, of having murdered her husband by administering to him a dose of arsenic obtained by soaking flypaper in water — allegedly in aid of concocting a beauty cream.  Mrs. Maybrick’s method, if indeed this was how her husband found his premature end, may have engendered several real-life copycats (including, most famously, just after the turn of the 20th century, Frederick Seddon and Herbert Rowse Armstrong … if the medical evidence given at their respective trials is to be believed, that is), and British mystery writers have downright flocked to her footsteps ever since in fiction as well.  Agatha Christie used a variation of the Maybrick case as a basis for Crooked House; Anthony Rolls based Family Matters on pretty much every salient detail of the Maybrick story except for the flypaper bit; which in turn, however, makes a starring appearance in P.D. James’s short story Great Aunt Ally’s Flypaper (later republished as The Boxdale Inheritance), which features a very young Sergeant (Inspector-to-be) Dalgliesh and is included in my very first read of this year, the P.D. James short story collection The Mistletoe Murder (as the title indicates, a “holdover” from my 2017 Christmas reads), as well as in the Detection Club anthology Verdict of 13, which I read for this year’s Halloween Bingo (see mini-review below).  Finally, also in that latter anthology, Christianna Brand has the real-life Mrs. Maybrick meet two other alleged, famous 19th century women poisoners in a story aptly entitled Cloud Nine.

No wonder, then, that Anthony Berkeley, like his fellow Detection Club members acutely aware of the criminal causes celèbres of his own and of bygone eras, would also seek inspiration in Mrs. Maybrick’s legacy.  Martin Edwards makes the case, in The Golden Age of Murder, that Berkeley’s books offer clues — perhaps more so than the books of his fellow Golden Age mystery novelists — to his own personality, experience, and outlook on life.  I haven’t read enough books by Berkeley yet to make up my mind how much I think there is to this theory, but if The Wychford Poisoning Case is any indication indeed, Mr. Berkeley (despite his reportedly boisterous persona) was, deep down, a very reticent and private man … and supremely uncomfortable around women, who are either “high” or “low”, either vamp, stupid chicken, naughty girl, mother, MissMarpleSilverBradleyVane incarnate, or grand dame, and only in the last-mentioned cases accorded a halfway rounded, three-dimensional, individual personality (with some allowances made in favor of girls from a decent background, who have the makings of turning either into true ladies / grand dames, or into women detectives or fiction writers, or even into all of the above, later in life).  There are passages in this book that are redolent with blatant misogyny, and yet, I hesitate to append this label wholesale … more than anything, it seems to me that Berkeley very much wanted to, but simply didn’t “get” women and, consequently finding himself rejected and dissatisfied (none of his several marriages were happy), resorted to the stereotype prevalent in his era anyway; essentially, the “sinner or saint” dichotomy.

That all being said, the mystery itself is cleverly constructed, and notably this is not the only book where Berkeley’s series detective, Roger Sheringham, comes into the case on the side of the accused woman and with the express intention to exonerate her from what he considers a rash and unjustified charge.  And while the true facts of the Maybrick case will almost certainly never be unraveled, it is just conceivable that Berkeley did, in fact, hit on the one solution that was closest to the historic truth.

 


Jennifer Wright: Get Well Soon

Reviewed separately HERE.  Also a Flat Book Society read.

 


The Detection Club: Verdict of 13

An anthology published by the 1970s’ incarnation of the Detection Club, edited by its then-president Julian Symons, featuring 13 short stories all premised, in a very loose sense, on the concept of a jury (even if it’s only a jury of one).  Contributors include — in addition to Symons — P.D. James and Christianna Brand (see above and The Wychford Poisoning Case / comments re: Florence Maybrick), Gwendoline Butler, Dick Francis, Michael Gilbert, Michael Innes, Patricia Highsmith, Celia Fremlin, H.R.F. Keating, Michael Underwood, Ngaio Marsh, and Peter Dickinson.

The stand-out stories, to me, are P.D. James’s Florence Maybrick-inspired look at an early moment in Inspector (then-Sergeant) Dalgliesh’s career (see comments above) and Michael Gilbert’s Verdict of Three, a cleverly constructed public-school-morphing-into-public-service combined update of Arthur Conan Doyle’s Adventure of the Second Stain, The Naval Treaty, and The Bruce-Partington Plans, told from the perspective of the person who, in a Sherlock Holmes story, would be Holmes’s client (except that Holmes, here, has contrived to be part of the jury).  “Place” and “show” honors go jointly and equally to Ngaio Marsh’s Morpork (which I’d also read before, but long ago; a story set in the wilds of her native New Zealand); as well as Dick Francis’s  Twenty-One Good Men and True (involving race track betting), Gwendoline Butler’s The Rogue’s Twist (in which dogs are, depending how you look at it, either part of the jury or part of the prosecution), and Michael Underwood’s Murder at St. Oswald’s (as the title indicates, another story set in a public school; here, involving a bullying teacher).

 


Mavis Doriel Hay: Murder Underground

Hay’s first of the only three mysteries she ever wrote, but the last one I read.  Of the three, I’d rate it the middle entry — it’s not anywhere near as enjoyable as The Santa Klaus Murder (Hay’s final book and one of the highlights of my 2017 Christmas reads), but I liked it quite a bit better than Death on the Cherwell.  Oddly, the titular murder is completely taken as a fait accompli here: we’re not even in on the discovery of the body, never mind meeting the victim-to-be in the flesh and seeing her interact with the suspects-to-be (all of them, residents of the same North London longterm-accommodation hotel as herself; two, in addition, young relatives of hers and her presumptive heirs).

As a result, I needed quite a bit of time to find my way into the story and connect with the characters, only few of whom I ultimately ended up liking (though I will say it was refreshing to see a male TSTL character for a change).  Still, even though I had a suspicion as to the murderer early on, which turned out to be correct, it was a fun, light, if somewhat chatty read.  Hay could write, and she’d definitely found her stride by the time she got to The Santa Klaus Murder — it’s a shame she stopped just when she’d gotten going for good.

 


Sharyn McCrumb: The Ballad of Frankie Silver

Holy hell St. Maloney, what a book.  Part of McCrumb’s Ballad series set in the Appalachian Mountains, this is the story of two executions — and the convicts sentenced to death in each case, as well as their (purported) crimes and the lawmen called upon to witness their executions.  In modern times, Sheriff Spencer Arrowood (one of the Ballad series’s central characters) is called upon to witness the execution of a man whom he himself had helped convict of murder when he was young and comparatively inexperienced, but all the more cocksure to make up for his lack of experience.  Recuperating from an injury sustained on the job and thus with some spare time on his hands, he decides to take a fresh look at the case … and comes away dismayed and disillusioned.  He also sees parallels to the (real life) case of Frankie Silver, an 18 year old girl hanged for the murder of her husband in Burke County, NC, in 1833; probably the first white woman to be executed in that county.

Frankie’s story makes up the bulk of the book: we’re learning it chiefly from the (fictional) diary of the 1832 Clerk of the Court, Burgess Gaither, who witnessed both her trial and the execution of her death sentence; interspersed with some passages in Frankie’s own voice.  Her story stayed alive and became a local legend on account of the girl’s ethereal beauty and meak, yet diginfied persona, as much as on account of the fact that she was very likely innocent of the crime of which she was convicted and went to her death in order to protect the real culprit; all of which also contributed to (alas, futile) efforts by prominent citizens of the community to obtain a gubernatorial pardon.  This is not an easy book to digest — it does not flinch from a close-up view of all aspects of the death penalty, as administered both then and now; and it asks hard questions about justice, equality, and the judicial process.  Yet, precisely for this gut-punch quality, and for Sharyn McCrumb’s spellbinding writing, it makes for an absolutely unforgettable experience.

One additional word on the audio version, which is narrated by McCrumb herself: Though by far not all authors excel at reading their own books, Sharyn McCrumb is one of the truly happy exceptions, and listening to the story read in her own voice greatly contributed to the lasting impression of this particular audiobook experience.  Even among the many excellent narrations I’ve had the pleasure of listening to this month so far, Sharyn McCrumb’s performance is a stand-out experience … singing of the titular Ballad of Frankie Silver included as the icing on the cake!

 


Alan Bradley: The Sweetness at the Bottom of the Pie

Sigh.  There is a lot to like in this book: the writing, the setting and the atmosphere, the underlying historic research (including appropriate pop culture references as much as a sensitive treatment of post-war PTSD), the opening nod to Jane Eyre, the bickering sisters, the fact that Flavia has given her bike a name and treats it as if it were a horse, and, well, the mystery as such.  Unfortunately, the one character I’m having a problem with is Flavia herself.  Oh, I get it — she’s intelligent and beyond precocious, she loves books, and she spends a lot of time alone and she has decided to turn vice into virtue (“if nobody else loves me, I have to love myself” — remarkable insight to be expressed by an 11-year-old in pretty much these terms).

But that’s exactly where my issues begin … despite the odd age-appropriate behavior towards others, by and large both her mental processes and many of her emotional responses come across as way too adult.  I’ll even grant her love of chemistry — Graham Young was obsessed with chemistry from an early age, too, and knew enough about poisons to murder his stepmother, after almost having succeeded in killing his sister, at the tender age of 15 — and nearly get away with it, too.  But leaving aside that going from age 11 to age 15 is still a virtual quantum leap in the development of a child: (1) knowledge of chemistry doesn’t equal medical knowledge, and Flavia seems to dispose of an unreasonable amount of highly specific medical knowledge along with her knowledge of chemistry, including certain rare medical conditions (and don’t get me started on how she could (not) have read about all of that in Gray’s Anatomy); (2) book knowledge doesn’t equal experience, and more often than not Flavia’s analysis, actions and responses are not explicable by book knowledge, but only by the insight and reflections generated by a life experience far above and beyond even the most precocious 11-year-old child (this is particularly true in the final scene — actually that whole scene is ridiculously implausible on pretty much every single level, but Flavia’s age-inappropriate responses had started to bother me right at the beginning, with her discovery of the dying man); and (3) similarly (and on a related point), the grown ups’ treatment of Flavia is way too “eye level” to be believable.  Kudos to her dad for taking her seriously and trusting her with the full, tragic back story of the events, but for anybody else, let alone a policeman, to take an 11-year-old girl entirely seriously and communicate with her essentially like they would with an adult is just simply not realistic.

Maybe I’ve simply outgrown “child investigator” books — I used to love the Three Investigators series and Enid Blyton’s Famous Five, and Arthur Conan Doyle’s “Baker Street Irregulars” make me smile to this very day.  But even the “Irregulars”, for however streetsmart they are, don’t display any age-inappropriate behavior or reasoning; ACD knew as well as Enid Blyton and the Three Investigators authors that adults tend not to take children seriously, and even more importantly, they all understood that even fictional children get to outfox the police only if the policemen in question are just plain too dumb to solve the case on their own.  But Inspector Hewitt doesn’t strike me like that at all.

So, sorry for spoiling everybody else’s party; I know I’m the odd one out here.  Don’t mind me — just go on enjoying Flavia’s adventures.  I simply won’t be along for the ride.

 


Angela Carter: Nights at the Circus

You know that scene in Amadeus where the Austrian emperor comments on Mozart’s music that it contains “too many notes”?  That’s how I began to feel after a while about the individual episodes, destinies, and narrative detours making up the sum total of this book — they simply started to run into each other.  Adjoa Andoh, who reads the audio version, said in an Audible interview about Nights at the Circus that Angela Carter is “generous” with her use of words (and towards her characters) … which I don’t necessarily mind; in fact, I’ve been known to downright revel in exuberant prose, but I confess that Carter has tested even my limits here.

Based on a simple premise — journalist interviews “human swan” trapeze artist in the attempt to show her up as a fraud, instead falls in love with her, and ends up joining her circus as a clown so as to follow her to Russia –, this is an exploration of the world of Victorian carneys, circuses, and freak shows, of the divisions of class and culture(s), and of the exploitation of women and of the disabled (especially those perceived as freaks).  If, going in, you have any misconceptions about the nature of Nights at the Circus based on its title and setting, or based on the fact that it is frequently described as “magic realism”, at least in the audio version Adjoa Andoh’s earthy reading will disabuse you of any such notions literally from the first word on: there is no question that Fevvers, the book’s protagonist, is cockney to the bone; and more generally speaking, between them Carter and Andoh leave no doubt about the fact there is (or was) nothing remotely glorious or magical about the behind-the-scenes world of Victorian carneys — nor about the previous lives of most carney artists, or the destiny awaiting them once they were too old to be able to perform.  While pulling off enough of the veil for the reader / spectator to understand that much of what (s)he sees is an illusion, the lines are occasionally blurred, and not all is revealed to the naked eye — and even where Carter applies her exuberance to the plainly ridiculous, never once does she lose an ounce of respect for her characters (nor, for that matter, does Andoh’s narration).  Yet, this is one book where I’ll likely want to revisit the printed version at some point in the future, because Andoh’s performance, splendid as it is, is so dominant that I couldn’t help wondering sometimes if the characters — first and foremost Fevvers herself, but others as well — would have sounded exactly the same in my head without anybody else’s intervening interpretation.

In the meantime, though, give me Fellini’s La Strada (and The Clowns) any day of the week …

 


Daphne du Maurier: Frenchman’s Creek

If it weren’t for du Maurier’s indisputable gifts as a writer, and for the splendid things that are Rebecca and The Birds, my most recent reads of hers, between them, would have seriously made me doubt if she is for me at all, had these been my only introduction to her writing.  While Jamaica Inn at least excels in terms of creating a truly oppressive and spooky atmosphere (and since I read it primarily for that, I was willing to give du Maurier considerable slack in terms of the plotline … until I got to the beyond-eyeroll-worthy ending, that is), Frenchman’s Creek lost me even before it really had started to get going and never recaptured my attention.

That being said, it’s the sort of totally implausible, romantic pirate adventure that would have riveted me in my early teens.  Problem is, I’m not a teenager anymore, I expect people (both fictional and in real life) to act with at least a minimal amount of rationality — and book characters to be at least substantially self-consistent (and consistent with their station in life) –, and I no longer believe in insta-love.  So I’m just going to say thank you to Ms. du Maurier for once more taking me to 19th century Cornwall, which comes across as decidedly more lovely here than it does in Jamaica Inn (but then it would, this being a romance at heart), and thank you to John Nettles for giving his utmost to make this a captivating audiobook experience.  But for once, I was glad to have contented myself with an abbreviated version … and I don’t think anything will tempt me to revisit this novel anytime soon (even though here, too, I actually own a print edition as well).

 


Edith Wharton: Ghosts: Edith Wharton’s Gothic Tales

As the title says, a selection of audio narrations taken from Edith Wharton’s collection of ghost stories: big on atmosphere and on Wharton’s lovely, insightful, empathetic writing; negligible to nonexistent on blood and gore.  This is how I like my gothic fiction!  As in her novels, Wharton relies entirely on subtle means of psychology; on our innate fear of the unknown, on our need to empathize, on uncertainties — about the right way, about another person, or the accuracy of ancient writings and legends, or how far to trust our own senses; on changes of light, visions barred, sounds more devined than actually heard, and ethereal smells wafting by but impossible to source.  There is room for delicate humor here as well as for compassion; my favorite stories being, probably, Mr. Jones and Kerfol (warning, however: the dog dies.  Or rather, the dogs die — several of them in short succession.  But they get their revenge in the end) … though, really, it’s difficult for me to pick any clear favorites at all.

 


Terry Pratchett: The Colour of Magic

“The discworld offers sights far more impressive than those found in universes built by Creators with less imagination but more mechanical aptitude.”

Aaah … Sir Terry.  What would Halloween Bingo possibly be without you?  Especially this year, what with Wyrd Sisters being the official bingo group readand having inspired Booklikes’s very own Discworld group, which very properly decided to read all the books in the order of publication.  So, another Halloween Bingo with no less than two Pratchett books — yey!

Before I started to explore the Discworld universe, people told me to just dive in anywhere, it didn’t matter with which book I started; and that’s just what I did.  But after going a-roving here and there, it’s been pure joy to come back to the very beginning and see where it all started.  The Colour of Magic is a hilarious romp through 1980s fantasy (and to a lesser extent, science fiction) conventions; Big Bang turtle theory, imagine-dragons, magic sword, hero lore, staffless wizard (Rincewind), naive tourist and all.  The tourist (Twoflower: an inn-sewer-ants agent by trade with a reckless disregard for his own and Rincewind’s personal safety) has even brought a precursor of the glorious Hex, as it were; an iconograph (“device for taking pictures quickly”) with a demon inside who will sketch a perfect likeness of you in anywhere from 30 seconds upwards.  And then, of course, there is The Luggage … can there possibly be a more apt application of the “Relics and Curiosities” bingo square?  All the essentials of what makes Discworld — well — Discworld are in place here already, even if Pratchett may have further fine-tuned his style in the subsequent books (many of which, as a result, are even funnier).  I was glued to my speakers from the first second of Nigel Planer’s hilarious, spot-on narration, and I also have to say that I liked The Colour of Magic quite a bit better than Equal Rights, the first Witches book (and overall, Discworld #3).

“This tourist is a thing that is out of place.  After acceding to his master’s wishes Nine Turning Mirrors would, I am quite sure, make his own arrangements with a view to ensuring that one wanderer would not be allowed to return home bringing, perhaps, the disease of dissatisfaction.  The Empire likes people to stay where it puts them.”

 

 

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Angela Carter: The Bloody Chamber

The Brothers Grimm and Charles Perrault meet the Creatures of the Night


What a great early start to this year’s Halloween Bingo.

I confess I didn’t care so much for the first (i.e., the titular) story — leaving aside the obvious similarities to Ann Radcliffe’s Mysteries of Udolpho, it feels like I’ve read essentially this very story a few times too often already, because pretty much every update of Bluebeard’s Castle seems to run along similar lines.  Maybe I have indeed even read this exact same version before (if not, the most recent incarnation I read was most likely something by either Neil Gaiman or Susanna Clarke), but anyway … let’s just say I was happy to move on when I could.

That said, the other stories were a sheer delight, and so is the collection as a whole — and its narration by Emilia Fox and Richard Armitage, who take turns in reading the various tales.  My favorites by far were the second, third, and fourth entries (The Courtship of Mr Lyon, The Tiger’s Bride, and Puss-in-Boots) — the second and third being variations on Beauty and the Beast; both more melancholy than terrifying — but especially so the fourth one, not least to Richard Armitage’s rendition which had me howling with laughter … and overlooking entirely that it actually is included in this collection for a reason (after all, clever Puss and his lady help Puss’s master to a rich bride by contriving the permanent, um, removal of said bride’s present husband).

And now … is it September 1 yet?

 

 

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