To my new followers …

I see I’ve picked up a number of new followers since I started sprucing up this blog last month: First of all: Welcome!

Up until mid-July 2020, this used to be my backup blog for my online activity, most of which primarily happened on a book blogging site called BookLikes.  That website, alas, took a nosedive in summer, as a result of being strangled by thousands of unchecked spam accounts and a number of other problems never addressed by the owners.  So, as I said in my final post on BookLikes (mirrored here on WordPress), this is now going to be my main blogging site.

My book catalogue lives on Librarything, where I have since made it searchable for everyone as a TinyCat library — do feel free to browse.  (It’s strictly a personal library, so there’s no option to “check out” or “borrow” books.)  My library chiefly consists of mysteries and crime fiction, classics, historical fiction, LitFic, and assorted nonfiction; with some speculative fiction (fantasy, sci-fi, dystopia, etc.) and horror (mostly of the gothic variety) sprinkled in here and there.

In the near future, the posts / notifications you’ll see coming from this blog will basically be falling into one of two categories:

(1) Cleaning up old blog posts mirrored here but originating from BookLikes.  Due to the fact that the two sites’ blog settings are not identical, and not all formatting and other HTML / CSS of the individual posts did transfer to WordPress as designed — also, BookLikes is “dead” for purposes of image hosting — I’ll have to clean up the posts backed up here: Probably not all of them, but at least some, to actually make them presentable.  As WP insists on sending out notifications even for posts dating from the past, you may be seeing notifications for book reviews and other posts that, upon closer inspection, actually date from several months or even years ago.   All I’m going to say about that for the moment is, “as you were” … don’t mind me, I’m just cleaning house over here.  Once the house cleaning is over and done with, this blog is hopefully going to have a directory sorting blog posts not only by date and category (as currently already available), but also by associated authors and artists … or at least, that’s the plan. — My reading projects (both ongoing and completed) can be found in the side bar to the right.

(2) Reading game-related posts, most notably in September and October, “Halloween Book Bingo” posts.  Reading games were a thing that the BookLikes community enjoyed a lot, and we’ve found a place and a method where / how to continue those despite the BL meltdown.  Halloween Bingo is our signature game and is being played for the fifth year in a row in 2020: It works basically just like an ordinary bingo game, except that each square on the bingo card is associated with a Halloween-ish theme / reading prompt, and you can only count a given square towards a bingo if it’s both been called and you have finished a book answering to that reading prompt.  — If you want to follow the progress of my game, you can do so HERE (my game preparation post with my lists of book options for the squares on my card can be found HERE).  The guy in the furry black tuxedo who is providing my bingo markers, incidentally, is called Charlie; he and his tabby brother / litter mate Sunny have been sharing my home and lighting up my life for almost exactly two years now, which corresponds to a little over half their lives.

If you go back through my blog, you’ll also come across blog posts associated with other reading games (all summarized as projects in the sidebar to the right), such as Festive Tasks, BL-opoly, and Snakes & Ladders.  (Most of the “internal” links in those summary project posts / pages are still for my original BookLikes posts; replacing those by the corresponding WordPress links is going to be part of the final touches of my houseblog cleaning operation.

Again, welcome to my blog, and please don’t hesitate to share your views in the comments!

BookLikes (and Legimi), is this really all you’ve got?

The site is live and running again. No other features are planned in the nearest future. The performance will be looked into depending on the problems and the availability of resources. Sorry for any inconvenience.

Comment on BookLikes’ Facebook page, last night (July 13, 2020).

Sorry, but that just isn’t good enough.

Not any more.  Not by a long shot.

It’s not about “new” features.  It’s about fixing problems that have existed for years — in fact, ever since Legimi acquired BookLikes four years ago –, that have grown progressively worse over the course of time, and that have been brought to the attention of BL management time and again, always (as we all know) to no avail whatsoever.

A serious commitment to fix those problems would require immediate action: no ifs or buts.  Not “depending on the problems and the availability of resources.”  Not just “looking into” the performance of the site.

Not just a canned response that couldn’t possibly say “we really don’t care” any clearer if it had shouted as much in neon letters a foot high or higher.

~~~~~~~~~~~~~~~~~~~~~~

After last night’s statement on behalf of BookLikes, I won’t create any content here anymore.  In fact, if that statement had been posted about 45 minutes or an hour earlier, I wouldn’t even have created the new post(s) I did still create last night.  I will instead continue to do what I already started doing when BL crashed for several days back in January of this year; namely, back up and salvage all that content of my BL account that isn’t already backed up elsewhere anyway (such as, fortunately, most of my blog posts, my library and most of my book-related data).

To those who want to stay in touch, as of now you can chiefly find me here:

WordPress: This is where I will continue posting my reviews and other blog posts.  In the past, my WP blog has been primarily — though not exclusively — my back up site for BookLikes posts, so it will take some tender love and care to be made truly presentable, but some projects are already under way; and other than salvaging my BL content, that will be my focus over the rest of the summer.

Librarything: Far and away the best online library system; you can really tell that the site was created by people who are librarians (and techies) first and foremost.  LT’s book database — and librarian / editing features — were superior to those of BookLikes by a magnitude of several galaxies even at the best of times: I’ve been willing to put up with the standard that BL had to offer for the sake of its blogging features and, most importantly of course, the BL community, but … no longer so.  There is no question that LT’s social / communication features are unwieldy and in need of a serious overhaul.  And no, I am not entirely comfortable with the fact that Amazon holds an indirect minority ownership interest in LT, which it very likely could increase to direct / sole or majority ownership at any time if it so chose.  But at least LT (unlike BookLikes) lets you export your book data — and I am not planning to post any reviews there –, so if it ever comes to that point, it will be easy enough to pull out.  And its social features are “learnable” and, like everything else, get easier to manage with increased use.

Goodreads: I left GR behind as my main book site back in 2013 and have no intention of reversing that decision.  However, I understand that not all of my friends from the BookLikes community feel comfortable creating a blog elsewhere or navigating Librarything, and at this point many have already made the move to the Outpost and / or (Mostly) Dead Writers Society groups on GR.  So to the extent that discussions and community activities are hosted there, I’ll participate.

Twitter: This is not an account I use to actively participate in any discussions, at least not outside the rare book-related convo or other; but I can be reached by PM there if necessary.  If you do have a blog or a Librarything or a Goodreads account, though, those are the paths of communication that I prefer.

~~~~~~~~~~~~~~~~~~~~~~

Buddy Reads
There are two buddy reads to which I had been looking forward here on BookLikes in the near future.

For Hannah Arendt’s The Origin of Totalitarianism, BT has already created a thread in the Outpost group. (@ Mark, I hope you’ve found us there!)  As she said in her first post, please join us — everybody is welcome!

As for the planned second French buddy read (and possible “buddy watch” of the TV adaptation of the Nicholas Le Floch novels), @ Tannat and @ Onnurtilraun, please let me know your preferred venue!  You can comment on this post — I’ll still be around for a while, so there is every chance I’ll see it — or reach me on any of the above-mentioned sites.  (Tannat, I know you’re on GR, LT and WP … not sure about Onnurtilraun, though?)

~~~~~~~~~~~~~~~~~~~~~~

Like so many others who have posted something similar in the past couple of days and weeks, it breaks my heart to be making this decision.  The BookLikes community is, without question or comparison, far and away the best book community I’ve ever belonged to.  The basic setup of BookLikes — a blogging community with an integrated book database — is, as such, unique in the online world.  But while I’ve always said that I’ll be here until the end, I feel the end has now indeed come — not because the community has given up on the site, but because its owners and administrators have.  Their statement on Facebook couldn’t possibly make that any clearer.  So:

 


(You didn’t really think I could do this without a cat meme, did you?)

 

 

Original post:
ThemisAthena.booklikes.com/post/2839878/booklikes-and-legimi-is-this-really-all-you-ve-got

BL-opoly, Pandemic Edition: TA’s Master Update Post

 

My marker is based (of course) on my little assistants and good luck charms, Sunny and Charlie, who are again helping me pick my books (this time around, properly pandemic-proofed).

 

 

My Progress Spreadsheet

 

 

The Books and the Board

The Questions

Who?: 

Why?: Pete Brown: Shakespeare’s Local – finished June 8, 2020.

How?: 

When?: Bernard Knight: Crowner’s Crusade – finished June 3, 2020.

 

The Railroads

The Silk Road: Anita Amirrezvani: The Blood of Flowers – finished July 13, 2020.

The Patagonia Star: Nicholas Shakespeare: The Dancer Upstairs – finished May 30, 2020.

The Cape-to-Cairo Railway:

The Nordic Express:

 

School’s Out For Summer

#1:

#3: Phyllis Wheatley: Memoir and Poems

#4: Ellery Queen: The Roman Hat Mystery – finished June 11, 2020.

 

The Stay-Cation

#6: Lili Grün: Alles ist Jazz – finished June 19, 2020.

#7: Holly Throsby: Goodwood – finished July 1, 2020.

#9: Isabel Allende: The Stories of Eva Luna – DNF @ 40%, May 28, 2020.

 

Beach Week

#10: Helene Tursten: Night Rounds – finished June 6, 2020.

#11: Ranka Nikolić: Mord mit Meerblick (Murder with Sea View) – finished July 3, 2020.

#13:

 

Mountain Cabin

#15: Mark Twain: The Diaries of Adam and Eve – finished July 13, 2020.

#16:

#18: 

 

The Lake House:

#19: Eve Makis: The Spice Box Letters – finished June 23, 2020.

#20: Agatha Christie: Dumb Witness – finished May 31, 2020.

#22: Margery Allingham: Police at the Funeral – finished June 1, 2020.

 

The Summer Blockbuster

#25:

#27: Ian Doescher: William Shakespeare’s Star Wars – Verily, a New Hope – finished June 2, 2020.

 

The Summer Romance

#28:

#30: Bernardine Evaristo: Girl, Woman, Other – finished June 26, 2020.

 

European Vacation

#33:

#35: Olivia Manning: The Great Fortune – finished June 18, 2020.

#36: Arthur Conan Doyle: The Ultimate Sherlock Holmes Collection – finished June 28, 2020.

 

The Novelty Cards

The Race Car: Picked up June 12, 2020; used July 4, 2020.

The Robot: Picked up June 18, 2020.

The Cat: Picked up June 9, 2020 and June 17, 2020; used June 12, 2020 and June 18, 2020.

“Cat” Books:

Patrick Leigh Fermor: Between the Woods and the Water – finished June 16, 2020.

Saša Stanišić: Wie der Soldat das Grammofon repariert – finished June 19, 2020 – and Herkunft – finished June 22, 2020.

The Dog: Picked up June 9, 2020 and June 17, 2020.

 

The Four Corners

GO: Collected $20 on May 26; and $5 each on:

June 3 – June 9 – June 18 – June 29 – July 4 – July 13

 

Jail:

Free Parking: 

Go to Jail:

 

The BookLikes Squares:

Spin the Wheel Decide

#24: July 13: Move to the Start Space

#31:

 

Original post:
ThemisAthena.booklikes.com/post/2595087/bl-opoly-pandemic-edition-ta-s-master-update-post

BL-opoly, Pandemic Edition — Roll #14

The Blood of Flowers - Anita Amirrezvani, Shohreh Aghdashloo

I rolled again earlier today, but since the dice sent me to a square I’ve already visited (#20, “The Lake House”), and I’m trying to get to as many different prompts as possible, I decided to use one of my novelty cards to move straight on to the Silk Road and make good on my resolution to include more books by authors from ethnicities other than Caucasian in the second half of 2020.  So, off to 17th century Persia we go instead!

 

  

 

 

Original post:
ThemisAthena.booklikes.com/post/2811981/bl-opoly-pandemic-edition-roll-14

BL-opoly, Pandemic Edition — Roll #13

Mord mit Meerblick - Ranka Nikolic, Mimi Fiedler


 

I already finished my last book the day before yesterday, but spent most of my spare time yesterday on my  mid-year reading update, so I’ve only rolled again today. 

 

As the BL-opoly prompts have helped me get out of my pandemic comfort reading, I’m going to continue using them — through the end of July as originally scheduled, unless RL intervenes (or BL officially breaks down once and for all).

 

Original post:
ThemisAthena.booklikes.com/post/2807570/bl-opoly-pandemic-edition-roll-13

2020 Mid-Year Reading Review and Statistics

What with the pandemic still very much ongoing, BL acting up again, MR’s and Char’s resulting posts re: BookLikes, the BL experience, and moving back to Goodreads, this feels like a somewhat odd moment to post my half-yearly reading stats.  I hope it won’t be the last time on this site, but I fear that the community to which I’ve belonged for almost a decade — longer than to any other online community — and which, most recently, has played a pivotal role in making the Corona pandemic more bearable to me, is on the point of breaking up.  And frankly, this is making me incredibly sad.

Book-wise, too, the pandemic has had a huge impact on my reading; for three out of the past six months, I pretty much exclusively withdrew into Golden Age mystery comfort reads, because I just didn’t have it in me to tackle anything else.  Though I suppose in comparison with others, who went into more or less full-fledged reading slumps, I can still color myself lucky.

That said, the past six months’ reading highlights definitely included all of the buddy reads, both for the shared reading experience and for the books themselves — as well as a number of books that I read either before the pandemic began or in the very recent couple of weeks … though I’m tempted to list every single favorite Golden Age mystery that I reread during the pandemic, too; in addition to a whole number of new discoveries.  So, without further ado (and roughly in reverse chronological order):

 

Highlights:

The Buddy Reads:

Jean-François Parot: L’énigme des blancs-manteaux (The Châtelet Apprentice)
The first of Parot’s Nicolas le Floch historical mysteries set in 18th century Paris.  Nicolas is a Breton by birth and, on the recommendation of his godfather, a Breton nobleman, joins the Paris police force under the command of its (real) Lieutenant General Antoine de Sartine, one of the late 18th century’s most influential statesmen and administrators. —  Parot was an expert on the period and a native Parisian, both of which elements clearly show in his writing, and I’m already looking forward to reading more books from the series.

French-language buddy read with Tannat and onnurtilraun — we’re now also looking into the possibly of “buddy-watching” the (French) TV adaptation starring Jérôme Robart.


The pandemic buddy reads; including and in particular:
Josephine Tey: A Daughter of Time (with BT’s and my individual add-on, Tey’s play Dickon, written under the name Gordon Daviot, which likewise aims at setting the record straight vis-à-vis Shakespeare’s Richard III) — A Daughter of Time was a reread; Dickon was new to me.
* Georgette Heyer: No Wind of Blame (the first of the Inspector Hemingway mysteries — also a reread);
* Agatha Christie: Towards Zero and Cat Among the Pigeons (both likewise rereads);
* Ngaio Marsh: Scales of Justice (also a reread; one of my favorite Inspector Alleyn mysteries);
* Cyril Hare: Tenant for Death (the first Inspector Mallett mystery — new to me);
* Patricia Wentworth: The Case Is Closed (Miss Sliver book #2 — also new to me; this isn’t a series I am reading in publication order).

Dorothy Dunnett: The Game of Kings (book 1 of the Lymond Chronicles)
16th century Scotland; the adventures of a main character somewhere between Rob Roy, Robin Hood and Scaramouche (mostly Scaramouche), but it also features a range of strong and altogether amazing female characters.  Another series I’m looking forward to continuing.

The first buddy read of the year, together with Moonlight Reader, BrokenTune, and Lillelara.

 

My Individual Highlights:

Bernardine Evaristo: Girl, Woman, Other
Heaven knows the Booker jury doesn’t always get it right IMHO, but wow, this time for once they absolutely did.  If you haven’t already read this, run, don’t walk to get it.  And though initially I was going to say “especially if you’re a woman (and from a minority)” — no, I’m actually going to make that, “especially if you’re a white man”.

Saša Stanišić: Herkunft (Origin) and Gaël Faye: Petit pays (Small Country)
Two autobiographical books dealing with the authors’ genocide experience, in Bosnia-Herzegovina and Burundi, respectively. Stanišić’s account — an odd mix of fact on fiction, which does lean pretty strongly towards the factual, however — asks, as the title indicates, how precisely our geographical, ethnic and cultural origin / sense of “belonging” defines our identity; and it focuses chiefly on the refugee experience and the experience of creating a new place for oneself in a new (and substantially different) country and culture.  Faye’s short novel (barely longer than a novella) packs an equal amount of punch, but approaches the topic from the other end — it’s a coming of age tale looking at the way our cultural identity is first drummed into us … and how ethnic stereotypes and hostilities, when fanned and exploited, will almost invariably lead to war and genocide.

 

Josephine Tey: The Inspector Grant series, Dickon, and Miss Pym Disposes
Having already read two books from Tey’s Alan Grant series (The Daughter of Time and The Franchise Affair) as well as her nonseries novel Brat Farrar in past years, and Miss Pym Disposes at the beginning of this year, I took the combined (re)read of The Daughter of Time and the play Dickon during the pandemic buddy reads (see above) as my cue to finally also read the rest of the Inspector Grant mysteries.  And I’m glad I finally did; Tey’s work as a whole is a paean to her much-beloved England — and though she was Scottish by birth, to a somewhat lesser degree also to Scotland –; a love that would eventually cause her to bequeath her entire estate to the National Trust. — Though the books are ostensibly mysteries, the actual “mystery” element almost takes a back seat to the land … and to its people, or rather to people like those who formed Tey’s personal circle of friends and acquaintances.  And it is in creating characters that her writing shines as much as in the description of England’s and Scotland’s natural beauty.

Pete Brown: Shakespeare’s Local
Another book that I owned way too long before I finally got around to reading it; the discursive — in the best sense –, rollicking tale of one London (or rather, Southwark) pub from its earliest days in the Middle Ages to the 21st century, telling the history of Southwark, London, public houses, and their patrons along the way.  The title is glorious conjecture and based on little more than the fact that the pub is near the location of Shakespeare’s Globe Theatre (combined with the equally demonstrable fact that Shakespeare loved a good ale and what today we’d call a pub crawl) … so it’s highly likely that, like many another celebrity over the centuries, he’d have had the occasional pint at this particular inn, the George, as well.

Dorothy L. Sayers: Love All
A delightful drawing room comedy that was, owing to its completion during WWII, only performed twice during Sayers’s own lifetime and never again thereafter, which is utterly unfair to both the material and its author — topically, this is the firmly tongue in cheek stage companion to such works as Gaudy Night and the two speeches republished under the title Are Women Human?  (I’d call it feminist if Sayers hadn’t hated that term, but whatever label you want to stick on it, its message comes through loud and clear and with plenty of laughs.)

Christianna Brand: Green for Danger
One of the discoveries of my foray into the realm of Golden Age mysteries; an eerie, claustrophobic, psychological drama revolving around several suspicious deaths (and near-deaths) at a wartime hospital in Kent during WWII.  None of Brand’s other mysteries that I’ve read so far is quite up to this level, but she excelled in closed-circle settings featuring a small group of people who all genuinely like each other (and really are, for the most part, likeable from the reader’s — and the investigating policeman’s — perspective, too), and in this particular book, the backdrop of the added danger arising from the wartime setting adds even more to the tension.  It’s also fairly obvious that Brand was writing from personal experience, which greatly enhances every single aspect of the book, from the setting and the atmosphere to the individual characters.

Sonia Sotomayor: My Beloved World
Sotomayor’s memoirs up to her first appointment to the Federal Bench.  What a courageous woman!  A trailblazer in every sense of the word — a passionate advocate for women, Latinos/-as (not just Puerto Ricans), those hindered in their career path by a pre-existing medical condition (in her case: diabetes), and more generally, everybody up against unequal odds.  Fiercely intelligent and never satisfied with second best (for herself and others alike), she nevertheless comes across as eminently likeable and open-minded — on the list of people I’d like to meet one day (however unlikely), she shot right up to a top spot after I’d read this book; in close vicinity with Michelle Obama.

John Bercow: Unspeakable
Bercow’s time as Speaker of the House of Commons was doubtlessly among the more remarkable periods in the history of the British Parliament, both on account of his personality and of the momentous decisions taken during those years; and his unmistakeable style jumps out from every page of his memoir — as well as every minute of the audio edition, which he narrates himself.  The last chapter (his attempt at outlining the odds for Britain post-Brexit) was already obsolete before the Corona pandemic hit; this is even more true now.  However, the vast majority of the book makes for a fascinating read, not least of course because of his insight into the politics — and politicians — of his time (he is neither sparing with the carrot nor with the stick, and some of his reflections, e.g., on the qualities of a “good” politician / member of parliament, would constitute ample food for thought for politicians anywhere).

 

Statistics:

As I said above, the one thing that definitely had the biggest impact on my reading in the first six months of 2020 was my three-month long “comfort reading” retreat into the world of Golden Age mysteries.  So guess what:

Of the 129 books I read in the first six months of 2020, a whopping 63% were Golden Age and contemporary mysteries — add in the 10 historical mysteries that also form the single biggest chunk of my historical fiction reading, you even get to 91 books or 70.5%.

I am rather pleased, though, that — comfort and escape reading aside and largely thanks to a number of truly interesting memoirs and biographies — the number of nonfiction books is roughly equivalent to the sum of “high brow” fiction (classics and litfic).

Another thing that makes me happy is that my extended foray into Golden Age mysteries was not overwhelmingly limited to rereads; these accounted for only 28% of all books read (36 in absolute figures), a percentage which is not substantially higher than my average in the last two years.  At the same time, as a comparatively large number of Golden Age mysteries are not (yet?) available as audiobooks — not even all of those that have been republished in print in recent years –, and as I have spent considerably less time driving to and from meetings and conferences than in the past two years, the share of print books consumed is higher than it was in 2018 and 2019.

 

Given the high percentage of comfort reading, it’s no surprise that my star ratings are on the high side for the first half of 2020 — the vast majority of the books were decent, if not good or even great reads.

Overall average: 3.7 stars 

However, my Golden Age mystery binge also had a noticeable effect on the two statistics I’m tracking particularly: gender and ethnicity.

As far as gender is concerned things still look very good if you just focus on the authors: 88 books by women (plus 5 mixed anthologies / author teams) vs. 36 books by male authors; hooray!  However, inspired by onnurtilraun, I decided to add another layer this time and also track protagonists … and of course, if there is one genre where women authors have created a plethora of iconic male protagonists, it is Golden Age mystery fiction; and all the Miss Marples, Miss Silvers, Mrs. Bradleys and other female sleuths out there can’t totally wipe out the number of books starring the likes of Hercule Poirot, Lord Peter Wimsey, Roderick Alleyn, and other male detectives of note.  Then again, the Golden Age mystery novelists actually were ahead of their time in not only creating women sleuths acting independently but also in endowing their male detectives with equally strong female partners and friends, so the likes of Ariadne Oliver, Agatha “Troy” Alleyn, and of course the inimitable Harriet Vane, also make for a significantly higher number of books with both male and female protagonists.  Still, the gender shift is impossible to miss.

 

(For those wondering about the “N / A” protagonist, that’s Martha Wells’s Murderbot, who of course is an AI and deliberately created as gender-neutral.)

And of course, since there isn’t a non-white author to be found among the Golden Age mystery writers (or at least, none that I’m aware of and whose books figured as part of my reading during the past couple of months), the ethnicity chart goes completely out of the window.  Again, as long as you just look at the number of countries visited as part of my Around the World reading challenge (and if you ignore the number of books written by authors from / set in the UK and the U.S.), the figures actually still look pretty good — and yes, the relatively high number of European countries is deliberate; I mostly focused on authors from / settings in the Southern Hemisphere last year, so I figured since tracking ethnicity was substantially impacted by the mystery binge this year anyway, I might as well make a bit of headway with the European countries, too.

Yet, there is one interesting wrinkle even in the comparison of author vs. protagonist ethnicity; namely, where it comes to the non-Caucasian part of the table: It turns out that the number of non-white protagonists is slightly higher than that of non-white authors, because I managed to pick a few books at least which, though written by white authors, did feature non-white protagonists.  Make of that one what you will …

   

Nevertheless, for the rest of the year, the aim is clear … catch up on my Around the World reading challenge and build in as many books by non-Caucasian authors as possible!

Addendum
In a discussion on the BookLikes version of this post, the question came up whether the author’s gender and ethnicity matters at all, or whether the only thing that really matters is the quality of the writing to begin with.  Here’s what I wrote there:

I used to think it [= gender and ethnicity] didn’t / shouldn’t matter, too. Since I started to put greater weight on women’s writing and books by non-white authors, I’ve come to change my mind.

1) It’s not about “chromosomes”, but about life experience. Women, even in today’s society, experience life differently from men. That is true even for women who (like me) were raised — not necessarily deliberately, but as it were “by default” — in such a way as to embrace roles traditionally reserved for men from early childhood on (which incidentally frequently put me at odds with the boys in the playground), and who work in an industry that, even when I was in university, was still substantially dominated by (white) men, and to a certain extent still is even today (not in terms of access to the profession as such, but in terms of what is achievable and who calls the shots). And similarly, it is obvious that blacks, Latinos/-as, Asians, and members of other ethnicities experience society differently from whites — it didn’t take George Floyd’s death and the Black Lives Matter movement to convince me of that.

So it is only natural that women — and non-white authors — also tell stories differently from men, and from white people, respectively. Not necessarily, perhaps not even overwhelmingly, the way that Bernadine Evaristo does — a book like “Girl, Women, Other” could of course never have been written by a man or by a white person to begin with. (And that’s precisely the reason why I said these are the people who most need to read this book — because it reflects a perspective that they / we will only ever be able to understand, if at all, intellectually; never instinctively and from personal experience.) Nor do I necessarily mean that male writing is more “testosterone-soaked” than women’s writing (though bad male writing almost invariably is), or that “men can’t write women characters” (and vice versa). — In most cases, the differences between men’s and women’s writing are so subtle that, as long as you don’t pay any attention, you don’t notice them at all. But if you come from reading a lot of books written by men (as I had, when I set out on this course a few years ago) and then you switch to reading books written mostly by women, you start noticing them after a while — in details of writerly focus, in little things like a detail of an individual characters’ response to a particular situation (or to somebody else’s comment), in the way dialogue is framed, in what matters to a character in a given situation, etc. Again, none of this rises to the level of “good / bad” “realistic / unrealistic” writing, or to “men writing women as men with XX.chromosomes” (or women writing men as women with XY-chromosomes, or whites writing other ethniticities as black-faced whites, etc.), but it’s there; and interestingly, it’s there as much in, say, Golden Age mystery fiction and other 19th and early 20th century classics as it is in contemporary writing.

2) It’s about industry access and noticeability. The publishing industry is, for all I can see, still way too much dominated by “pale stale males”. Like in my own industry (the law), it’s not so much a matter of a lack of women (or non-white) writers (and columnists, critics, journalists, etc.) But in the corporate structures, the old hierarchies die hard — not only at the top (= the tip of the iceberg) — and though I don’t know a lot of writers personally, I know enough to realize how much harder it is for women — and for writers of color — to obtain the same amount of exposure that a white male author would be able to obtain in their situation. (Again, this isn’t as simple as “good / bad writing” or a matter of talent — it’s about what it takes *in addition* to talent and good writing.) So if I can do my tiny little bit to help by actually buying and reading their books — and by occasionally even talking about those books, whenever I feel motivated enough to write a review, or by deliberately tracking my reading and talking about that, I’m more than happy to do that.

// TA steps off soap box.

 

Original post:
ThemisAthena.booklikes.com/post/2804666/2020-mid-year-reading-statistics

BL-opoly, Pandemic Edition — Roll #12

Goodwood - Holly Throsby, Rebekah Robertson

I actually rolled last night already, but BL was so buggy that I gave up on trying to post.  And I’m glad it’s a simple roll again for once.  So, off to Australia we go — and I’m wondering whether it’s a coincidence that this small-town mystery is called Goodwood, whereas one of my new favorite TV mystery series is set in New Zealand … and is called Brokenwood.

 

Original post:
ThemisAthena.booklikes.com/post/2789603/bl-opoly-pandemic-edition-roll-12

BL-opoly, Pandemic Edition — Roll #11

Girl, Woman, Other - Bernardine Evaristo, Anna-Maria Nabirye The Ultimate Sherlock Holmes Collection - John Gielgud, Ralph Richardson, Bart Wolffe,  Arthur Conan Doyle

I rolled again yesterday after having finished my books from roll #10, but it was too late and would have taken too long to add the new books I’m planning to read, so I deferred posting until today.  So here’s where the dice are taking me in this round:

 

(I was going to leave the Sherlock Holmes for later, but somewhat incredibly it seems to be the only unread book in my audio library with a European monument on the cover at the moment; besides, I don’t feel like double checking which of my book titles might be used to spell one of the city names, and there is, after all, no such thing as a wrong time to revisit Mr. Holmes …)

 

Original post:
ThemisAthena.booklikes.com/post/2766912/bl-opoly-pandemic-edition-roll-11

BL-opoly, Pandemic Edition — Roll #11

Girl, Woman, Other - Bernardine Evaristo, Anna-Maria Nabirye The Ultimate Sherlock Holmes Collection - John Gielgud, Ralph Richardson, Bart Wolffe,  Arthur Conan Doyle

I rolled again yesterday after having finished my books from roll #10, but it was too late and would have taken too long to add the new books I’m planning to read, so I deferred posting until today.  So here’s where the dice are taking me in this round:

 

(I was going to leave the Sherlock Holmes for later, but somewhat incredibly it seems to be the only unread book in my audio library with a European monument on the cover at the moment; besides, I don’t feel like double checking which of my book titles might be used to spell one of the city names, and there is, after all, no such thing as a wrong time to revisit Mr. Holmes …)

 

Original post:
ThemisAthena.booklikes.com/post/2766910/bl-opoly-pandemic-edition-roll-11